本文關(guān)鍵詞：馮叔鸞生平考述及其戲曲研究的學(xué)術(shù)價(jià)值——民國(guó)時(shí)期戲曲研究學(xué)譜之十九　出處：《社會(huì)科學(xué)論壇》2015年03期 　論文類型：期刊論文

  更多相關(guān)文章： 民國(guó)時(shí)期 戲曲研究 學(xué)譜 馮叔鸞。

【摘要】：馮叔鸞是民國(guó)初年風(fēng)云一時(shí)的劇評(píng)家,目前生平事跡已少為人提及,學(xué)術(shù)貢獻(xiàn)更近乎湮沒(méi)無(wú)聞。個(gè)中原因,除了他發(fā)表成果與當(dāng)今學(xué)院派主流研究旨趣不符外,還在于其政治問(wèn)題與人格操守。該文考訂其生平史實(shí),對(duì)各家記載予以糾謬,認(rèn)為馮氏生于1884年,卒年當(dāng)在1944年以后,或1946年,并對(duì)他的戲曲活動(dòng)予以鉤沉。馮叔鸞戲曲研究方面開(kāi)創(chuàng)了若干先河。在研究領(lǐng)域的創(chuàng)辟上,首次提出"戲?qū)W"概念,將戲曲納入科學(xué)范疇予以考量,這種自覺(jué)的學(xué)科意識(shí),客觀上提高了戲曲的研究地位;在研究對(duì)象的選取上,率先對(duì)新、舊劇進(jìn)行較為全面的比較研究,早于佟晶心《新舊戲曲之研究》十?dāng)?shù)年;在研究方法的探索上,倡導(dǎo)"探討根本上之組織而為學(xué)理的研究"。以上,均顯露出超越那個(gè)時(shí)代的具有現(xiàn)代學(xué)術(shù)氣質(zhì)的治學(xué)精神。胡適曾謂:"凡論一人,總須持平。愛(ài)而知其惡,惡而知其美,方是持平。"看待出處大節(jié)有虧的馮叔鸞,亦應(yīng)"持平"。只有擯棄成見(jiàn),"不以其過(guò)沒(méi)其功",方能還原百年學(xué)術(shù)史之真相。
[Abstract]:Feng Shuluan was a drama critic in the early years of the Republic of China. At present, the deeds of his life have been seldom mentioned, and his academic contributions are almost lost in obscurity. The reason for this is that his published results are not in accordance with the mainstream research purport of the present academic school. It is also due to its political problems and personal integrity. This article examines the historical facts of his life and corrects the various records and holds that Feng was born on 1884 and that the year of death should be after 1944 or 1946. Feng Shuluan's opera research has created a number of pioneers. In the field of research, he first put forward the concept of "drama study", and put the opera into the scientific category to be considered. This conscious sense of discipline objectively improves the research status of opera; In the selection of research objects, the first to the new, the old drama more comprehensive comparative study, earlier than Tong Jingxin "the study of new and old opera" more than ten years; In the exploration of research methods, we advocate the research of "exploring the fundamental organization and becoming the academic principle". Above all, the spirit of scholarship with modern academic temperament surpassing that era has been revealed. Hu Shi once said: "on one person. Must always be fair. Love and know its evil, evil and know its beauty, it is fair. "Feng Shuluan, looking at the source of great losses, should also be" fair ". Only by abandoning the prejudice," do not fail to its merit. " To restore the truth of a hundred years of academic history.
【作者單位】： 江蘇師范大學(xué)文學(xué)院;徐州市醫(yī)療保險(xiǎn)基金管理中心;
【基金】：江蘇高校優(yōu)勢(shì)學(xué)科建設(shè)工程一期項(xiàng)目《語(yǔ)言認(rèn)知科學(xué)與文化藝術(shù)學(xué)科群》的階段性成果 江蘇高校優(yōu)勢(shì)學(xué)科建設(shè)工程二期項(xiàng)目(中國(guó)語(yǔ)言文學(xué))(PAPD)階段性成果
【分類號(hào)】：J809.2
【正文快照】： 馮叔鸞,原名仲兄遠(yuǎn)翼、季弟遠(yuǎn)翕)中排行老三�！坝讜r(shí)馮遠(yuǎn)翔,筆名馬二隨其先人游宦,北至燕都,南入粵中”[3]“足先生、馬二、叔鸞、跡幾遍于大江南北”[4“]在北京常隨兄出樓桑、樓桑村人等,入于各戲園,久而成為京劇知音。青年時(shí)室名嘯虹軒,自號(hào)離京謀職,曾在海州中學(xué)及蘇州任

【相似文獻(xiàn)】

相關(guān)期刊論文 前1條

1 田根勝;;新劇實(shí)踐與新劇批評(píng)[J];求是學(xué)刊;2006年01期

，

本文編號(hào)：1440441