本文選題：形態(tài)研究 + 藏族歷史��； 參考：《中國(guó)藏學(xué)》2017年02期

【摘要】：正藏戲是凝聚著藏族文化各種社會(huì)信息的藝術(shù)形式。它既蘊(yùn)含了藏族歷史的年輪,又折射出藏族的時(shí)尚風(fēng)俗,歷史悠久,自成體系,在我國(guó)民族文化寶庫(kù)中有著突出的地位。《西藏藏戲形態(tài)研究》~((1))一書(shū)是西藏民族大學(xué)李宜教授和辛雷乾教授主持完成的2011年國(guó)家社科基金重點(diǎn)項(xiàng)目的研究成果。該書(shū)凝聚
[Abstract]:Zheng Tibetan Opera is an artistic form that condenses various social information of Tibetan culture. It not only contains the ring of Tibetan history, but also reflects the fashion customs of Tibetans. It has a long history and has its own system. The study on the form of Tibetan Opera in Tibet is the research result of the key project of the State Social Science Foundation in 2011, which was completed by Professor Li Yi and Professor Xin Leiqian of Tibet University for nationalities. Book cohesion
【作者單位】： 西藏民族大學(xué)民族研究院;
【分類號(hào)】：J825-5
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本文編號(hào)：2090523