本文關(guān)鍵詞：歌劇《自由射手》民族特性及農(nóng)民音樂形象塑造之探究　出處：《上海音樂學(xué)院》2010年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 卡爾·瑪利亞·馮·韋伯 歌劇 《自由射手》 浪漫主義 民族特性 音樂形象

【摘要】：在19世紀(jì)浪漫主義初期德國歌劇藝術(shù)由于政治經(jīng)濟(jì)等多方面原因,一直形不成自己本民族歌劇特色,意大利式歌劇的沖擊讓德國歌劇藝術(shù)風(fēng)格搖擺不定,雖然在18世紀(jì)末期德國歌劇出現(xiàn)了歌唱劇,受到了群眾的歡迎,而且還有莫扎特和貝多芬的歌劇作品出現(xiàn),但是一直沒有一部作品能夠真正代表德國浪漫主義歌劇,直到韋伯的《自由射手》的出現(xiàn)。 卡爾·瑪利亞·馮·韋伯(Carl Maria von Weber,1786—1826),德國作曲家、指揮家、鋼琴家、音樂評論家。他一生創(chuàng)作的作品體裁范圍較廣,其中《自由射手》(Der Freischutz)是他一生當(dāng)中非常重要的歌劇作品代表之一,從整個歌劇史來說,它不僅是浪漫派歌劇的典型,而且像它這種充滿朝氣的作品也為數(shù)不多,給后來的歌劇運動以深遠(yuǎn)的影響。 《自由射手》的成功并不是偶然,而是必然。首先,它在19世紀(jì)德國的大背景下,順應(yīng)民眾的愿望,寫出反應(yīng)德國民族民間情趣的歌劇,將德國神秘的大森林、德國的農(nóng)民、德國的民間故事搬上歌劇舞臺在當(dāng)時也是極其罕見的,其次,具有濃郁的民族特點的音樂素材滲透在這部歌劇的全部并且給予了它一種特殊的風(fēng)格,表現(xiàn)出了德國人民的聲音。論文將圍繞著《自由射手》的民族特性和農(nóng)民音樂形象的塑造進(jìn)行構(gòu)架,共分為三個章節(jié),第一章回顧了作曲家韋伯的生平和歌劇的創(chuàng)作背景；第二章圍繞著《自由射手》的民族特性進(jìn)行比較細(xì)致的研究,從腳本的題材、歌劇的體裁和音樂語言的民族特性三個方面入手,揭示了《自由射手》為何會在19世紀(jì)成為一部深受德國民眾喜愛的歌劇,并且還能夠流傳至今,簡單剖析了《自由射手》音樂語言和表現(xiàn)手法上的特點；第三章從歌劇的角色及聲部配置、歌劇主要人物與劇情的聯(lián)系和主要人物詠嘆調(diào)、重唱曲及合唱曲演唱詮釋這三個方面入手,從演唱者的角度闡述分析了歌劇中農(nóng)民音樂形象的塑造和歌劇主要人物與劇情的聯(lián)系,論文將歌劇中主要人物的性格和心理狀態(tài)結(jié)合著歌劇劇情的發(fā)展變化進(jìn)行深刻分析,在這個基礎(chǔ)上,闡明了主要人物詠嘆調(diào)、重唱曲及合唱曲的演唱處理。結(jié)語部分從歌劇中農(nóng)民音樂形象的塑造出發(fā),體現(xiàn)了歌劇中人物的多樣性和復(fù)雜性,多樣性是指不同的人物之間的對比,而復(fù)雜性是指人物本身所具有心理特征的描寫。韋伯在他的歌劇中通過不同場景的詠嘆調(diào)、重唱曲和合唱曲等形式有機(jī)結(jié)合,將德國民族民間音樂元素注入其中,表現(xiàn)得恰到好處,研究韋伯歌劇《自由射手》的目的在于說明這部歌劇的精髓是來自民族特性,又是在民族特性上進(jìn)行大膽的創(chuàng)新和吸收,這正是的德國浪漫主義歌劇產(chǎn)生的真正動力,正如克萊內(nèi)克所說：“浪漫主義音樂是一部完美的藝術(shù)品,各種相近的藝術(shù)門類構(gòu)成了一個整體,所有的部分已消失、已溶為一體,各種被利用的藝術(shù)門類通過某種方式的自我毀滅創(chuàng)造了一個嶄新的世界。”
[Abstract]:In 19th century, due to political and economic reasons, the German opera art in the early period of Romanticism could not become its own national opera characteristic. The impact of Italian opera made the German opera art style wobble. Although in the end of 18th century German operas appeared and were welcomed by the masses, there were also operas by Mozart and Beethoven. But no work really represented German Romantic opera until Weber's Free Sagittarius appeared. Carl Maria von Webber Carl Maria von Webern 1786-1826, German composer, conductor, pianist. Music critic. He created a wide range of works in his life, among which "Free Sagittarius" Der Freischutz is one of the most important opera works in his life. From the whole history of opera, it is not only a typical Romantic opera, but also a few works full of vitality, which has a profound influence on the later opera movement. The success of "Free Sagittarius" is not accidental, but inevitable. First of all, in the context of Germany in 19th century, it responded to the wishes of the people and wrote an opera reflecting the national and folk interests of Germany. Putting Germany's mysterious forest, German farmers, German folk stories on the stage of opera was also extremely rare at that time, followed by. The musical material with rich national characteristics permeates the whole of the opera and gives it a special style. It shows the voice of the German people. The thesis will be organized around the national characteristics of "Free Archer" and the shaping of the peasant music image, which is divided into three chapters. The first chapter reviews the life of composer Weber and the background of the creation of opera; The second chapter focuses on the national characteristics of "Free Sagittarius", from three aspects: the theme of script, the genre of opera and the national characteristics of musical language. It reveals why "Free Sagittarius" became a popular opera in Germany in 19th century and can still be passed down to this day. It also analyzes the characteristics of "Free Sagittarius" music language and expression technique. The third chapter from the role of the opera and the voice configuration, opera main characters and the plot of the relationship and the main characters arias, singing and chorus interpretation of these three aspects. From the angle of the singer, this paper analyzes the shaping of the peasant music image in the opera and the relation between the main characters of the opera and the plot. Based on the deep analysis of the character and psychological state of the main characters in the opera and the development and changes of the opera plot, this paper clarifies the arias of the main characters. The conclusion part starts from the shaping of the peasant music image in the opera, which reflects the diversity and complexity of the characters in the opera, which refers to the contrast between the different characters. The complexity refers to the description of the psychological characteristics of the characters themselves. In his opera, Weber organically combines the different forms of arias, recitals and choral songs. German folk music elements injected into them, the right performance, the study of Weber opera "Free Sagittarius" the purpose is to show that the essence of the opera is from the national characteristics. It is also a bold innovation and absorption in the national characteristics, which is the real motive force of German Romantic opera, as Kleinek said: "Romantic music is a perfect work of art." All sorts of similar categories of art form a whole, all the parts have disappeared, have dissolved into one, and the various kinds of art that have been used have created a new world through some way of self-destruction. "
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J832

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 周琴;韋伯歌劇《自由射手》藝術(shù)風(fēng)格研究[D];武漢音樂學(xué)院;2007年

，

本文編號：1440899