近現(xiàn)代中西方文學(xué)中男性去勢及其文化隱喻
發(fā)布時(shí)間：2019-04-02 01:39
【摘要】：一直以來男性都是社會(huì)生活中的強(qiáng)者，他們是社會(huì)經(jīng)濟(jì)發(fā)展的主要貢獻(xiàn)者，是支撐整個(gè)家庭的頂梁柱。在文學(xué)作品中作家也樂于把男性塑造成孔武有力、英姿颯爽、果敢堅(jiān)毅的形象。但是近現(xiàn)代以來中西方文學(xué)中大量的男性形象開始變得模糊，出現(xiàn)了許多去勢的男性形象。這些去勢者既有生理上被閹割的去勢者，又有精神和氣質(zhì)上被閹割的去勢者。近現(xiàn)代中西文學(xué)中部分男性形象出現(xiàn)的這種轉(zhuǎn)變和對(duì)男性形象故意閹割的情況并不是偶然的，而是有著深刻的現(xiàn)實(shí)和理論基礎(chǔ)。 近現(xiàn)代以來，中西方現(xiàn)實(shí)條件的劇烈變化，刺激和激發(fā)了作家潛藏在內(nèi)心的神話去勢原型，這是文學(xué)中男性去勢出現(xiàn)的理論根源。男性去勢者的出現(xiàn)機(jī)制是和弗洛伊德提出的的閹割情結(jié)相一致的，去勢者的被閹割往往源于自己對(duì)某種現(xiàn)實(shí)的恐懼，這是去勢男性出現(xiàn)的另一理論根源。由于是某種現(xiàn)實(shí)狀況導(dǎo)致了男性的閹割，所以男性去勢者的遭遇就是對(duì)現(xiàn)實(shí)的控訴，這就使得男性的去勢蘊(yùn)含了深刻的文化隱喻意義。 本文就主要從近現(xiàn)代以來中西文學(xué)中男性去勢現(xiàn)象產(chǎn)生的根源，，男性去勢現(xiàn)象的文化隱喻和中西男性去勢文學(xué)不同的文學(xué)歸屬等三個(gè)方面來進(jìn)行研究。從根源上來看近現(xiàn)代以來中西方男性去勢現(xiàn)象的大量出現(xiàn)，既是現(xiàn)實(shí)條件作用的結(jié)果又有深刻的理論根源。從近現(xiàn)代中西方文學(xué)男性去勢的文化隱喻角度來看。概括起來本文主要論述男性去勢對(duì)工業(yè)和城市文明破壞性的隱喻，對(duì)女性主義崛起恐懼的隱喻，對(duì)戰(zhàn)爭破壞性的隱喻和對(duì)政治運(yùn)動(dòng)恐怖性的隱喻。最后，雖說近現(xiàn)代以來中西方文學(xué)中都出現(xiàn)了大量的男性去勢現(xiàn)象，但是由于雙方的文學(xué)發(fā)展都有自己本身的脈絡(luò)和規(guī)律，所以中西方的男性去勢文學(xué)從根本上來講是屬于不同的文學(xué)傳統(tǒng)的。中國的男性去勢文學(xué)是中國傳統(tǒng)的疾病隱喻文學(xué)的一種。而西方的男性去勢文學(xué)的仍是屬于西方自古希臘以來就一直延續(xù)的人本主義文學(xué)的范疇。
[Abstract]:Men have always been strong people in social life. They are major contributors to socio-economic development and the backbone of the entire family. In literary works, writers are also willing to portray men as Kong Wu's powerful, energetic and resolute image. However, since modern times, a large number of male images in Chinese and western literature have become blurred, and there have been a lot of gone male images. These castrators are both physically castrated and mentally and temperament castrated. In modern Chinese and western literature, the change of male image and the intentional castration of male image are not accidental, but have profound realistic and theoretical basis. Since the modern times, the drastic changes in the realistic conditions in China and the West have stimulated and stimulated the mythological castration archetypes hidden in the writer's heart, which is the theoretical root of the emergence of male castration in literature. The emergence mechanism of male castration is consistent with Freud's castration complex. Castration often stems from fear of certain reality, which is another theoretical root of castration male appearance. Because of the fact that the male castration is the result of the male castration, the male castration is the accusation of reality, which makes the male castration contain profound cultural metaphorical meaning. This paper mainly studies the origin of the phenomenon of male castration in Chinese and western literature, the cultural metaphor of male castration phenomenon and the different literary attribution of Chinese and western male castration literature since modern times. From the root point of view, the phenomenon of male castration in China and the West since modern times is not only the result of realistic conditions, but also the profound theoretical root. From the perspective of cultural metaphor of male castration in modern Chinese and western literature. In summary, this paper mainly discusses the destructive metaphor of male castration to industrial and urban civilization, the metaphor of fear of feminism rise, the metaphor of destructive war and the horror of political movement. Finally, although there have been a large number of male castration phenomena in Chinese and western literature since modern times, both sides have their own context and laws in the development of literature. Therefore, the male castration literature in China and the West belongs to different literary traditions. Chinese male castration literature is a kind of Chinese traditional metaphorical literature of disease. The western literature of male castration still belongs to the category of humanism literature which has been continued since ancient Greece.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I106
本文編號(hào)：2452106
[Abstract]:Men have always been strong people in social life. They are major contributors to socio-economic development and the backbone of the entire family. In literary works, writers are also willing to portray men as Kong Wu's powerful, energetic and resolute image. However, since modern times, a large number of male images in Chinese and western literature have become blurred, and there have been a lot of gone male images. These castrators are both physically castrated and mentally and temperament castrated. In modern Chinese and western literature, the change of male image and the intentional castration of male image are not accidental, but have profound realistic and theoretical basis. Since the modern times, the drastic changes in the realistic conditions in China and the West have stimulated and stimulated the mythological castration archetypes hidden in the writer's heart, which is the theoretical root of the emergence of male castration in literature. The emergence mechanism of male castration is consistent with Freud's castration complex. Castration often stems from fear of certain reality, which is another theoretical root of castration male appearance. Because of the fact that the male castration is the result of the male castration, the male castration is the accusation of reality, which makes the male castration contain profound cultural metaphorical meaning. This paper mainly studies the origin of the phenomenon of male castration in Chinese and western literature, the cultural metaphor of male castration phenomenon and the different literary attribution of Chinese and western male castration literature since modern times. From the root point of view, the phenomenon of male castration in China and the West since modern times is not only the result of realistic conditions, but also the profound theoretical root. From the perspective of cultural metaphor of male castration in modern Chinese and western literature. In summary, this paper mainly discusses the destructive metaphor of male castration to industrial and urban civilization, the metaphor of fear of feminism rise, the metaphor of destructive war and the horror of political movement. Finally, although there have been a large number of male castration phenomena in Chinese and western literature since modern times, both sides have their own context and laws in the development of literature. Therefore, the male castration literature in China and the West belongs to different literary traditions. Chinese male castration literature is a kind of Chinese traditional metaphorical literature of disease. The western literature of male castration still belongs to the category of humanism literature which has been continued since ancient Greece.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I106
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 肖敏;;試論新世紀(jì)文學(xué)中“閹割情結(jié)”的文化隱喻——以《上海寶貝》、《秦腔》和《后悔錄》為中心[J];中國當(dāng)代文學(xué)研究;2006年00期
2 劉傳霞;;被圍困的男性——新時(shí)期文學(xué)中去勢男性的文化隱喻意義[J];貴州社會(huì)科學(xué);2010年03期
本文編號(hào)：2452106
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