本文選題：圣-桑　切入點(diǎn)：《參孫與達(dá)麗拉》　出處：《河南大學(xué)》2009年碩士論文

【摘要】： “達(dá)麗拉”是圣-桑在歌劇《參孫與達(dá)麗拉》中塑造的歌劇形象,也是聞名世界的經(jīng)典歌劇形象之一。本文從戲劇和歌劇創(chuàng)作的角度出發(fā),對達(dá)麗拉這一人物設(shè)置的必要性提出了自己的見解,并結(jié)合劇情對達(dá)麗拉人物形象的性格特征進(jìn)行了分析,在此基礎(chǔ)上結(jié)合達(dá)麗拉的三首詠嘆調(diào)的音樂分析,具體論述在演繹達(dá)麗拉這兩首詠嘆調(diào)時(shí)“唱”和“演”兩方面所需注意的問題。 第一部分,從三個(gè)方面論述設(shè)置達(dá)麗拉這一角色的必要性,然后按劇情展開順序?qū)_(dá)麗拉這一角色的性格特征進(jìn)行分析。 第二部分,達(dá)麗拉的兩首詠嘆調(diào)從曲式結(jié)構(gòu)、調(diào)式調(diào)性、旋律發(fā)展的手法和特點(diǎn)、和聲配置等幾個(gè)方面進(jìn)行了較為詳細(xì)的音樂分析。 第三部分,主要論述了演唱達(dá)麗拉的兩首詠嘆調(diào)需從演唱的呼吸、情緒把握、舞臺表演三個(gè)方面注意的問題。
[Abstract]:"Daryl" is the opera image of Saint-Sang in the opera "Samson and Darlla", and one of the most famous classic operas all over the world.From the point of view of drama and opera creation, this paper puts forward his own opinion on the necessity of setting up the character of the character, and analyzes the character characteristics of the character of the character of the character with the plot.On the basis of this, combining with the music analysis of three arias of Dalila, this paper discusses the problems needing attention in the two aspects of "singing" and "acting" in the interpretation of these two arias.In the first part, the author discusses the necessity of setting up the character of Dalila from three aspects, and then analyzes the character characteristics of the character of the character in the sequence of plot development.In the second part, the two arias of Dalila are analyzed in detail from the aspects of musical structure, tonality, melody development techniques and characteristics, harmony configuration and so on.In the third part, the author mainly discusses the problems that should be paid attention to from the aspects of singing breath, emotion grasp and stage performance.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J832

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 丁坤;19世紀(jì)法國歌劇的“邪惡之花”嬌艷盛開[D];曲阜師范大學(xué);2012年

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本文編號：1723044