本文關(guān)鍵詞：譯家張愛玲及其小說的翻譯，，由筆耕文化傳播整理發(fā)布。

【摘要】： 作為在目的語國家生活寫作多年的雙語作家，張愛玲的翻譯與其它普通的翻譯有很大的差別。本文將張愛玲的翻譯放在一個(gè)比較大的文學(xué)文化背景下全面考察，深入分析了其翻譯文本。本文還引入了文化研究中的“雜合”理論來研究文化融合中的翻譯問題，這在全球化時(shí)代有其獨(dú)特的意義。論文中集中討論了張愛玲小說中出現(xiàn)的“模仿(Mimicry)”和“語言雜合(Linguistic Hybridity)”兩個(gè)問題。
【關(guān)鍵詞】：
【學(xué)位授予單位】：廣東外語外貿(mào)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類號(hào)】：I046
【目錄】：

• Chapter Ⅰ Introduction9-20
• 1．1 Rediscovered Muse-Eileen Chang as a writer9-11
• 1．2． Bilingual writer and author-translator11-20
• 1．2．1 Bilingual writer12-15
• 1．2．2 Author-translator15-20
• 1．2．2．1 Translation beyond her own work15-17
• 1．2．2．2 Author-translator17-20
• Chapter Ⅱ Eileen Chang as a Translator20-56
• 2．1 Sing-song Girls of Shanghai as translated by Eileen Chang20-23
• 2．2 Eileen Chang's translation of her own fiction23-50
• 2．2．1 Translating in Creative Writing24-33
• 2．2．2 Translation and re-writing33-41
• 2．2．2．1 Replenishing re-writing in Chang's self-translation33-37
• 2．2．2．2 Subtractive re-writing in Chang's self-translation37-40
• 2．2．2．3 Flexible faithfulness in her self-translation40-41
• 2．2．3 Faithful throughout-the translation of The Golden Cangue41-48
• 2．2．3．1 Great efforts in keeping faithful to the original41-43
• 2．2．3．2 Literal translation of idioms and conversations43-47
• 2．2．3．3 High readability of the Golden Cangue at large47-48
• 2．2．4 Compensation from the borrowed western writing devices48-50
• 2．3 Title translation in Chang's Fiction50-56
• Chapter Ⅲ Hybridity in Eileen Chang's fictions and its translation56-71
• 3．1 Hybridity Clarified56-58
• 3．2 Hybridity in Eileen Chang's Fiction and its translation58-71
• 3．2．1 the Problem of Mimicry58-63
• 3．2．2 Linguistic Hybridity63-71
• Chapter Ⅳ Conclusion71-75
• Reference75-77

【引證文獻(xiàn)】

中國碩士學(xué)位論文全文數(shù)據(jù)庫 前2條

1 陳婷;譯者：被操縱和反操縱者[D];四川外語學(xué)院;2011年

2 彭金玲;蕭乾自譯文學(xué)作品研究[D];廣東外語外貿(mào)大學(xué);2008年

  本文關(guān)鍵詞：譯家張愛玲及其小說的翻譯，由筆耕文化傳播整理發(fā)布。

本文編號(hào)：359647