【摘要】：在中國(guó)當(dāng)代文學(xué)史上,女性解放的文學(xué)創(chuàng)作思潮以女權(quán)至上為口號(hào),女性寫作、女性文學(xué)、個(gè)人化寫作、身體寫作、私語化等概念鋪天蓋地席卷而來。然而嚴(yán)歌苓的寫作,從某種程度上講,與這批當(dāng)代文學(xué)的思潮保持了距離。嚴(yán)歌苓的文學(xué)作品是以歌頌女性的善良、溫柔、付出、自我犧牲為主題,但她并沒有刻意將男性形象放置在女性形象的對(duì)立面上。 本文把對(duì)嚴(yán)歌苓創(chuàng)作的分析縮小到其以女性視角塑造的一批形形色色的女性人物上,通過對(duì)這些女性形象的剖析,探討其背后隱匿的人文主義立場(chǎng)。本文主要分為三個(gè)部分。第一章論述了嚴(yán)歌苓小說中女性形象的特質(zhì)和類別,概述了作家筆下的女性不同于波伏娃所說的“第二性”的特質(zhì),并且把其小說中的女性形象劃分為修女、叛女和圣女三個(gè)類別。第二章從嚴(yán)歌苓小說的敘事意象來分析作家筆下的女性,分別從一些細(xì)節(jié)如頭發(fā),眼睛,軀體來分析。最后一章以愛和困境為主線來探索分析嚴(yán)歌苓小說的敘事策略。 嚴(yán)歌苓的小說給讀者展現(xiàn)的是超然物外的女性美,因其對(duì)人性的始終關(guān)注,使得她的文本寫作始終蕩漾著人文關(guān)懷的溫暖,處處彰顯出以人為本的思想。在作者筆下,女性的苦難是在所難免的,但她們能用自我犧牲來獲得精神上的慰藉；面對(duì)無理的要求,她們用女人特有的寬容來化解恩怨；面對(duì)無法擺脫的命運(yùn),她們用特有的宗教信念來為自己療傷,來說服自己寬容他人,直至最后用自己的犧牲來成全他人。嚴(yán)歌苓的作品中的女性大部分都有母性的特征,女性的寬容和犧牲能夠化解恩怨,也救贖他人。在新移民作家群中,嚴(yán)歌苓以女性的真切感悟和內(nèi)心感受造就了一種區(qū)別于大陸的女性文學(xué)話語方式,形成了獨(dú)有的書寫策略。
[Abstract]:In the history of contemporary Chinese literature, the literary creation trend of female liberation comes all over the world with the slogan of the supremacy of women's rights, female writing, female literature, individualized writing, body writing, private language and so on. However, Yan Geling's writing, to some extent, maintains a distance from the trend of thought of this group of contemporary literature. Yan Geling's literary works are based on the theme of praising women's kindness, tenderness, giving and self-sacrifice, but she did not deliberately place the male image on the opposite side of the female image. This paper narrows the analysis of Yan Geling's creation to a number of all kinds of female characters created from the perspective of women, and probes into the hidden humanistic stand behind them through the analysis of these female images. This paper is divided into three parts. The first chapter discusses the characteristics and categories of female images in Yan Geling's novels, summarizes the characteristics of women in the writer's works, which are different from the "second sex" described by Bovova, and divides the female images in his novels into three categories: nuns, treason and holy women. The second chapter analyzes the women in the writer's novels from the narrative images of strict Geling's novels, respectively, from some details such as hair, eyes and body. The last chapter takes love and predicament as the main line to explore and analyze the narrative strategy of Yan Geling's novels. Yan Geling's novels show readers the female beauty beyond the object, because of her constant attention to human nature, her text writing has always been rippling with the warmth of humanistic care, showing the people-oriented thought everywhere. In the author's works, the suffering of women is inevitable, but they can use their own sacrifice to obtain spiritual comfort; in the face of unreasonable requirements, they use women's unique tolerance to resolve grudges; in the face of inextricable fate, they use their own religious beliefs to heal themselves, to persuade themselves to tolerate others, until they finally use their own sacrifice to become the whole others. Most of the women in Yan Geling's works have maternal characteristics, and the tolerance and sacrifice of women can resolve grudges and redeem others. In the group of new immigrants writers, Yan Geling created a kind of female literary discourse which is different from the mainland with her true feelings and inner feelings, and formed a unique writing strategy.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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