【摘要】：木偶戲是中國傳統(tǒng)民間藝術(shù)之一,自宋代始就開始廣泛流傳于全國各地。塘坊鄉(xiāng)地處閩贛交界,地勢偏僻,群山環(huán)繞,除了木偶戲還有舉橋燈等民俗活動(dòng)。本文所研究的是江西省撫州市廣昌縣塘坊鄉(xiāng)的木偶戲,是結(jié)合了表演、唱腔、器樂的綜合性藝術(shù)表演形式,在當(dāng)?shù)匾詡鞒邪l(fā)展了近百年,是村民年節(jié)必備的表演和儀式。本文是針對塘坊鄉(xiāng)木偶戲的田野調(diào)查所做個(gè)案研究,從歷史文化、田野描述、音樂形態(tài)和民俗儀式等不同角度,對塘坊木偶戲的歷史沿革與文化背景、生態(tài)環(huán)境以及木偶偶戲的音樂儀式功能還有木偶戲與民間禮俗的關(guān)系等內(nèi)容進(jìn)行了論述。本文分為6個(gè)部分對塘坊鄉(xiāng)木偶戲進(jìn)行研究,在緒論部分主要是對塘坊鄉(xiāng)木偶戲的國內(nèi)外研究現(xiàn)狀、研究的意義、研究重難點(diǎn)以及研究的方法與思路等問題進(jìn)行基本的概述,對塘坊鄉(xiāng)木偶戲進(jìn)行研究的基礎(chǔ)工作。正文的第一部分是對木偶戲進(jìn)行實(shí)地考察,獲取了塘坊鄉(xiāng)木偶劇團(tuán)的歷史沿革、生存環(huán)境傳統(tǒng)習(xí)俗的基本信息,表明了木偶劇團(tuán)能夠生存和發(fā)展的狀態(tài)和原因。第二部分對塘坊鄉(xiāng)木偶戲的內(nèi)部結(jié)構(gòu)以及發(fā)展情況包括組織規(guī)模、演出形式、劇團(tuán)管理等基本信息進(jìn)行闡述和分析;第三部分在對塘坊鄉(xiāng)木偶劇團(tuán)的內(nèi)外構(gòu)成的基礎(chǔ)上對木偶戲的板腔體唱腔、器樂構(gòu)成、曲譜形態(tài)以及音樂儀式進(jìn)行分析,得出木偶戲的音樂具有教育、民俗、審美等功能。在第四個(gè)部分,是基于田野調(diào)查的基礎(chǔ)上中,采用觀察和體驗(yàn)的方法,對塘坊木偶戲演出和民俗活動(dòng)進(jìn)行了全面的調(diào)查和研究。通過“主位”和“客位”兩個(gè)方面的客觀調(diào)查了塘坊鄉(xiāng)木偶戲禮俗的傳承與變遷、木偶戲儀式的神圣性和世俗性,論證了木偶戲、民間信仰與民間禮俗的關(guān)系,得出塘坊鄉(xiāng)木偶戲是在當(dāng)?shù)貙R神為信仰的民間禮俗背景下長期存在,它是依附在民間禮俗中并與當(dāng)?shù)孛耖g禮俗共生共存的關(guān)系。在第五個(gè)部分,主要研究和思考塘坊鄉(xiāng)木偶戲在民俗環(huán)境氛圍逐漸弱化,民眾對傳統(tǒng)戲曲的興趣越來越低的情況下,如何對塘坊鄉(xiāng)木偶戲進(jìn)行保護(hù),主要從民俗、政府和經(jīng)濟(jì)方面進(jìn)行了探討和研究。
[Abstract]:Puppet play is one of Chinese traditional folk art, which has been widely spread all over the country since the Song Dynasty. Tangfang Township is located at the border of Fujian and Jiangxi, remote terrain, surrounded by mountains, in addition to puppet show, lift bridge lanterns and other folk activities. This article studies the puppet show in Tangfang Township of Guangchang County, Fuzhou City, Jiangxi Province, which combines the performance, singing and instrumental music. It has been developed for nearly 100 years and is the necessary performance and ceremony of the villagers' New year Festival. This paper is a case study on the field investigation of the puppet show in Tangfang Township. From different angles of history and culture, field description, music form and folklore ceremony, the paper analyzes the historical evolution and cultural background of the puppet show in Tangfang. The ecological environment, the musical ritual function of puppet play and the relationship between puppet show and folk custom are discussed. This paper is divided into six parts to study the puppet show in Tangfang Township. In the introduction part, it mainly summarizes the current research situation, the significance of the research, the important and difficult points of the research, the methods and ideas of the study, and so on, in the introduction part, it is mainly about the research situation at home and abroad, the significance of the research, and the methods and ideas of the research. The basic work of the study on the puppet show in Tangfang Township. The first part of the text is to carry on the field inspection to the puppet show, has obtained the historical evolution of the puppet troupe of Tangfang township, the basic information of the living environment tradition custom, has indicated the puppet theater troupe can survive and the development state and the reason. The second part expounds and analyzes the internal structure and development of the puppet show in Tangfang township, including the organization scale, the form of the performance, the management of the troupe, and so on. In the third part, based on the analysis of the inner and outer composition of the puppet troupe in Tangfang township, the paper analyzes the singing of the board cavity, the composition of instrumental music, the form of music spectrum and the music ceremony, and draws the conclusion that the music of puppet show has the functions of education, folklore, aesthetics and so on. In the fourth part, on the basis of field investigation, the author makes a comprehensive investigation and research on the puppet show and folklore activities in Tangfang by means of observation and experience. Through the objective investigation of the inheritance and change of the ritual and customs of the puppet show in Tangfang Township, the sacredness and the secular nature of the ceremony of the puppet show, the paper demonstrates the relationship between the puppet show, folk belief and the folk custom through the two aspects of "theme" and "guest position". It is concluded that the puppet show in Tangfang Township exists for a long time under the background of local folk rites and customs, which is attached to the folk rites and customs and coexists with the local folk rituals and customs. In the fifth part, I mainly study and think about how to protect the puppet show in Tangfang, mainly from the folklore, when the folk environment is gradually weakening and people's interest in traditional opera is getting lower and lower. The government and the economy have carried on the discussion and the research.
【學(xué)位授予單位】：江西財(cái)經(jīng)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J827;J617.5

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