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歌劇《霍夫曼的故事》中的女性形象的塑造

發(fā)布時(shí)間:2018-07-02 15:28

  本文選題:霍夫曼 + 戲劇; 參考:《青島大學(xué)》2009年碩士論文


【摘要】: 本文以奧芬巴赫的歌劇《霍夫曼的故事》為研究對(duì)象,主要從歌劇中女主角的戲劇角色和音樂兩個(gè)方面進(jìn)行研究。共分為四章:第一章介紹了奧芬巴赫的生平經(jīng)歷和歌劇《霍夫曼的故事》的創(chuàng)作背景以及歌劇《霍夫曼的故事》的簡(jiǎn)要?jiǎng)∏。第二章?nèi)容涉及她們的社會(huì)角色和在劇中與男主角的人物關(guān)系以及她們角色的性格特征,從角色分配到戲劇沖突都進(jìn)行了研究,并對(duì)這些性格特征進(jìn)行總結(jié)歸納,第三章從聲部劃分、演唱技巧、曲式分析、伴奏織體等方面入手分析三個(gè)女主角的詠嘆調(diào),并給出了在演唱這些詠嘆調(diào)時(shí)應(yīng)該注意的一些問題,以求在以后的演出和表演中能夠適當(dāng)運(yùn)用。第四章綜述女主角的戲劇與音樂的完美結(jié)合,將劇作家、作曲家對(duì)愛情以及女人的觀點(diǎn)與歌劇創(chuàng)作結(jié)合起來,更加深入的表現(xiàn)出作曲家對(duì)歌劇女主角的審美要求,也是對(duì)他理想中的女人的幻想。進(jìn)一步的說明浪漫主義時(shí)期作曲家對(duì)夢(mèng)幻藝術(shù)與虛幻愛情的追求與向往。
[Abstract]:In this paper, the opera of Ophinbach, the story of Hoffman, is taken as the research object, mainly from two aspects: the role of the heroine in the opera and the music. It is divided into four chapters: the first chapter introduces the life experience of Ophinbach, the background of the creation of the opera Hoffman's Story and the brief plot of the opera Hoffman's Story. The second chapter deals with their social roles, their relationship with the hero and their character characteristics, from the role assignment to the drama conflict, and summarizes these characteristics. The third chapter analyzes the arias of the three female protagonists from the aspects of voice division, singing skills, form analysis, accompaniment texture, and gives some problems that should be paid attention to when singing these arias. In order to be able to use in future performances and performances. Chapter four summarizes the perfect combination of drama and music of female protagonists, combines playwrights and composers' views of love and women with opera creation, and shows the composer's aesthetic demands on opera heroines. It was also an illusion of his ideal woman. Further explains the romantic period composer's pursuit and yearning for fantasy art and illusory love.
【學(xué)位授予單位】:青島大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2009
【分類號(hào)】:J832

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 馬驊;論普契尼歌劇中女性人物的性格刻畫[D];上海音樂學(xué)院;2004年

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本文編號(hào):2090576

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