發(fā)布時(shí)間：2018-07-13 18:32

【摘要】：清末西潮東漸的文化趨勢(shì)令王國(guó)維得以另辟視野,從而構(gòu)建起戲曲史大廈。王國(guó)維的結(jié)論建立在充分史料支撐和有一說一的基礎(chǔ)之上,因而盡管百年來的學(xué)術(shù)實(shí)踐不斷豐富完善了王國(guó)維體系,但也一再證實(shí)了其科學(xué)性。對(duì)王國(guó)維繹述的曲牌體音樂結(jié)構(gòu)經(jīng)過大曲聯(lián)章體和纏令纏達(dá)、諸宮調(diào)、唱賺聯(lián)套體的多重作用,最終形成南北曲套的結(jié)論,今人有不同看法,強(qiáng)調(diào)唱賺音樂直接轉(zhuǎn)化作了南戲和北雜劇的音樂結(jié)構(gòu)。本文經(jīng)過詳細(xì)的材料分析與考辨,否認(rèn)這種結(jié)論具有科學(xué)性。
[Abstract]:The cultural trend of west tide and east tide in the late Qing Dynasty enabled Wang Guowei to set up the opera history building. The conclusion of Wang Guowei is based on sufficient historical data and one theory and one. Therefore, although the academic practice in the past hundred years has enriched and perfected the Wang Guowei system, it has been proved to be scientific again and again. There are different views on the musical structure of the Qimai style interpreted by Wang Guowei, which is formed by the multiple roles of the music structure of the Qimai style of the Daqu and the tangled order, the multiple functions of the various genitals and the singing and earning of the ensemble body, and finally the conclusion that the northern and southern qu sets have been formed. It emphasizes the direct transformation of singing and earning music into the musical structure of the Southern Opera and the Northern Zaju. After detailed material analysis and research, this paper denies that this conclusion is scientific.
【作者單位】： 中國(guó)作家協(xié)會(huì);
【分類號(hào)】：J809.2
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本文編號(hào)：2120363