本文選題：《東方雜志》 + 中國　； 參考：《文藝?yán)碚撗芯俊?017年04期

【摘要】：在新文學(xué)發(fā)生之初,《東方雜志》自覺為"戲劇改良"提供輿論平臺,對中國戲劇改革做出了貢獻(xiàn)。在舊戲改良問題上,它提出中國戲劇"三條路",糾正了新青年派對于舊劇的決裂態(tài)度;在譯介西方戲劇方面,它注意移植先進(jìn)的戲劇觀念,如自然、進(jìn)化、寫實(shí)及悲劇觀念等。它還大力提倡劇場改革,介紹西方實(shí)驗(yàn)劇經(jīng)驗(yàn),促進(jìn)了"小戲院"在中國的發(fā)生發(fā)展。作為一家現(xiàn)代媒體,《東方雜志》以一種更為理性、中和與切實(shí)的態(tài)度,曲折迂回地參與了中國戲劇現(xiàn)代化進(jìn)程,具有不可忽視的歷史價值。
[Abstract]:At the beginning of the new literature, Orient Magazine consciously provided a platform for public opinion for drama improvement and contributed to the reform of Chinese drama. On the question of the improvement of the old drama, it puts forward the "three ways" of Chinese drama, which corrects the new youth school's attitude of breaking away from the old drama, and in the translation and introduction of western drama, it pays attention to the transplantation of advanced dramatic concepts, such as nature, evolution, realism and tragedy, and so on. It also strongly advocated theater reform, introduced the experience of western experimental drama, and promoted the development of "small Theater" in China. As a modern media, Orient magazine, with a more rational, moderate and practical attitude, has participated in the modernization process of Chinese drama in a tortuous and tortuous way, which is of historical value that can not be ignored.
【作者單位】： 廣東佛山科技學(xué)院;
【分類號】：G239.29;J809.2
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本文編號：1953869