本文關(guān)鍵詞：膠東一枝花——柳腔藝術(shù)研究　出處：《山東師范大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 柳腔 唱腔 藝術(shù)特征 語言特點(diǎn)

【摘要】： 音樂文化作為人類文化的一種類型有很多種表現(xiàn)形式,中國(guó)戲曲就是音樂文化重要表現(xiàn)形式之一。柳腔戲作為戲曲王國(guó)里的一分子,曾有過輝煌的發(fā)展軌跡,如今隨著信息傳媒技術(shù)迅猛發(fā)展,娛樂形式生存和發(fā)展越來越市場(chǎng)化的情況下,柳腔這一古老的民間藝術(shù)形式的發(fā)展受到了前所未有的挑戰(zhàn),隨著觀眾群體的流失,其發(fā)展空間越來越小,開始步入瀕危。本文旨在對(duì)柳腔進(jìn)行較為全面的分析研究,并提出保護(hù)和發(fā)展的合理性建議,目的是通過對(duì)柳腔的挖掘整理,籍以豐富我國(guó)的民族音樂研究的內(nèi)容,并希望引起人們對(duì)它的關(guān)注,使柳腔藝術(shù)不至于沉淪和消失。 文章共分為四個(gè)部分,采用先調(diào)查后分析的方式對(duì)所要研究的對(duì)象進(jìn)行盡可能的梳理、整理和分析、研究。所涉及內(nèi)容包括: 緒論,包括選題緣由、研究現(xiàn)狀、思路與方法、研究的目的和意義幾個(gè)方面的內(nèi)容。第一章對(duì)柳腔戲的概況進(jìn)行了闡述。本章主要追溯了柳腔形成的歷史淵源、生存的人文環(huán)境以及它的文化藝術(shù)特征和價(jià)值,從深層挖掘柳腔由民間歌舞到戲曲形成的全過程,并著力分析了柳腔的社會(huì)價(jià)值:在上世紀(jì)七八十年代以前是膠東人民的主要精神文化食糧,在提高人們的審美情趣、規(guī)范道德意識(shí)、促進(jìn)學(xué)習(xí)與交流等方面發(fā)揮著不可替代的作用。第二章對(duì)柳腔的藝術(shù)特征做了較為細(xì)致的分析、研究,這也是本文的重點(diǎn)。唱腔:柳腔屬于板腔體,是單一聲腔劇種。主要唱腔有[花調(diào)]和[悲調(diào)]以及吸收其他劇種曲調(diào)衍化而成的唱腔三部分。其中[悲調(diào)]是柳腔獨(dú)有的腔調(diào),其旋律凄楚哀怨,纏綿悱惻,適于表現(xiàn)悲憤詠嘆的情感。而[花調(diào)]的旋律活潑跳躍,適于表現(xiàn)歡快喜悅感情。伴奏:柳腔的主要伴奏樂器是四胡和嗩吶,用四胡給柳腔伴奏聽起來格外悠揚(yáng)婉轉(zhuǎn),嗩吶是吹垛子用的。演唱:柳腔的演唱方法是真假聲結(jié)合,特點(diǎn)是真聲為主,假聲為輔,發(fā)聲時(shí)以演員自身的條件為基礎(chǔ),與當(dāng)?shù)胤窖缘囊繇嵳{(diào)值相結(jié)合。柳腔的潤(rùn)腔風(fēng)格古樸文雅、清麗委婉,典型的有:哭泣音和鼻哼音。表演:柳腔的演出淳樸自然、裝束簡(jiǎn)單、形式單一。語言:柳腔的語言采用青島地方方言,唱詞和念白,具有口語化和大眾化的特點(diǎn)。傳授方式:柳腔采取的是一種口傳心授的傳授方式,是我國(guó)戲曲界非常典型的傳播方式。唱詞:柳腔的唱詞講究對(duì)稱,要分上句和下句,不管大段唱詞的句字有多少,都是偶數(shù)。劇目:柳腔的劇目?jī)?nèi)容廣泛,涉及到生產(chǎn)生活的每個(gè)層面�，F(xiàn)存有八十多個(gè)劇目,大多數(shù)劇目情趣健康,內(nèi)容富于教育意義。第三章:對(duì)柳腔的現(xiàn)狀及發(fā)展趨勢(shì)做出客觀的分析和總結(jié),并針對(duì)柳腔面臨的瀕�，F(xiàn)狀提出合理性的改革措施和建議。事物的發(fā)展是外因和內(nèi)因共同作用的結(jié)果,柳腔也是如此。市場(chǎng)經(jīng)濟(jì)條件下的柳腔藝術(shù),要想生存就必須不斷的豐富和改進(jìn),在固守傳統(tǒng)的基礎(chǔ)上也要放眼于未來。 隨著社會(huì)的發(fā)展,人們的審美需求在不斷提高,植根于鄉(xiāng)土的柳腔藝術(shù)只有不斷發(fā)展,才能與時(shí)俱進(jìn),重新走進(jìn)人們的生活。
[Abstract]:The music culture as a type of human culture has many different forms, one of the China opera music culture is an important form. It plays as a member of the opera in the Kingdom, had a brilliant development, now with the rapid development of information technology and media, entertainment form of survival and development more and more market situation Liu Qiang, the development of this ancient folk art form has been hitherto unknown challenge, with the loss of audience, its development space more and more small, began to enter the endangered. This dissertation tries to make a comprehensive analysis of its research, and put forward some reasonable suggestions of protection and development, the purpose is through the mining of its consolidation, nationality in order to enrich the study of national music content, and to arouse people's attention to it, make it art not sink and disappear.
The article is divided into four parts. After investigation, post analysis is used to sort out, sort out and analyze the objects to be studied.
The introduction, including the reason of the topic, research status, research ideas and methods, the purpose and significance of several aspects. The first chapter of the study on the play were discussed. This chapter mainly traces the historical origin of its formation, the survival of the human environment and its cultural and artistic characteristics and value, the whole process from deep mining the study from folk songs to opera form, and analyzes its social value: in the last century before 70s and 80s is mainly the spiritual nourishment of the people of Jiaodong, to improve people's aesthetic taste, moral consciousness, plays an irreplaceable role in promoting learning and communication. The second chapter of its artistic characteristics do the analysis, detailed research, which is the focus of this paper. Singing: it belongs to the plate cavity, single cavity. The main opera singing a tune [] and [flower] and absorb other drama tragedy A tune evolved from the singing part three. The sad tune is its unique tone, the sad sad melody, full of pathos, for grief emotion. Aria and flower tune is lively, cheerful feelings. For the main accompaniment of musical instrument accompaniment: it is Sihu and suona. It sounds to use Sihu accompaniment suona is melodious, blowing those used. Its singing: singing method is combined with the characteristics of true sound, is really sound, falsetto voice to supplement, the actor's condition, and the local dialect phonological tone combination. Its runqiang style simple and elegant, and euphemism, typical: cry sound and nasal humming tone. Performance: it is simple and natural, simple attire, single form of language. Language: it uses the Qingdao local dialect, libretto and language features, colloquial and popular . teaching ways: it takes a way to teach oral teaching that inspires true understanding within our country, is the opera very typical modes of transmission. Its lyrics lyrics: symmetry, should be divided into sentences and sentence, no matter how many words of the lyrics, even its repertoire repertoire. Content: widely. Involves every aspect of life and production. There are more than 80 most interesting repertoire repertoire, health, educational content. The third chapter: the current situation and development trend of its making objective analysis and summary, and for its endangered status facing a reasonable reform measures and suggestions. The development of things is the common role of external and internal results, so is it. Under the condition of market economy, promoting the development of art, in order to survive must be constantly enriched and improved, in traditional basis should also look to the future.
With the development of society, people's aesthetic demand continues to increase, it is rooted in the local art only the continuous development can keep pace with the times, back into people's lives.

【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J825

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本文編號(hào)：1440310