《時(shí)震》是美國(guó)當(dāng)代著名作家?guī)鞝柼亍ゑT內(nèi)古特（1922—2007）在七十五歲高齡時(shí)發(fā)表的封筆之作。庫(kù)爾特·馮內(nèi)古特是起自上個(gè)世紀(jì)六十年代的后現(xiàn)代主義小說(shuō)流派的主要代表之一,他的許多作品廣受歡迎,影響深遠(yuǎn)。《時(shí)震》是作者為后現(xiàn)代文學(xué)世界獻(xiàn)出的最后一部力作,具有后現(xiàn)代小說(shuō)的典型特點(diǎn)。一經(jīng)翻譯出版,便受到了廣大讀者和研究者的青睞,這種影響自然離不開(kāi)它的優(yōu)秀譯本。后現(xiàn)代主義文學(xué)作品獨(dú)特的審美特征決定了其翻譯的特殊性,而這項(xiàng)特殊的翻譯工作的關(guān)鍵即在于如何使原作的后現(xiàn)代審美特征在譯作中得到完美的再現(xiàn)。圖式是認(rèn)知心理學(xué)的術(shù)語(yǔ),最早作為一種哲學(xué)的思維模式由康德（1724—1804）提出。語(yǔ)言學(xué)家和教育家已經(jīng)將圖式理論廣泛的運(yùn)用到閱讀研究中去,其在翻譯研究中的運(yùn)用也有增加的趨勢(shì)。本文采用描寫(xiě)翻譯學(xué)的方法,嘗試以圖式理論為指導(dǎo),以《時(shí)震》的中譯本為研究對(duì)象,重點(diǎn)探討在翻譯過(guò)程中如何實(shí)現(xiàn)譯作與原作的審美契合,從而再現(xiàn)原作的后現(xiàn)代審美特征。研究結(jié)果表明:1)在翻譯過(guò)程中,譯者運(yùn)用自己的圖式知識(shí),以確保對(duì)原文本的正確理解以及與之相匹配的信息表達(dá),以達(dá)到譯作與原作的后現(xiàn)代審美契合;2)由于目的語(yǔ)與源語(yǔ)的語(yǔ)言文化差異... 

【文章來(lái)源】：湖南師范大學(xué)湖南省 211工程院校

【文章頁(yè)數(shù)】：66 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Abstract
摘要
Introduction
    0.1 A General Description of the Study
    0.2 The Significance of the Study
    0.3 A Survey of Existing Studies
    0.4 The Structure of the Thesis
Chapter One Vonnegut and Timequake
    1.1 Kurt Vonnegut
        1.1.1 His Life and Education
        1.1.2 His Works and Influence
    1.2 Timequake
        1.2.1 Aesthetic Features of Post-Modern Novels
        1.2.2 Typical Themes and Characteristics of Vonnegut's Novels
        1.2.3 Aesthetic Features of Timequke
            1.2.3.1 In Theme
            1.2.3.2 In Language
            1.2.3.3 In Narration
Chapter Two Schema Theory
    2.1 The Origin of Schemata
    2.2 The Definitions of Schemata
    2.3 The Classifications of Schemata
        2.3.1 Guy Cook's Classification
        2.3.2 Pan Weimin's Classification
        2.3.3 Zhou Dubao's Classification
        2.3.4 Rumelhart's Classification
    2.4 The Application of Schema Theory
        2.4.1 In Artificial Intelligence
        2.4.2 In Linguistics
Chapter Three Schema Theory in the Process of Translation
    3.1 Translation as a Process
    3.2 The Roles of Schemata in Translating Process
        3.2.1 Improving Comprehending the Source Text
        3.2.2 Helping Retrieve Information from Memory
        3.2.3 Activation of Target Language Readers' Schemata
    3.3 Schematic Methods of Translation
        3.3.1 Bottom-Up and Top-Down Processing
        3.3.2 Prototype and Template Matching
Chapter Four Schematic Interpretation of the Translation of Timequake
    4.1 In Language
        4.1.1 Irony
        4.1.2 Sarcasm
        4.1.3 Hyperbole
        4.1.4 Metaphor and Simile
        4.1.5 Parody
        4.1.6 Anti-climax
    4.2 In Culture
        4.2.1 Idioms
        4.2.2 Self-Coined Words
Conclusion
    5.1 Findings of the Study
    5.2 Implications of the Study
    5.3 Limitations of the Study
    5.4 Suggestions for Further Research
Bibliography
Acknowledgements


【參考文獻(xiàn)】：
期刊論文
[1]英美文學(xué)中黑色幽默作品的敘事技巧[J]. 安婕.  甘肅聯(lián)合大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版). 2006(05)
[2]圖式理論對(duì)理解翻譯的解釋力[J]. 周篤寶.  南華大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版). 2002(04)
[3]論翻譯的圖式文本[J]. 張梅崗.  中國(guó)翻譯. 2002(01)
[4]翻譯教學(xué)中的文化期待圖式[J]. 潘衛(wèi)民.  五邑大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版). 2001(04)
[5]文學(xué)翻譯中的形象思維[J]. 范勇.  外語(yǔ)學(xué)刊. 2001(02)



本文編號(hào)：3159503