作為女性形象的一種極端表現(xiàn),母性在父系—陽性話語中一直處于“邊緣地位”。母性的身份由男性根據(jù)她同家庭及其他成員的關(guān)系而決定,而她自己的欲望無法得到認(rèn)可和滿足。母性是男性生活中不可或缺的附屬品,她代表了男性的理想,為男性提供保護(hù)和精神支持,有時卻又淪為男性錯誤行為的替罪羔羊。但是,母性在被邊緣化的過程中一直堅(jiān)持不懈尋求自我身份。她對父權(quán)制度的反抗主要表現(xiàn)在她試圖對兒子進(jìn)行控制并否認(rèn)承擔(dān)母親的角色。 本論文在弗洛伊德和拉康為代表的心理分析學(xué)說以及伊里加利,德·波伏娃,和喬德羅,西克蘇,克里斯蒂娃等的女權(quán)主義理論組成的理論架構(gòu)下,通過解讀尤金·奧尼爾《哀悼》、《長日入夜行》、《月照不幸人》三部作品中的母性形象,試圖討論母性如何在男性話語中處于邊緣地位,以及母性如何在父權(quán)社會中努力挑戰(zhàn)男性的客體化從而尋求自我身份。 我的研究創(chuàng)新點(diǎn)在于,將女權(quán)主義理論和精神分析學(xué)說相結(jié)合更有助于詮釋奧尼爾在作品中塑造的母性形象,洞悉女性身份問題。與此同時,我的研究也發(fā)現(xiàn)女權(quán)主義理論在同心理分析學(xué)說的關(guān)系,女性話語的建立以及母女紐帶問題上存在的固有弊端。

【文章頁數(shù)】：76 頁

【學(xué)位級別】：碩士

【文章目錄】：
ABSTRACT
摘要
ACKNOWLEDGEMENTS
I. INTRODUCTION
    A. A general introduction to Eugene O’Neill and his works
    B. An overview of Freudian psychoanalysis on motherhood
    C. An overview of feminist reading of motherhood
    D.A crucial difference between psychoanalytic and feminist reading of motherhood
    E. Thesis statement
II. AN OVERVIEW OF THE MARGINALIZATION OF THE MOTHER IN O’NEILL’S PLAYS
    A. At service to man
    B. A combination of different images
    C. Destroyers
III. THE MARGINALIZATION OF CHRISTINE AND LAVINIA MANNON IN MOURNING BECOMES ELECTRA
    A. A general introduction of Mourning Becomes Electra
    B. The analysis of the marginalized Christine and Lavinia: resistance against the patriarchal order
    C. The lack of communication between mother and daughter
IV. THE MARGINALIZATION OF MARY TYRONE IN LONG DAY’S JOURNEY INTO NIGHT
    A.The analysis of the physical sense of Mary’s marginalized position
    B. The analysis of the spiritual state of Mary’s marginalized position
    C. Retreat into fantasy
V. THE MARGINALIZATION OF JOSIE HOGAN IN A MOON FOR THE MISBEGOTTEN
    A. A general introduction of the common critical reviews
    B. The interpretation of the title of A Moon for the Misbegotten
    C. The analysis of the marginalized Josie: surrender to male desires
VI. CONCLUSION
WORKS CITED



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