本文選題：音樂(lè)劇 + 戲劇性��； 參考：《上海音樂(lè)學(xué)院》2009年碩士論文

【摘要】： 音樂(lè)劇《貓》是當(dāng)代四大經(jīng)典音樂(lè)劇之一,改編自英國(guó)詩(shī)人艾略特的長(zhǎng)篇組詩(shī)《老負(fù)鼠眼中貓的現(xiàn)實(shí)生活》(Old Possum's Book of Practical Cats)。該劇自上演以來(lái),受到觀眾的一致好評(píng),吸引著世界的目光。但,由于故事線索的不明確,也引來(lái)了對(duì)于其“戲劇性”質(zhì)疑。本文根據(jù)真正好公司在1998年錄制的DVD版《貓》進(jìn)行謹(jǐn)慎細(xì)致的研究分析。 《貓》無(wú)論從角色的塑造還是戲劇動(dòng)作的展開(kāi),都遵循了傳統(tǒng)戲劇的一般原則,但另一方面,它又是一部非常特殊的音樂(lè)劇,不僅題材內(nèi)容特殊,它的表現(xiàn)形式、敘述方式也與傳統(tǒng)的音樂(lè)劇差別很大。《貓》劇中有一個(gè)重要段落提到“貓有三個(gè)名字”,這也許暗示出《貓》劇的劇情不止一個(gè)層面,可能還有隱藏在表層之下的不被人發(fā)現(xiàn)的第三個(gè)層面。 全文由緒論和四個(gè)章節(jié)構(gòu)成。第一章,從對(duì)原詩(shī)作的研究開(kāi)始,論述《貓》劇的創(chuàng)作內(nèi)涵;第二章主要理清《貓》劇中復(fù)雜的角色及角色之間的關(guān)系,并論述這些角色的獨(dú)特的塑造方式;第三章首先分析了全劇中具有貫穿性的音樂(lè)主題、然后結(jié)合這些主題在劇中的應(yīng)用,從三個(gè)層面來(lái)觀察分析這部戲的戲劇動(dòng)作線索,揭示出隱藏著的戲劇沖突和懸念;第四章通過(guò)對(duì)戲劇節(jié)奏的分析,展現(xiàn)出《貓》劇的整體節(jié)奏變化曲線及一些特殊節(jié)奏表現(xiàn)手法,并由此論證《貓》劇在戲劇結(jié)構(gòu)安排上的有機(jī)性。 綜上所述,從而得出結(jié)論:《貓》是一部具有獨(dú)特表現(xiàn)形式,并且“戲劇性”極強(qiáng)的音樂(lè)劇。
[Abstract]:The musical "Cat" is one of the four classic musicals of contemporary times. It is based on the long poem by Elliot Elliot, "the Real Life of Cats in the eyes of Old opossum." Since its performance, the play has been praised by the audience and attracted the attention of the world. But, because the story clue is not clear, also drew to its "dramatic" question. This paper makes careful research and analysis according to the DVD version recorded by Real good Company in 1998. Cat follows the general principles of traditional drama, not only from the shaping of characters but also from the development of dramatic actions. On the other hand, it is a very special musical, not only in terms of its content, but also in its form of expression. The narration is also very different from traditional musicals. There is an important passage in Cat that says "Cats have three names," which may suggest that the plot of Cat has more than one dimension. There may also be a third level hidden beneath the surface. The full text consists of an introduction and four chapters. The first chapter begins with the study of the original poem, discusses the creative connotation of the drama, the second chapter mainly clarifies the complex characters and the relationship between the roles in the play, and discusses the unique ways of shaping these characters. The third chapter first analyzes the music theme which has the penetrating nature in the whole play, then unifies these themes in the drama application, from three aspects observes and analyzes the drama action clue, reveals the hidden drama conflict and the suspense; In the fourth chapter, through the analysis of the dramatic rhythm, the author shows the changing curve of the whole rhythm and some special rhythmic techniques of the play, and then proves the organicity of the drama in the drama structure arrangement. In conclusion, Cat is a musical with its unique form and strong drama.
【學(xué)位授予單位】：上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J833

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本文編號(hào)：1953746