天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當前位置:主頁 > 文藝論文 > 戲劇論文 >

民國時期的漢劇票友與“玩票”

發(fā)布時間:2018-05-30 01:17

  本文選題:民國 + 漢劇 ; 參考:《湖北大學學報(哲學社會科學版)》2016年02期


【摘要】:漢劇興起于清代,民國時達于繁盛。推動漢劇繁榮的不僅是漢劇的藝人們,還有十分活躍的漢劇票友及其玩票活動。玩票需要金錢與時間投入,故票友均有錢有閑。票友在玩票中同聲相求,自然形成自己的組織,即票社。漢劇票友在票社內切磋技藝,在舞臺上自娛自樂,并且積極參加義演等社會活動,服務于社會,弘揚漢劇,從而構成武漢近代市民生活的面相之一。
[Abstract]:Han opera rose in the Qing Dynasty and flourished in the Republic of China. It is not only the entertainers who promote the prosperity of the Han opera, but also the very active ticket friends and their play activities. Play ticket need money and time investment, so ticket friends have money have leisure. Ticket friends in the play in the same voice, naturally formed their own organization, that is, the voting agency. The ticket friends of the Han opera discussed their skills in the ticket club, amused themselves on the stage, and took an active part in the social activities, such as charity performances, to serve the society and carry forward the Han opera, thus constituting one of the faces of the modern life of the citizens of Wuhan.
【作者單位】: 湖北大學歷史文化學院;
【分類號】:J809.2
,

本文編號:1953264

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/xijuwudaolunwen/1953264.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權申明:資料由用戶84bbb***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com