《論莎士比亞悲劇中死亡的本體論意義及其戲劇功用》
發(fā)布時(shí)間：2021-11-24 10:36
莎士比亞悲劇中的死亡現(xiàn)象尚無(wú)系統(tǒng)的研究。作為悲劇高潮的有機(jī)構(gòu)成，死亡不但先行規(guī)定著劇情的發(fā)展，也是不斷向悲劇主人公昭示存在意義而始終在場(chǎng)的核心要素。然而強(qiáng)勢(shì)悲劇理論有著很強(qiáng)的目的論和倫理觀依據(jù)，這在亞里士多德、黑格爾以及布拉德雷的悲劇觀中是一以貫之的，該理論造成了對(duì)死亡現(xiàn)象的長(zhǎng)期誤讀。本文借重海德格爾的相關(guān)論述指出：沒(méi)有人對(duì)死亡的覺(jué)悟之情悲劇就無(wú)從發(fā)生，人的存在就是時(shí)間性和歷史性的存在，作為時(shí)間性與歷史性確證的死亡無(wú)疑也就具有統(tǒng)籌全局的悲劇意味了。此外，海德格爾關(guān)于“存在”的本源意義為“去存在”的觀點(diǎn)，也提示我們不可以把死亡僅僅視作悲慘不幸的事件，而應(yīng)把死亡作為貫穿悲劇始終，洞視“存在”意義的途徑而加以把握。本文的寫(xiě)作以莎士比亞悲劇中的死亡現(xiàn)象為核心，辨析莎士比亞悲劇中死亡意識(shí)與悲劇精神的共生發(fā)展，揭示莎士比亞正是站在死亡這一最本己的可能性上探索了生存的種種可能性。本文對(duì)悲劇預(yù)設(shè)的反駁，回應(yīng)了二十世紀(jì)西方哲學(xué)和美學(xué)領(lǐng)域發(fā)生的存在論轉(zhuǎn)向，促進(jìn)莎士比亞悲劇研究從認(rèn)識(shí)論的立場(chǎng)向存在論立場(chǎng)的轉(zhuǎn)移。 第一章緒論指出：悲劇是關(guān)乎存在的，而死亡是存在的核心問(wèn)題，這契合文藝復(fù)興前后發(fā)生的、由超越...
【文章來(lái)源】：安徽大學(xué)安徽省 211工程院校
【文章頁(yè)數(shù)】：69 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgements
Abstract
Chapter One Introduction
Chapter Two Ontological Significance of Death
2.1 A Survey of Past Studies on Death
2.2 Being-towards-Death and the Birth of Tragedy
2.3 Ontological Interpretation of Death
Chapter Three Methodological Functions of Death
3.1 The Substance of Shakespearean Tragedy
3.1.1 Shakespeare's Use of Aristotelian Teleology
3.1.2 Some Reflections on Bradley's Substance of Tragedy
3.1.3 Existential Understanding of Shakespeare's 'Fate'
3.2 Humanistic Tragedies and Transcendental Tragedies
Chapter Four Dramatic Functions and Significance of Death in Humanistic Tragedies
4.1 General Features
4.1.1 Supernatural Elements as Memento Mori
4.1.2 Madness as a Response to the Dislocated World
4.2 Violent Death and the Tragic Spirit of Humanistic Tragedies
4.2.1 Humanistic Demigod and Death
4.2.2 The Inescapability of Death
4.3 Death as Truth Revealer
Chapter Five Dramatic Functions and Significance of Death in Transcendental Tragedies
5.1 Wedding-bed and Monument as Memento Mori
5.2 God of Love and Suicide
5.3 Suicide as a Way of Transcendence
Chapter Six Conclusion
Notes
Bibliography
Appendix
本文編號(hào)：3515807
【文章來(lái)源】：安徽大學(xué)安徽省 211工程院校
【文章頁(yè)數(shù)】：69 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgements
Abstract
Chapter One Introduction
Chapter Two Ontological Significance of Death
2.1 A Survey of Past Studies on Death
2.2 Being-towards-Death and the Birth of Tragedy
2.3 Ontological Interpretation of Death
Chapter Three Methodological Functions of Death
3.1 The Substance of Shakespearean Tragedy
3.1.1 Shakespeare's Use of Aristotelian Teleology
3.1.2 Some Reflections on Bradley's Substance of Tragedy
3.1.3 Existential Understanding of Shakespeare's 'Fate'
3.2 Humanistic Tragedies and Transcendental Tragedies
Chapter Four Dramatic Functions and Significance of Death in Humanistic Tragedies
4.1 General Features
4.1.1 Supernatural Elements as Memento Mori
4.1.2 Madness as a Response to the Dislocated World
4.2 Violent Death and the Tragic Spirit of Humanistic Tragedies
4.2.1 Humanistic Demigod and Death
4.2.2 The Inescapability of Death
4.3 Death as Truth Revealer
Chapter Five Dramatic Functions and Significance of Death in Transcendental Tragedies
5.1 Wedding-bed and Monument as Memento Mori
5.2 God of Love and Suicide
5.3 Suicide as a Way of Transcendence
Chapter Six Conclusion
Notes
Bibliography
Appendix
本文編號(hào)：3515807
本文鏈接：http://sikaile.net/wenyilunwen/wxchuangz/3515807.html
最近更新
教材專著
