【摘要】：中國是一個(gè)多民族的國家,悠久的歷史和燦爛的文明為中華民族留下了極其豐富的文化遺產(chǎn)。作為四川地區(qū)重要的曲藝形式,四川清音經(jīng)歷了三百多年的發(fā)展歷程。2008年2月四川清音成功入選了“國家級(jí)第二批非物質(zhì)文化遺產(chǎn)名錄”,省內(nèi)對(duì)四川清音的研究逐漸增多。 從四川清音誕生以來在已有的理論研究成果中,主要是對(duì)四川清音歷史沿革的考究、音樂形態(tài)的分析、四川清音傳承人從業(yè)經(jīng)歷的記錄等等。其中,成績斐然的是對(duì)四川清音演唱方法、演唱特色、表演風(fēng)格的論述,以及曲目和曲詞的整理研究等,但專門針對(duì)四川清音傳承方式的論述為數(shù)不多,特別是傳承新模式的探索研究幾乎還沒有形成一個(gè)完善的思路。所以,本文的論述選擇了以論四川清音傳承方式的演變與新模式的探索為題。 在研究的過程中,主要運(yùn)用了對(duì)四川清音理論研究為主,實(shí)踐為輔；對(duì)四川文化旅游演藝產(chǎn)業(yè)實(shí)踐為主,理論研究為輔的方法；在對(duì)兩個(gè)不同的學(xué)科交叉研究的基礎(chǔ)上,先進(jìn)行基礎(chǔ)的分析,再綜合推理的方法。主要著眼于：結(jié)合中國(成都)國際非物質(zhì)文化遺產(chǎn)節(jié)永久落戶成都的良好契機(jī),以四川清音與四川文化旅游演藝產(chǎn)業(yè)的結(jié)合為落腳點(diǎn),通過觀察、記錄、分析四川旅游市場上已有的優(yōu)秀案例,著重探討如何開拓四川清音新的傳承方式。 清音藝人一直遵循著“口傳心授”的傳承方式,尤其是近年來隨著經(jīng)濟(jì)發(fā)展和人們生活方式的改變,四川清音也逐漸失去了生存與繁榮的土地。因此,加強(qiáng)這一文化的保護(hù)刻不容緩。國家“民族民間文化保護(hù)工程”正在如火如荼的開展,本論文意在對(duì)四川清音既有的傳承方式的總結(jié),補(bǔ)充對(duì)四川清音傳承新模式的理論研究,爭取為四川清音的傳承與四川旅游業(yè)的開發(fā)打開一扇新窗。
[Abstract]:China is a multi-national country. Its long history and splendid civilization have left an extremely rich cultural heritage for the Chinese nation. As an important form of quyi art in Sichuan, Sichuan Qingyin has experienced more than 300 years of development. In February 2008, Sichuan Qingyin was successfully selected as the second batch of national intangible cultural heritage list, and the research on Sichuan Qingyin gradually increased in the province. Since the birth of Sichuan Qingyin in the existing theoretical research results, mainly on the historical evolution of Sichuan Qingyin, the analysis of music patterns, Sichuan Qingyin inheritors of the record of employment experience and so on. Among them, the outstanding achievements of Sichuan Qingyin singing methods, singing characteristics, performance style, as well as the repertoire of songs and lyrics, etc. In particular, the exploration of the new mode of inheritance has hardly formed a perfect train of thought. Therefore, this paper chooses to discuss the evolution of Sichuan Qingyin inheritance mode and the exploration of new models. In the course of the research, we mainly use the methods of mainly studying the clear sound theory of Sichuan, giving priority to practice, giving priority to the practice of cultural tourism and performing arts industry in Sichuan, and using the method of theoretical research as auxiliary; on the basis of the cross-study of two different disciplines, The basic analysis is carried out first, then the method of synthesizing reasoning. Mainly focusing on: combining the good opportunity of China (Chengdu) International Intangible Cultural Heritage Festival to permanently settle in Chengdu, taking the combination of Sichuan Qingyin and Sichuan cultural tourism and performing arts industry as the foothold, through observation, recording, This paper analyzes the outstanding cases in Sichuan tourism market, and probes into how to develop a new way of inheriting Sichuan Qingyin. Qingyin artists have always followed the way of "oral teaching", especially in recent years with the economic development and changes in people's way of life, Sichuan Qingyin has gradually lost the land of survival and prosperity. Therefore, it is urgent to strengthen the protection of this culture. The National "National Folk Culture Protection Project" is being carried out in full swing. This paper is intended to summarize the existing inheritance methods of Sichuan Qingyin, and to supplement the theoretical research on the new model of Sichuan Qingyin inheritance. Strive for the transmission of Sichuan Qingyin and the development of Sichuan tourism to open a new window.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J826

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 肖玲;;非物質(zhì)文化遺產(chǎn)“四川清音”在重慶地區(qū)的傳承與保護(hù)[J];西南大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2012年06期

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本文編號(hào)：2129406