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蕭伯納三部戲劇作品中的主題思想上的諷刺研究

發(fā)布時間:2019-03-04 09:31
【摘要】:蕭伯納是西歐現(xiàn)實主義最杰出的代表之一,是現(xiàn)代英國最偉大的戲劇家,諷刺家和批評家。他對19世紀末葉英國戲劇的復興和西方現(xiàn)代戲劇的發(fā)展起了重大作用。對蕭伯納的研究也是多的數(shù)不勝數(shù),但是多數(shù)評論都集中在蕭伯納的政治觀點,尤其強調(diào)他是費邊主義的代表人,并且大多都在評論時指出蕭伯納的政治局限性和資本主義改良主義。但是蕭伯納卻是一位創(chuàng)新作家,,他改變了劇本一直以來以情節(jié)吸引觀眾的的模式,在他的劇本里,他用大段的辯論式對話吸引了觀眾的目光,創(chuàng)造了一個用深刻的思想,精妙的語言來征服觀眾的時代。 蕭伯納戲劇創(chuàng)作中最主要的一個特色就是諷刺無處不在,時而直截了當進行批判,時而利用反語從背后給敵人致命一擊,因此觀眾看完之后經(jīng)常回味無窮,陷入深刻的反省和沉思之中。本文就是從諷刺這個角度剖析蕭伯納的三部戲劇作品,但是不是從語言學角度,而是從三部作品各自主題思想分析其諷刺性。 《芭芭拉上校》是蕭伯納喜劇中的精品,筆者探索了諷刺在金錢主義,宗教信仰和批判人性三個主題上的運用,諷刺宗教的虛偽,揭露上層社會的虛偽自私,抨擊金錢主義和功利主義,揭露人性自私丑惡的一面;在《圣女貞德》這部歷史劇中蕭伯納想要展示的是對宗教和人性的諷刺,雖然故事以英法百年戰(zhàn)爭為背景,劇中批判的是封建制度和教會,但是也是在向后人展示當時的資產(chǎn)階級正如當年的封建主義一樣冷酷無情,殘暴不仁;而《賣花女》則是譏諷資產(chǎn)階級的虛偽和當時所流行的女性思潮,抨擊了當時貴族女性其實毫無獨立意識和上層社會其實就一群披著華麗外衣的社會蛆蟲。 筆者選擇了三部截然不同的作品,發(fā)現(xiàn)無論蕭伯納寫什么主題,其中的諷刺仍是有異曲同工之妙,可見諷刺是蕭伯納一貫的作風。用諷刺作為武器,打擊各種丑惡的社會現(xiàn)象。
[Abstract]:Bernard Shaw is one of the most outstanding representatives of realism in Western Europe and the greatest dramatist, satirist and critic of modern England. He played an important role in the revival of English drama in the late 19th century and the development of modern western drama. Bernard Shaw's research is also numerous, but most of the comments have focused on Bernard Shaw's political views, emphasizing, in particular, that he is the representative of Fabian Doctrine. And most of the comments point out Bernard Shaw's political limitations and capitalist reformism. But Bernard Shaw is an innovative writer, who has changed the pattern in which the script has always attracted the audience with plot. In his script, he draws the audience's attention with a large segment of debating dialogue and creates a profound thought. Subtlety of language to conquer the audience's times. One of the most important features of Bernard Shaw's dramatic creation is that satire is everywhere, and sometimes it is direct to criticize it, and sometimes it uses irony to give the enemy a fatal blow from behind, so the audience often has an endless taste after watching it. Be caught in deep reflection and contemplation. This paper is to analyze Bernard Shaw's three dramatic works from the perspective of satire, but not from the linguistic perspective, but from the perspective of the theme of the three works to analyze their satire. Colonel Barbara is a fine work in Bernard Shaw's comedy. The author explores the use of satire in the three themes of moneyism, religious belief and criticism of human nature, satirizes the hypocrisy of religion, and exposes the hypocrisy and selfishness of the upper class. Attack moneyism and utilitarianism, expose the selfish and ugly side of human nature; What Bernard Shaw wants to show in this historical play is the satire of religion and humanity, although the story is based on the British-French hundred years War, in which she criticizes the feudal system and the church. But it is also showing future generations that the bourgeoisie at that time was as ruthless and inconsiderate as the feudalism of that time; "Flower sellers" is to mock the hypocrisy of the bourgeoisie and the popular female trend of thought at that time, attacking the aristocratic women at that time, in fact, there was no sense of independence and the upper society was actually a group of social maggots dressed in ornate clothes. The author chooses three very different works, and finds that no matter what theme Bernard Shaw writes, the satire is still the same as the same one. It can be seen that satire is always the style of Bernard Shaw. Use satire as a weapon against all kinds of ugly social phenomena.
【學位授予單位】:上海外國語大學
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:I561.073

【參考文獻】

相關(guān)期刊論文 前2條

1 張世紅;;蕭伯納戲劇中的荒誕因素[J];國際關(guān)系學院學報;2008年03期

2 馮艷玲;《賣花女》第三幕中的笑劇因素及其諷刺效果[J];山東省農(nóng)業(yè)管理干部學院學報;2001年04期



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