中國(guó)古典詩(shī)歌翻譯對(duì)美國(guó)現(xiàn)代詩(shī)歌的影響
發(fā)布時(shí)間：2021-05-24 00:19
本論文從以色列學(xué)者伊恩·佐哈提出的多元系統(tǒng)翻譯理論的視角，研究了中國(guó)古典詩(shī)歌對(duì)美國(guó)現(xiàn)代詩(shī)歌的影響。 論文的第一章對(duì)多元系統(tǒng)理論進(jìn)行了介紹。多元系統(tǒng)理論是翻譯理論中第一種對(duì)翻譯現(xiàn)象從宏觀角度進(jìn)行研究的理論。該理論突破了傳統(tǒng)翻譯理論把翻譯視為源語(yǔ)文本在目標(biāo)語(yǔ)中的對(duì)應(yīng)物的局限，把翻譯現(xiàn)象置于社會(huì)文化的大背景之下，視之為在整個(gè)社會(huì)一文化這一大的多元系統(tǒng)內(nèi)，及在文學(xué)多元系統(tǒng)內(nèi)各個(gè)子系統(tǒng)為獲得統(tǒng)治地位而互相競(jìng)爭(zhēng)的產(chǎn)物。多元系統(tǒng)的主要理論來(lái)源是俄國(guó)的形式主義，特別是梯尼亞諾夫（Yury Tynjanov）有關(guān)系統(tǒng)的理論，伊恩·佐哈對(duì)梯尼亞諾夫的核心概念“系統(tǒng)”（system）和“關(guān)系”（Relational）做了進(jìn)一步的發(fā)揮，使之成為多元系統(tǒng)理論中的支柱。他提出了在文學(xué)多元系統(tǒng)內(nèi)的三對(duì)矛盾，并指出翻譯現(xiàn)象及翻譯文學(xué)在不同的文化系統(tǒng)內(nèi)會(huì)起到不同的作用。盡管多數(shù)情況下翻譯文學(xué)處于邊緣位置，但并非總是如此。伊恩·佐哈總結(jié)了翻譯文學(xué)成為文學(xué)的主流樣式并促進(jìn)新的文學(xué)樣式的發(fā)展的三種情況。接著他從兩個(gè)方面進(jìn)一步介紹了多元系統(tǒng)理論：一、目標(biāo)文學(xué)多元系統(tǒng)對(duì)被翻譯的文本是如何進(jìn)行選擇的；二、被翻譯的文本與目標(biāo)文...
【文章來(lái)源】：南京師范大學(xué)江蘇省 211工程院校
【文章頁(yè)數(shù)】：76 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
ACKNOWLEDGEMENT
摘要
ABSTRACT
前言
CHAPTER 1. INTRODUCTION
1.1 THE OBJECTIVE OF THE THESIS
1.2 THE BACKGROUND OF THE THESIS
1.3 THE THEORETICAL FRAMEWORK OF THE THESIS
1.4 THE STRUCTURE OF THE THESIS
1.5 THE ANTICIPATED CONCLUSION OF THE THESIS
CHAPTER 2 AN INTRODUCTION TO POLYSYSTEM THEORY
2.1 THE SOURCE OF POLYSYSTEM THEORY
2.2 DEFINITION OF POLYSYSTEM
2.3 CENTRAL IDEA OF POLYSYSTEM THEORY
2.3.1 The central concept of polysystem theory: relational
2.3.2 Binary oppositions in the literary system's internal workings
2.3.3 A variety of roles translation plays in different cultural systems
2.3.4 Three kinds of situation when translations can be primary (i. e. innovative) and contribute to the elaboration of new repertoires
2.3.5 Even-Zohar's further investigation into the selection and adaptation of translated works in a given cultural polysystem
2.4 POLYSYSTEM'S LIMITATIONS
CHAPTER 3 CASE STUDY Ⅰ: CHINESE POETRY AND AMERICAN IMAGISM
3.1 LARGER SOCIO-CULTURAL POLYSYSTEM IN THE LATE 19TH CENTURY
3.1.1 The cultural polysystem: The growing interests in Chinese art in Europe throughout 19th century
3.1.2 The Economical Polysystem: East India Company's pursuit of the vast commercial potential and extended trade in China and Open Door policy
3.1.3 The Religious Polysystem: Missionary activities in China
3.2 A BRIEF REVIEW OF THE HISTORY OF CHINESE POETRY TRANSLATION
3.3.THE POLYSYSTEMS OF BRITISH AND AMERICAN LITERATURE AT THE BEGINNING OF THE 20~(TH) CENTURY
3.4.EZRA POUND AND IMAGISM
3.4.1 Pound's interests in China and the rise of Imagism
3.4.2 Cathay-"The invention of Chinese poetry" by Pound
3.4.3.The rewriting of Chinese poetry in English in Cathay
3.4.4.The justification for Pound's rewriting of Chinese poetry
3.4.5 The bearing of Pound's translation and its methodological meaning
3.5. THE INFLUENCE OF CHINESE POETRY ON THE FUTURE OF AMERICAN LITERATURE
3.5.1 The unrhymed free verse style
3.5.2 The Chinese factor on the style and theme of American poetry
3.5.3.The defamiliarization of English
CHAPTER 4 CASE STUDY Ⅱ: THE CHINESE POETRY AND THE BEATS GENERATION
4.1 LARGER SOCIO-CULTURAL POLYSYSTEM OF AMERICAN IN 1960'S
4.1.1 The political-economical polysystem—the prosperity of economy and the plight in politics
4.1.2 The cultural polysystem—decade of change and the spread of Zen Buddhism and Daoism
4.2 THE POLYSYSTEM OF AMERICAN LITERATURE IN EARLY 1960
4.2.1 The center of the literary system:: T. S. Eliot and New Criticism
4.2.2 The peripheral elements of literary system: The Post Modernism and the Beat Generation
4.2.3 The American literature in a state of crisis: the denial of canonized values and poetic forms
4.3 THE TRANSLATION OF HAN SHAN'S POEMS AND ITS ROLE IN THE EVOLUTION OF AMERICAN LITERARY POLYSYSTEM
4.3.1.The person of Han Shan and his poems
4.3.2 Gary Snyder and his translation of Han Shan's poems
4.3.3 The role Snyder's Han Shan plays in the Beat Movement
CHAPTER 5 CONCLUSION
REFERENCE
本文編號(hào)：3203226
【文章來(lái)源】：南京師范大學(xué)江蘇省 211工程院校
【文章頁(yè)數(shù)】：76 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
ACKNOWLEDGEMENT
摘要
ABSTRACT
前言
CHAPTER 1. INTRODUCTION
1.1 THE OBJECTIVE OF THE THESIS
1.2 THE BACKGROUND OF THE THESIS
1.3 THE THEORETICAL FRAMEWORK OF THE THESIS
1.4 THE STRUCTURE OF THE THESIS
1.5 THE ANTICIPATED CONCLUSION OF THE THESIS
CHAPTER 2 AN INTRODUCTION TO POLYSYSTEM THEORY
2.1 THE SOURCE OF POLYSYSTEM THEORY
2.2 DEFINITION OF POLYSYSTEM
2.3 CENTRAL IDEA OF POLYSYSTEM THEORY
2.3.1 The central concept of polysystem theory: relational
2.3.2 Binary oppositions in the literary system's internal workings
2.3.3 A variety of roles translation plays in different cultural systems
2.3.4 Three kinds of situation when translations can be primary (i. e. innovative) and contribute to the elaboration of new repertoires
2.3.5 Even-Zohar's further investigation into the selection and adaptation of translated works in a given cultural polysystem
2.4 POLYSYSTEM'S LIMITATIONS
CHAPTER 3 CASE STUDY Ⅰ: CHINESE POETRY AND AMERICAN IMAGISM
3.1 LARGER SOCIO-CULTURAL POLYSYSTEM IN THE LATE 19TH CENTURY
3.1.1 The cultural polysystem: The growing interests in Chinese art in Europe throughout 19th century
3.1.2 The Economical Polysystem: East India Company's pursuit of the vast commercial potential and extended trade in China and Open Door policy
3.1.3 The Religious Polysystem: Missionary activities in China
3.2 A BRIEF REVIEW OF THE HISTORY OF CHINESE POETRY TRANSLATION
3.3.THE POLYSYSTEMS OF BRITISH AND AMERICAN LITERATURE AT THE BEGINNING OF THE 20~(TH) CENTURY
3.4.EZRA POUND AND IMAGISM
3.4.1 Pound's interests in China and the rise of Imagism
3.4.2 Cathay-"The invention of Chinese poetry" by Pound
3.4.3.The rewriting of Chinese poetry in English in Cathay
3.4.4.The justification for Pound's rewriting of Chinese poetry
3.4.5 The bearing of Pound's translation and its methodological meaning
3.5. THE INFLUENCE OF CHINESE POETRY ON THE FUTURE OF AMERICAN LITERATURE
3.5.1 The unrhymed free verse style
3.5.2 The Chinese factor on the style and theme of American poetry
3.5.3.The defamiliarization of English
CHAPTER 4 CASE STUDY Ⅱ: THE CHINESE POETRY AND THE BEATS GENERATION
4.1 LARGER SOCIO-CULTURAL POLYSYSTEM OF AMERICAN IN 1960'S
4.1.1 The political-economical polysystem—the prosperity of economy and the plight in politics
4.1.2 The cultural polysystem—decade of change and the spread of Zen Buddhism and Daoism
4.2 THE POLYSYSTEM OF AMERICAN LITERATURE IN EARLY 1960
4.2.1 The center of the literary system:: T. S. Eliot and New Criticism
4.2.2 The peripheral elements of literary system: The Post Modernism and the Beat Generation
4.2.3 The American literature in a state of crisis: the denial of canonized values and poetic forms
4.3 THE TRANSLATION OF HAN SHAN'S POEMS AND ITS ROLE IN THE EVOLUTION OF AMERICAN LITERARY POLYSYSTEM
4.3.1.The person of Han Shan and his poems
4.3.2 Gary Snyder and his translation of Han Shan's poems
4.3.3 The role Snyder's Han Shan plays in the Beat Movement
CHAPTER 5 CONCLUSION
REFERENCE
本文編號(hào)：3203226
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