【摘要】：作為西方文化的兩大源頭之一,《圣經(jīng)》的文學(xué)性已受到中外學(xué)界越來(lái)越廣泛的關(guān)注。作為《圣經(jīng)》智慧文學(xué)中最杰出的作品之一,《約伯記》以其獨(dú)特的敘事技巧吸引了無(wú)數(shù)學(xué)者對(duì)其進(jìn)行文學(xué)研究�；谖谋炯�(xì)讀和文獻(xiàn)批評(píng)回顧,本文作者發(fā)現(xiàn)《約伯記》的敘事技巧主要體現(xiàn)在：獨(dú)特而精妙的人物刻畫(huà),聚焦的巧妙運(yùn)用以及U型敘事結(jié)構(gòu)下情節(jié)場(chǎng)景的安排這三個(gè)方面。本文綜合運(yùn)用巴埃弗萊特的直接與間接人物刻畫(huà)理論、熱奈特的聚焦理論以及弗萊的U型敘事模式理論對(duì)《約伯記》中獨(dú)特的敘事技巧進(jìn)行分析。 本文首先主要研究《約伯記》中獨(dú)特的人物刻畫(huà)。敘事者運(yùn)用直接和間接人物刻畫(huà)的敘事手法將約伯刻畫(huà)成一個(gè)圓形人物,既是智者和上帝眼中的義者,也是對(duì)上帝的申訴者；此外,敘事者將上帝也刻畫(huà)為圓形人物,既是全知全能者又是善者；以立法和比勒達(dá)是扁形人物的代表,前者被描述成偽善者,后者則是一個(gè)小丑,撒旦是敘述者筆下最典型的扁形人物：一個(gè)十惡不赦的形象。隨后本文重點(diǎn)論述《約伯記》中零聚焦與不定式內(nèi)聚焦的獨(dú)特運(yùn)用。敘事者使不同聚焦方式下的人物展現(xiàn)其不同的思維方式,并使其共同推動(dòng)敘事的展開(kāi),傳達(dá)作品隱含的寓意；最后,本文著重探討《約伯記》中U型敘事模式下情節(jié)場(chǎng)景的獨(dú)特安排。講述約伯命運(yùn)發(fā)展的四個(gè)情節(jié)場(chǎng)景被敘事者巧妙地安置在U型結(jié)構(gòu)之下：序幕中的約伯由富足轉(zhuǎn)為空無(wú),約伯與三位友人在發(fā)展階段的沖突,上帝在旋風(fēng)中與約伯會(huì)面的高潮場(chǎng)景,以及約伯在尾聲中的重獲富足。顯而易見(jiàn),這四個(gè)場(chǎng)景遵循了《圣經(jīng)》的U型敘事模式：始于富足和睦,繼而遭受困苦折磨,最后重享富足。從敘事技巧這一角度解讀《約伯記》,能為國(guó)內(nèi)《圣經(jīng)》文學(xué)的敘事學(xué)研究,尤其是對(duì)《約伯記》的研究提供一個(gè)較新的視角。
[Abstract]:As one of the two sources of western culture, the literariness of the Bible has been paid more and more attention by Chinese and foreign scholars. As one of the most outstanding works in the intelligent literature of the Bible, Job attracted countless scholars to study it with its unique narrative skills. Based on the careful reading of the text and the review of literature criticism, the author finds that the narrative skills of Job are mainly reflected in three aspects: the unique and exquisite characterization, the ingenious application of the focus and the arrangement of the plot scene under the U-shaped narrative structure. This paper analyzes the unique narrative skills in Job by using Baeffertt's theory of direct and indirect characterization, Genette's focusing theory and Frye's U-shaped narrative mode theory. First of all, this paper mainly studies the unique characterization in Job. The narrator portrays Job as a circular character by using the narrative technique of direct and indirect characters, which is not only the wise man and the righteous in the eyes of God, but also the complainant of God. In addition, the narrator portrays God as a circular character, both the omniscience and the good. Legislation is the representative of flat characters, the former is described as hypocrite, the latter is a clown, Satan is the most typical flat character in the narrator's works: a heinous image. Then this paper focuses on the unique application of zero focus and infinitesimal internal focus in Job. The narrator makes the characters under different focusing modes show their different ways of thinking, and makes them jointly promote the development of narration and convey the implied implication of the works. Finally, this paper focuses on the unique arrangement of the plot scene in the U-shaped narrative mode in Job. The four plot scenes about the development of Job's fate were cleverly placed under the U-shaped structure: Job in the prelude changed from rich to empty, the conflict between Job and three friends in the stage of development, the climax of God's meeting with Job in the whirlwind, and Job's return to prosperity at the end. Obviously, these four scenes follow the biblical U-shaped narrative model: starting with prosperity and harmony, then suffering, and finally enjoying prosperity. The interpretation of Job from the perspective of narrative skills can provide a new perspective for the narratological study of biblical literature, especially for the study of Job.
【學(xué)位授予單位】：中南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I106

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本文編號(hào)：2511892