【摘要】：文章主要研究歌劇《弄臣》中吉爾達(dá)的角色特點(diǎn)、藝術(shù)特征。首先要深入的了解意大利歌劇巨匠威爾第傳奇而輝煌的一生,貧苦大眾的出身和曲折的生活經(jīng)歷造就了他樸實(shí)而堅(jiān)強(qiáng)的性格�！杜肌肥菬衢T三部曲之一,是威爾第的創(chuàng)作轉(zhuǎn)型階段,更加注重對(duì)于民間底層的角色的細(xì)膩刻畫。 對(duì)于吉爾達(dá)的分析從多個(gè)人物角度入手,總體進(jìn)行闡述。 一、正面對(duì)吉爾達(dá)分析 吉爾達(dá)的兩首詠嘆調(diào)《親切的名字》《每逢那節(jié)日到來(lái)》的分析。主要從情節(jié)描述、角色的戲劇性格和心理分析、曲式分析、語(yǔ)言分析、藝術(shù)處理幾方面來(lái)闡述。 二、側(cè)面對(duì)于吉爾達(dá)的分析 在歌劇中有很多唱段,是吉爾達(dá)與其他的角色人物以對(duì)唱、重唱的形式來(lái)展開的,分別表現(xiàn)出吉爾達(dá)的多方面特征。 1、吉爾達(dá)與父親的對(duì)唱； 吉爾達(dá)與父親之間的對(duì)唱；與父親首次共同出現(xiàn)在舞臺(tái)上的對(duì)唱,表現(xiàn)了父女情深、相依為命,為以后故事沖突的發(fā)展埋下伏筆；在吉爾達(dá)被公爵凌辱后,與父親首次產(chǎn)生矛盾沖突的對(duì)唱,是通向歌劇悲劇結(jié)局的橋梁；最后是即將死去的吉爾達(dá)與父親的訣別,體現(xiàn)了沉重的悲劇美。 2、吉爾達(dá)與公爵的對(duì)唱,描寫了少女的甜蜜愛戀； 3、吉爾達(dá)與保姆喬萬(wàn)娜的對(duì)唱； 4、吉爾達(dá)所參與的三重唱、四重唱； 威爾第著名的四重唱《愛之嬌子》,是吉爾達(dá)與父親、公爵、瑪?shù)氯R娜各懷不同心事的四重唱；吉爾達(dá)在死前與刺客兄妹間接的三重唱。 通過(guò)分析這些唱段的歌詞、旋律、標(biāo)志性配器等來(lái)總述出吉爾達(dá)的各方面心理特點(diǎn)、性格特征,以吉爾達(dá)的美對(duì)比出黑暗社會(huì)和統(tǒng)治者的丑惡、壓迫,體現(xiàn)了沉重的悲劇性色彩,通過(guò)對(duì)觀眾心靈的震撼使人性的美散發(fā)出永恒的光輝。
[Abstract]:The article mainly studies the character and artistic characteristics of Gilda in the opera Jester. First of all, we should deeply understand the legendary and brilliant life of Italian opera magnate Verdi. The birth of poor people and his tortuous life experience have created his simple and strong character. [jettisons] is one of the popular trilogy. Is Verdi's creative transition stage, pay more attention to the bottom of the folk role of the delicate portrayal. Gilda's analysis from the perspective of a number of characters, the overall elaboration. First, facing the Gilda analysis of Gilda's two arias, "friendly name", "when that holiday comes" analysis. Mainly from the plot description, the character of the drama and psychological analysis, music analysis, language analysis, art processing to explain several aspects. Second, the analysis of Gilda on the side has many verses in the opera, which Gilda and other characters sing in the form of duet and duet. Gilda shows many aspects of the characteristics. 1, Gilda and his father of the duet; Gilda and the father of the duet; and his father appeared on the stage for the first time, showing a deep father-daughter love, dependent on the fate, Laid the groundwork for the future development of the story conflict; after Gilda was humiliated by the Duke, the first confrontation with his father was a bridge to the tragic end of the opera; and finally, the farewell of the dying Gilda and his father, 2) the duet of Gilda and the duke, describing the sweet love of the young girl; 3, the duet of Gilda and the nanny Giovanna; 4, the trio of Gilda, the quartet; Verdi's famous quartet, "the Gillian of Love," is a quartet of Gilda and his father, Duke, and Madeleine; Gilda is an indirect trio with the brother and sister of the assassin before his death. By analyzing the lyrics, melodies and iconic orchestration of these verses, the author summarizes Gilda's psychological characteristics and personality characteristics, contrasts with the beauty of Gilda the ugliness and oppression of the dark society and the rulers. It reflects the heavy tragic color and makes the beauty of human nature radiate eternal brilliance through the shock of the audience's soul.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J832

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 郭瑾;威爾第和普契尼歌劇中女高音詠嘆調(diào)藝術(shù)風(fēng)格與演唱特色之比較研究[D];山東師范大學(xué);2005年

，

本文編號(hào)：2120385