論《押沙龍，押沙龍
發(fā)布時間：2021-01-12 00:40
《押沙龍,押沙龍!》中的兩大矛盾特征,即歷史性和反歷史性,已得到評論界的公認,但多數(shù)評論家只注意到兩者的對立,而忽視了兩者的內(nèi)在一致性。本文旨在論證《押沙龍,押沙龍!》的反歷史性不僅是對歷史性的一種批判、反撥和解構(gòu),更是對歷史性的超越和競爭性互補,兩大支柱統(tǒng)一于福克納深刻的人文關(guān)懷中�！堆荷除�,押沙龍》中展現(xiàn)的歷史畫卷核心是主體性的極度膨脹,自我中心主義意識的極力強化,和對他者聲音的無情壓抑;百里莊園的坍塌,斯特潘宏圖的破滅,南方的敗落本質(zhì)上體現(xiàn)了西方以自我為坐標范式的“主導(dǎo)敘事”單值概念的失敗。而反歷史性敘述手法的應(yīng)用——多角度敘述,呼喊和回應(yīng)手法,有效沉默和逆轉(zhuǎn)——顛覆了中心和邊緣,自我和他者的二元對立結(jié)構(gòu)模式,為他者聲音的釋放提供了有效的途徑,表現(xiàn)了對長期為主流文化所忽視、冷落的邊緣群體的重視。歷史性與反歷史性的統(tǒng)一要追溯到福克納自我和他者的雙重身份。南北戰(zhàn)爭的失敗、北軍的占領(lǐng)、經(jīng)濟的衰敗打破了一系列關(guān)于南方優(yōu)越的神話,南方在美國主流文化中成了窮山惡水、野蠻原始、民風刁潑、愚昧無知的代名詞。南方人,尤其是南方男性白人,深刻體會到他者只能被別人所定義、所描繪、所解釋,沒有主體,沒有...
【文章來源】：重慶大學(xué)重慶市 211工程院校 985工程院校 教育部直屬院校
【文章頁數(shù)】：54 頁
【學(xué)位級別】：碩士
【文章目錄】：
摘要
ABSTRACT
Chapter One Introduction
Chapter Two Literature Review
Chapter Three Historicity and Ahistoricity
Chapter Four Historicity Represented in the Collapse of Sutpen’s House
4.1 Social and Cultural Implications of the House Imagery in the South
4.2 The House Split in Absalom, Absalom!
4.2.1 The Suppression of the Others
4.2.2 The Subversive power of the Others
4.3. Summary
Chapter Five Ahistoricity Realized in the Erection of a Linguistic Edifice
5.1 Discourse, Power and Master Narrative
5.2.The Disintegration of Master Narrative
5.3 The Emancipation of Otherized Voices
5.3.1 The Employment of Multi-perspectives
5.3.2 The Use of Call-and-response Technique
5.3.3 The Application of Effective Silence
5.3.4 The Employment of Reversal
5.4.The Danger of Fragmentation and the Potential for Unity
5.5 Summary
Chapter Six Faulkner’s Humanist Aspirations
6.1 Faulkner’s Double Identity
6.1.1 The Otherization of the South
6.1.2 Predicament and Potential of Being Both the Self and the Other
6.2 The Universal Concern of Faulkner’s Art
6.2.1 The Base of Common Humanity
6.2.2 The Significance of Human Connection
6.3 Summary
Chapter Seven Conclusion
Acknowledgements
References
Appendix: 作者在攻讀碩士學(xué)位期間發(fā)表的論文目錄
本文編號：2971788
【文章來源】：重慶大學(xué)重慶市 211工程院校 985工程院校 教育部直屬院校
【文章頁數(shù)】：54 頁
【學(xué)位級別】：碩士
【文章目錄】：
摘要
ABSTRACT
Chapter One Introduction
Chapter Two Literature Review
Chapter Three Historicity and Ahistoricity
Chapter Four Historicity Represented in the Collapse of Sutpen’s House
4.1 Social and Cultural Implications of the House Imagery in the South
4.2 The House Split in Absalom, Absalom!
4.2.1 The Suppression of the Others
4.2.2 The Subversive power of the Others
4.3. Summary
Chapter Five Ahistoricity Realized in the Erection of a Linguistic Edifice
5.1 Discourse, Power and Master Narrative
5.2.The Disintegration of Master Narrative
5.3 The Emancipation of Otherized Voices
5.3.1 The Employment of Multi-perspectives
5.3.2 The Use of Call-and-response Technique
5.3.3 The Application of Effective Silence
5.3.4 The Employment of Reversal
5.4.The Danger of Fragmentation and the Potential for Unity
5.5 Summary
Chapter Six Faulkner’s Humanist Aspirations
6.1 Faulkner’s Double Identity
6.1.1 The Otherization of the South
6.1.2 Predicament and Potential of Being Both the Self and the Other
6.2 The Universal Concern of Faulkner’s Art
6.2.1 The Base of Common Humanity
6.2.2 The Significance of Human Connection
6.3 Summary
Chapter Seven Conclusion
Acknowledgements
References
Appendix: 作者在攻讀碩士學(xué)位期間發(fā)表的論文目錄
本文編號：2971788
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