發(fā)布時間：2018-02-28 01:40

  本文關(guān)鍵詞： 形象 再現(xiàn) 央視春節(jié)聯(lián)歡晚會 農(nóng)民 農(nóng)民工　出處：《中國社會科學(xué)院研究生院》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 本研究采用再現(xiàn)理論,考察1984-2010年央視春節(jié)聯(lián)歡晚會中的農(nóng)民及農(nóng)民工形象。主要的研究問題包括1.春晚有關(guān)農(nóng)民及農(nóng)民工形象再現(xiàn)的節(jié)目有什么特征?2.春晚中農(nóng)民及農(nóng)民工形象再現(xiàn)的角色特點是什么?3.春晚中再現(xiàn)的農(nóng)民及農(nóng)民工角色的主要功能是什么?4被春晚再現(xiàn)的農(nóng)民及農(nóng)民工的形象的意義是什么? 本研究的分析材料為27年春晚的錄制光盤,主要采用內(nèi)容分析的方法分析了節(jié)目信息和角色信息,研究結(jié)論主要基于內(nèi)容分析的數(shù)據(jù)。 主要研究發(fā)現(xiàn)包括: 1. 89年之前沒有出現(xiàn)明確的農(nóng)民及農(nóng)民工形象。出現(xiàn)農(nóng)民及農(nóng)民工形象的節(jié)目在2007年達到一個高峰,小品是最主要的節(jié)目類型,以城市為背景的節(jié)目占大部分,節(jié)目中的個人議題多于群體議題。50個節(jié)目可以劃分為6大主題,以諷刺某種社會現(xiàn)象和歌頌?zāi)撤N品德或精神的主題為最多,而表現(xiàn)農(nóng)民及農(nóng)民工積極向上的生活狀態(tài)的主題最少。2.角色方面,無論何種身份,男性都占更大比例,年齡集中分布于青年和中年,農(nóng)民工被突出強調(diào)為城市中的體力勞動者;從形象上,對農(nóng)民及農(nóng)民工形象的再現(xiàn)通過衣著、口音等方面都強調(diào)了他們與非農(nóng)民或農(nóng)民工的差異化;從性格特征上看,農(nóng)民是淳樸、善良和誠實的,農(nóng)民工是淳樸、勤勞、善良和輕財重義的,非農(nóng)民或農(nóng)民工則多是善良淳樸的,還有一些是勢利眼。總體上來看,被再現(xiàn)次數(shù)最多的都是正面性格,比如淳樸、善良和誠實等等,最少的是負面性格,比如粗俗和遲鈍。農(nóng)民和農(nóng)民工更多地作為行動者和小丑,而非農(nóng)民或農(nóng)民工多承擔贈與者的功能,強調(diào)了二者之間幫助和被幫助、贈與和被贈與的關(guān)系。 本研究最重要的發(fā)現(xiàn)是關(guān)于農(nóng)民及農(nóng)民工形象的意義。主要有1.春晚對樣本中形象的再現(xiàn)突出強調(diào)了身份上的差異。這種差異主要通過外表形象、性格特征來體現(xiàn);2.春晚對農(nóng)民及農(nóng)民工形象的再現(xiàn)突出了其被娛樂的功能,形象上也被固定為某種類型。小品中的小丑功能主要由農(nóng)民和農(nóng)民工形象來承擔,也被用來制造笑料,供人娛樂;3.春晚中的對農(nóng)民及農(nóng)民工形象的再現(xiàn)省略了某些意義,被用來建構(gòu)出一種和諧的景象。主要體現(xiàn)在對農(nóng)民及農(nóng)民工群體議題和形象性格、功能某些特征的回避。
[Abstract]:This study uses the theory of reproduction to investigate the image of farmers and migrant workers in the Spring Festival Gala of CCTV from 1984 to 2010. The main research questions include: 1. What are the features of the programs of the Spring Festival Gala on the reproduction of the images of peasants and migrant workers? 2. What are the characters of the image reproduction of peasants and migrant workers in the Spring Festival Gala? 3. What are the main functions of the role of farmers and migrant workers in the Spring Festival Gala? What is the significance of the image of farmers and migrant workers reappeared by the Spring Festival Gala? The analysis material of this study is the recorded CD of 27 years Spring Festival Gala, which mainly uses the method of content analysis to analyze the program information and the role information, and the research conclusion is mainly based on the data of content analysis. The main findings are as follows: 1. There was no clear image of peasants and migrant workers before 1989. The programs with the images of peasants and migrant workers reached a peak in 2007, and sketch is the most important program type. Most of the programs are city-backed, with more personal issues than group issues. Fifty programs can be divided into six main themes, with satire on certain social phenomena and extolling of a certain character or spirit as the most common theme. However, the theme of the positive living state of peasants and migrant workers is the least. 2. In terms of roles, no matter what kind of identity, male occupies a larger proportion, age is concentrated in youth and middle age, migrant workers are highlighted as manual workers in the city; In terms of image, the reproduction of the image of peasants and migrant workers emphasizes the difference between them and non-peasants or migrant workers in terms of clothing, accent, etc. In terms of their character, peasants are simple, kind and honest, and peasant workers are simple and industrious. Kindhearted and light, non-peasants or migrant workers are mostly kind and honest, and some are snobbery. Generally speaking, those who are reproduced most often are positive personalities, such as simplicity, kindness and honesty, and the least is negative. For example, vulgarity and dullness. Farmers and peasant workers are more actors and clowns than farmers or peasant workers, which emphasize the relationship between helping and being helped, giving and being given. The most important findings of this study are the significance of the image of farmers and migrant workers. 1. The reproduction of images in the samples highlights the differences in identity. The reappearance of the image of peasants and migrant workers at the Spring Festival Gala highlights the function of being entertained and is fixed as a certain type. The clown function in the sketch is mainly borne by the images of peasants and migrant workers. It is also used to make jokes for people to entertain. The reappearance of the image of peasants and migrant workers in the Spring Festival Gala omits some meanings and is used to construct a harmonious scene. Function the avoidance of certain features.
【學(xué)位授予單位】：中國社會科學(xué)院研究生院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J805

【引證文獻】

相關(guān)期刊論文 前1條

1 孫五三;劉曉紅;;量化vs.質(zhì)化 是非七辨[J];新聞與傳播研究;2012年04期

相關(guān)碩士學(xué)位論文 前3條

1 孫秀忠;論央視春晚受眾審美心理的倫理向度[D];山東師范大學(xué);2012年

2 鄭茹楠;央視春晚涉農(nóng)節(jié)目對農(nóng)村文化傳播的啟示[D];山西大學(xué);2012年

3 嚴潔;央視“春晚”的敘事研究[D];湖南師范大學(xué);2013年

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本文編號：1545217