【摘要】：志賀直哉一直被認(rèn)為是日本近代文學(xué)史上最具代表性的私小說(shuō)作家之一。但如果閱讀他文學(xué)出發(fā)時(shí)期的作品，就會(huì)清晰地發(fā)現(xiàn)他最開(kāi)始并不是寫(xiě)私小說(shuō)的作家。在他最早發(fā)表的私小說(shuō)作品《致祖母》問(wèn)世之前，志賀直哉創(chuàng)作的小說(shuō)幾乎都不是私小說(shuō)。那么，志賀直哉是怎樣擺脫先行文學(xué)的影響，創(chuàng)造出自己獨(dú)特風(fēng)格的私小說(shuō)就成為了一項(xiàng)重要的課題。通過(guò)對(duì)這一問(wèn)題的分析和研究，無(wú)論是對(duì)私小說(shuō)的研究還是對(duì)志賀文學(xué)的研究都有非常積極的意義。 本文基于以往的寶貴研究成果，結(jié)合志賀文學(xué)哉出發(fā)期的作品，將其分為三大創(chuàng)作時(shí)期分別進(jìn)行詳細(xì)分析，考察志賀直哉的私小說(shuō)的成立及其變化過(guò)程。 因?yàn)槭芪鞣轿幕挠绊�，明治四十一年之前的志賀直哉的文學(xué)創(chuàng)作主要是以西方小說(shuō)為模本，，抽離作者本身的意志，客觀地描寫(xiě)他人的小說(shuō)。但是這種嘗試遭遇到了失敗。但同時(shí)如實(shí)地描寫(xiě)個(gè)人家庭里自己生活面貌的小說(shuō)《一天早晨》卻意外獲得了成功，且給志賀文學(xué)的創(chuàng)作帶來(lái)了一個(gè)新的契機(jī)。以這個(gè)作品為界，志賀直哉在汲取失敗和成功經(jīng)驗(yàn)的基礎(chǔ)上創(chuàng)作出了一系列非私小說(shuō)的作品。像西方小說(shuō)一樣去創(chuàng)作文學(xué)作品的嘗試也慢慢地消失。在逐步擺脫西方文學(xué)和日本自然文學(xué)影響的過(guò)程中，志賀文學(xué)也逐步朝著私小說(shuō)的方向接近。經(jīng)過(guò)集合了私小說(shuō)（準(zhǔn)確的說(shuō)是心境小說(shuō)）要素的作品《某一頁(yè)》的發(fā)表，最后以《致祖母》的出現(xiàn)宣告了志賀直哉的私小說(shuō)的成立�？傊�，志賀直哉的私小說(shuō)是將從西方文學(xué)，先行文學(xué)中攝取的新東西以自己的方式進(jìn)行選擇吸收，創(chuàng)造出來(lái)的文學(xué)形式。并且他的私小說(shuō)的主題是如實(shí)地描寫(xiě)個(gè)人家庭內(nèi)部最真實(shí)的自己。這些私小說(shuō)作品中描寫(xiě)的，并不是深刻反省的自己，而是最直接，最自然的自己。這也是志賀直哉的私小說(shuō)的最大特色。
[Abstract]:Shiga is always regarded as one of the most representative private novel writers in the history of modern Japanese literature. But if you read the works of his literary departure period, it will be clear that he was not a writer of private novels at first. Before his earliest private novel to Grandma was published, Shiga's novels were hardly private novels. Then, how to get rid of the influence of antecedent literature and create his own unique style of private novels has become an important topic. Through the analysis and research of this problem, both the study of private novels and the study of Shiga literature are of great positive significance. Based on the valuable research results in the past, combined with the works of Shiga literature in the departure period, this paper divides them into three creative periods to analyze them in detail, and to investigate the establishment and changing process of Shiga's private novels. Under the influence of western culture, Shiga's literary creation before Meiji 41 years ago was mainly based on western novels, drawing away from the author's own will and objectively describing the novels of others. But this attempt failed. But at the same time, the novel "one morning", which truthfully describes the face of one's own life in a family, has been unexpectedly successful, and has brought a new opportunity to the creation of Shiga literature. Based on this work, Shiga has created a series of non-private novels on the basis of learning from failure and successful experience. Like western novels, attempts to create literary works slowly disappear. In the process of gradually getting rid of the influence of western literature and Japanese natural literature, Shiga literature is also gradually approaching in the direction of private novels. After the publication of a certain page, which brings together the elements of the private novel (to be exact, the mood novel), the establishment of Shiga's private novel is declared with the appearance of "to Grandma". In a word, Shiga's private novels are literary forms that will be absorbed and created in their own way from western literature and antecedent literature. And the theme of his private novel is to describe truthfully the truthest self within his family. What is described in these private novels is not self-reflection, but the most direct and natural self. This is also the biggest feature of Shiga's private novels.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I313.074

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相關(guān)期刊論文 前10條

1 李佳玲;;話一漏萬(wàn)“私小說(shuō)”——淺析日本私小說(shuō)[J];科技信息;2009年17期

2 陸櫻U

本文編號(hào)：2481229