威廉·戈?duì)柖∈嵌?zhàn)后英國(guó)重要的小說(shuō)家之一,他的作品以對(duì)人性惡的探討而著稱。這一主題也是歷來(lái)評(píng)論家關(guān)注的焦點(diǎn),卻罕有評(píng)論家從女性主義角度切入分析戈?duì)柖〉淖髌贰１疚闹饕\(yùn)用女性主義文學(xué)批評(píng)理論并融合了部分解構(gòu)主義,弗洛伊德心理分析等其他流派相關(guān)理論,在更為廣闊的女性主義研究視角下對(duì)威廉·戈?duì)柖〉膬刹啃≌f(shuō)《蠅王》和《金字塔》進(jìn)行解讀,分別探究女性在這兩部小說(shuō)中缺場(chǎng)和在場(chǎng)的狀況。本文首先對(duì)威廉·戈?duì)柖〉奈膶W(xué)創(chuàng)作以及關(guān)于其作品已有的研究成果進(jìn)行簡(jiǎn)要評(píng)述,然后對(duì)《蠅王》和《金字塔》進(jìn)行重點(diǎn)分析。在《蠅王》中,由于女性的缺場(chǎng),荒島上的男性小社會(huì)和其代表的菲勒斯中心文化經(jīng)歷了從建立到面臨危機(jī)直至最后崩潰解體的過(guò)程,從反面揭示了女性的在場(chǎng)是必不可少的。對(duì)《金字塔》的解讀則借助小說(shuō)中幾名在場(chǎng)的主要女性人物形象的分析展開(kāi),說(shuō)明了威廉·戈?duì)柖?duì)女性形象的塑造有別于傳統(tǒng)男性作家的模式,體現(xiàn)了他對(duì)女性自成一家的看法和態(tài)度。在兩部小說(shuō)中,女性的缺場(chǎng)和在場(chǎng)都體現(xiàn)出在男性中心文化中女性自身不可替代的價(jià)值和力量。威廉·戈?duì)柖∽鳛橐粋�(gè)男性作家,并非一個(gè)男權(quán)至上主義者。在他的文學(xué)作品中并無(wú)污蔑,排斥,壓制女性的傾向,他對(duì)女性... 

【文章來(lái)源】：上海外國(guó)語(yǔ)大學(xué)上海市 211工程院校 教育部直屬院校

【文章頁(yè)數(shù)】：59 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
Abstract
摘要
Introduction
Chapter One Previous Critiques on William Golding’s Novels
    1.1 The General Critiques on Lord of the Flies and The Pyramid
    1.2 Feminist Critiques on Lord of the Flies
        1.2.1 English Feminist Critiques on Lord of the Flies
        1.2.2 Chinese Feminist Critiques on Lord of the Flies
    1.3 The Para-feminist Critiques on The Pyramid
Chapter Two Women’s Absence in Lord of the Flies
    2.1 The Foundation of the Small Male Society
        2.1.1 The Establishment of Phallocentrism, Logocentrism and Phallus Worship
        2.1.2 The Intrusion of the “Snake-thing”
        2.1.3 Piggy’s Aunt---A Female Figure in Boys’Conversation
    2.2 The Crisis of the Small Male Society
        2.2.1 The Revenge from Mother Nature---An Eco-feminist View
        2.2.2 The Slaughter of the Sow
    2.3 The Disintegration of Phallocentrism
        2.3.1 Simon’s Death---The Decease of the Male God
        2.3.2 Piggy’s Castration Anxiety and Death---The Withering of Logocentrism
        2.3.3 The Final “Rescue”
Chapter Three Women’s Presence in The Pyramid
    3.1 Evie---the Fallen Girl
        3.1.1 Evie’s Pursuit of True Love and Her Degeneration
        3.1.2 Evie’s Aspiration for Self-development
        3.1.3 Evie’s Suffering from Paternal Dictatorship
    3.2 Bounce---the Madwoman
        3.2.1 Bounce’s Misery Imposed by Paternal Cruelty
        3.2.2 Bounce’s Frustrated Love and Madness
    3.3 Imogen---Return from the Image of Goddess
        3.3.1 Imogen in Man’s Imagination
        3.3.2 Imogen in Reality
    3.4 Oliver’s Mother---The Common Woman in the Secular World
Conclusion
Works Cited


【參考文獻(xiàn)】：
期刊論文
[1]《蠅王》的女性主義解讀[J]. 王衛(wèi)新.  河南大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版). 2006(03)
[2]論《魯賓遜漂流記》和《蠅王》中的女性缺席[J]. 段漢武.  寧波大學(xué)學(xué)報(bào)(人文科學(xué)版). 2006(02)
[3]論《蠅王》中女性的缺場(chǎng)[J]. 陳楓艷.  常州工學(xué)院學(xué)報(bào)(社科版). 2005(03)
[4]“情所獨(dú)鐘”處──從《蠅王》中的殺豬“幕間劇”說(shuō)開(kāi)去[J]. 于海青.  國(guó)外文學(xué). 1996(04)



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