清代北京俗文藝演變與旗人社會研究
發(fā)布時間：2018-07-23 16:01
【摘要】：本文以歷史發(fā)展為線索,運用戲曲學(xué)、歷史學(xué)、文藝學(xué)的交叉研究方法,通過搜集、整理和分析官方檔案文獻、文人筆記、戲曲曲藝文本,系統(tǒng)梳理清代各個時期北京城市旗人社會與俗文藝之間的互動關(guān)系,重點探討戲曲、曲藝等俗文化在清代繁榮發(fā)展背后的特殊歷史因素,探索其背后的旗人思想文化構(gòu)建過程,以及這種良性互動對于中國戲曲史的積極意義。全文共分三部分,首設(shè)緒論,尾置結(jié)論,正文三章。第一章,探討清代前期旗人群體特殊的社會制度建立過程,以及這一時期北京地區(qū)戲曲文化的整體狀況對旗人群體思想文化建構(gòu)的影響。第二章以乾隆時期花雅之爭為開端,探討旗人在市民化后對俗文化從觀賞到介入的轉(zhuǎn)變,以及這種變化背后審美取向的影響。第三章以清后期京劇的出現(xiàn)和高速發(fā)展為核心,探討旗人社會制度逐步瓦解與俗文藝繁榮的內(nèi)在聯(lián)系。
[Abstract]:Based on the clue of historical development and the cross-research methods of drama, history and literature, this paper collects, arranges and analyzes official archives, literati notes, and opera art texts. This paper systematically combs the interactive relationship between Beijing city flag people society and popular literature and art in every period of Qing Dynasty, probes into the special historical factors behind the prosperity and development of traditional culture such as opera, quyi and so on, and probes into the process of constructing the ideology and culture of the flag people behind it. And the positive significance of this kind of benign interaction to the history of Chinese opera. The full text is divided into three parts, the first introduction, the end of the conclusion, the text of the three chapters. The first chapter discusses the establishment process of the special social system of the flag group in the early Qing Dynasty and the influence of the whole situation of the opera culture in Beijing on the ideological and cultural construction of the flag group in this period. The second chapter begins with the controversy of flower elegance in Qianlong period, and discusses the change of the folk culture from appreciation to intervention after the city becomes a citizen, and the influence of the aesthetic orientation behind this change. The third chapter focuses on the emergence and rapid development of Beijing Opera in the late Qing Dynasty, and discusses the internal relationship between the gradual disintegration of the banners' social system and the prosperity of popular literature and art.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：J809.2
，
本文編號：2139913
[Abstract]:Based on the clue of historical development and the cross-research methods of drama, history and literature, this paper collects, arranges and analyzes official archives, literati notes, and opera art texts. This paper systematically combs the interactive relationship between Beijing city flag people society and popular literature and art in every period of Qing Dynasty, probes into the special historical factors behind the prosperity and development of traditional culture such as opera, quyi and so on, and probes into the process of constructing the ideology and culture of the flag people behind it. And the positive significance of this kind of benign interaction to the history of Chinese opera. The full text is divided into three parts, the first introduction, the end of the conclusion, the text of the three chapters. The first chapter discusses the establishment process of the special social system of the flag group in the early Qing Dynasty and the influence of the whole situation of the opera culture in Beijing on the ideological and cultural construction of the flag group in this period. The second chapter begins with the controversy of flower elegance in Qianlong period, and discusses the change of the folk culture from appreciation to intervention after the city becomes a citizen, and the influence of the aesthetic orientation behind this change. The third chapter focuses on the emergence and rapid development of Beijing Opera in the late Qing Dynasty, and discusses the internal relationship between the gradual disintegration of the banners' social system and the prosperity of popular literature and art.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：J809.2
，
本文編號：2139913
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