歷史與現(xiàn)實(shí)的完美融合:論A.S.拜厄特《占有》中的敘事策略
發(fā)布時(shí)間:2021-08-01 16:08
A. S. 拜厄特(1936-)是當(dāng)今最負(fù)盛名的女作家之一,其充滿智性的寫(xiě)作通常以知識(shí)分子為主人公,大多講述學(xué)術(shù)圈所發(fā)生的故事。她的創(chuàng)作中涉獵了幾乎各種文學(xué)體裁,其中充溢的大量典故給讀者帶來(lái)了一定的閱讀障礙。但由于她作品內(nèi)容涉及的范圍廣,人物形態(tài)各異,心理狀況復(fù)雜多變,同時(shí)也賦予作品以豐富深刻的內(nèi)涵。小說(shuō)《占有》被評(píng)論界認(rèn)為是拜厄特最為成功的作品。在此部作品中,拜厄特將發(fā)生在不同時(shí)期的故事交織起來(lái)進(jìn)行講述。故事的兩位主人公羅蘭·米切爾和莫德·貝利在他們發(fā)現(xiàn)的一系列歷史文本中,證實(shí)了一段發(fā)生在維多利亞詩(shī)人R.H 艾什和克麗斯貝爾·拉莫特之間鮮為人知的愛(ài)情故事。同時(shí)在探尋這段愛(ài)情的過(guò)程中,羅蘭和莫德之間的關(guān)系也發(fā)生了微妙的變化。作品以其獨(dú)特的敘事結(jié)構(gòu),新穎復(fù)雜的主題在出版之后很快贏得了評(píng)論界的普遍關(guān)注與贊揚(yáng)。本文試圖通過(guò)分析《占有》這一拜厄特最為重要的作品來(lái)對(duì)拜厄特的創(chuàng)作進(jìn)行一次透視。由于其敘事的獨(dú)特性,筆者將運(yùn)用熱奈特的敘事理論對(duì)《占有》進(jìn)行分析,并進(jìn)一步揭示出拜厄特的創(chuàng)作意旨。 全文共分七章。第一章首先簡(jiǎn)要介紹拜厄特的生平、主要作品以及對(duì)其創(chuàng)作生涯產(chǎn)生深刻影響的幾位作家。其次對(duì)該論文的...
【文章來(lái)源】:河南大學(xué)河南省
【文章頁(yè)數(shù)】:80 頁(yè)
【學(xué)位級(jí)別】:碩士
【文章目錄】:
Content
Abstract (English)
Abstract (Chinese).
Chapter One Introduction
1.1 Brief introduction to A. S. Byatt
1.2 Rationale of the study
1.3 Research objectives
1.4 Methodology
1.5 Organization of the thesis
Chapter Two Literature Review
2.1 Summary of the novel Possession
2.2 Critical responses to Possession
Chapter Three Gérard Genette’s Theory of Narratology
Chapter Four Multiple Leveled Narration
4.1 Brief introduction to narrative strategies of Possession
4.2 Different narrative levels
4.2.1.T raditional first narrative level
4.2.2 Complicated second narrative level
4.2.3 Scattered third narrative level
4.3 The relation of these three narrative levels
Chapter Five Disordered Time in Possession
5.1 None-chronological time order
5.2 Unequal temporal duration
5.3 Diversified time frequency
Chapter Six Variable Focalization in Possession
6.1 Zero focalization
6.2 Internal focalization
6.3 External focalization
Chapter Seven Conclusion
Bibliography
Appendix
本文編號(hào):3315830
【文章來(lái)源】:河南大學(xué)河南省
【文章頁(yè)數(shù)】:80 頁(yè)
【學(xué)位級(jí)別】:碩士
【文章目錄】:
Content
Abstract (English)
Abstract (Chinese).
Chapter One Introduction
1.1 Brief introduction to A. S. Byatt
1.2 Rationale of the study
1.3 Research objectives
1.4 Methodology
1.5 Organization of the thesis
Chapter Two Literature Review
2.1 Summary of the novel Possession
2.2 Critical responses to Possession
Chapter Three Gérard Genette’s Theory of Narratology
Chapter Four Multiple Leveled Narration
4.1 Brief introduction to narrative strategies of Possession
4.2 Different narrative levels
4.2.1.T raditional first narrative level
4.2.2 Complicated second narrative level
4.2.3 Scattered third narrative level
4.3 The relation of these three narrative levels
Chapter Five Disordered Time in Possession
5.1 None-chronological time order
5.2 Unequal temporal duration
5.3 Diversified time frequency
Chapter Six Variable Focalization in Possession
6.1 Zero focalization
6.2 Internal focalization
6.3 External focalization
Chapter Seven Conclusion
Bibliography
Appendix
本文編號(hào):3315830
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