論東野圭吾作品中的死亡書寫
發(fā)布時(shí)間：2019-03-03 15:41
【摘要】：日本作家東野圭吾是當(dāng)前亞洲最炙手可熱的推理小說(shuō)家，他引領(lǐng)了亞洲推理小說(shuō)復(fù)興的風(fēng)潮，同時(shí)對(duì)推理小說(shuō)的變革性發(fā)展做出了貢獻(xiàn)。推理小說(shuō)的根本在于用解謎的手法破解謎團(tuán)，而人類的終極困惑正是死亡之謎。與資本主義發(fā)展之初和全球戰(zhàn)爭(zhēng)時(shí)期相比，當(dāng)前社會(huì)的死亡威脅已經(jīng)改頭換面，不再單單只是對(duì)生命的掠奪，它對(duì)當(dāng)代人的驕傲和自尊而言，更是一種威壓甚至羞辱，東野圭吾作品中的革新，恰恰體現(xiàn)了與之相符的策略。 東野圭吾作品的死亡書寫是在當(dāng)前社會(huì)生命困境和文化危機(jī)語(yǔ)境下形成的。傳統(tǒng)的生活習(xí)慣和宗教制度正被各種新興的政治、法律和科學(xué)話語(yǔ)及其權(quán)威補(bǔ)充和替換，人由此產(chǎn)生異化；死亡向書寫的滲透昭示了當(dāng)代人主體本真與肉體的分離。東野圭吾的推理小說(shuō)創(chuàng)作表達(dá)了一種理想，那就是控訴被死亡陰影籠罩的“規(guī)范社會(huì)”，慰藉卑微者飽受死亡威脅的心靈，，重現(xiàn)主體的真實(shí)性。 死亡在東野圭吾作品中的呈現(xiàn)主要體現(xiàn)為肉體死亡和精神死亡兩個(gè)維度。肉體死亡包含他殺與自殺兩種方式：以悲劇性小人物的被殺控訴荒謬不合理的社會(huì)現(xiàn)實(shí)；以自我犧牲和自我毀滅表現(xiàn)主人公曾經(jīng)蒙昧混沌的自我意識(shí)的蛻變。同時(shí)，死亡不再只是局限在生命消逝，更應(yīng)看成是社會(huì)體系的異變導(dǎo)致的個(gè)人精神力量受到嚴(yán)峻考驗(yàn)，維系生存的深層信念的合法性被動(dòng)搖。東野圭吾的作品，真實(shí)地展現(xiàn)了生命在孤獨(dú)焦慮和信仰缺失的精神死亡的臨界狀態(tài)下的孤苦無(wú)告。 東野圭吾的死亡書寫沒有僅僅在死亡處止步，它所體現(xiàn)出的進(jìn)步意義表現(xiàn)為三個(gè)遞進(jìn)的階段。第一階段，必須先直面“我自己”的死亡，實(shí)現(xiàn)“自我”的確證；第二階段，正視了“自己”的死亡之后，不能對(duì)其感到畏懼，而是要始終懷有一股堅(jiān)強(qiáng)的生命意志；第三個(gè)階段，懷著積極樂觀的態(tài)度追求自我的“自由”和“個(gè)性”，用完滿的生命體驗(yàn)實(shí)現(xiàn)對(duì)死亡的超越。
[Abstract]:Japanese writer Keiwu Onono is the hottest reasoning novelist in Asia at present. He leads the revival of Asian reasoning novels and contributes to the transformative development of reasoning novels at the same time. The essence of the reasoning novel is to solve the mystery by solving the riddle, and the ultimate perplexity of mankind is the mystery of death. Compared with the early days of capitalist development and the era of global war, the death threat in the current society has changed, not only the looting of life, but also the pride and self-esteem of contemporary people, which is even more a form of coercion and even humiliation. The innovation in Keiwu Ono's works reflects exactly the strategy that is consistent with it. The death writing of Keiwu's works is formed in the context of social life dilemma and cultural crisis. The traditional living habits and religious systems are being supplemented and replaced by various new political, legal and scientific discourse and their authority, which leads to the alienation of human beings, and the infiltration of death into writing shows the separation of the essence of the subject and the body of the present generation. Ono's reasoning novel expresses the ideal of accusing the "normative society" of being shrouded in the shadow of death, comforting the menacing mind of the lowly and recreating the authenticity of the subject. The appearance of death in Keiwu Ono's works is mainly embodied in two dimensions: physical death and mental death. Physical death includes two ways of killing and committing suicide: the absurd and unreasonable social reality of being killed by tragic small potatoes; and the transformation of self-consciousness of the protagonists who were once ignorant and chaotic with self-sacrifice and self-destruction. At the same time, death is no longer confined to the disappearance of life, but should be seen as a result of the transformation of the social system caused by the individual spiritual strength has been severely tested, the legitimacy of the deep belief to maintain survival has been shaken. Keiwu Ono's works truly show the loneliness of life under the critical state of loneliness anxiety and spiritual death without faith. Keiwu Ono's writing of death does not stop only at the place of death, and its progressive significance is reflected in three progressive stages. In the first stage, it is necessary to face the death of "myself" and realize the confirmation of "self", and in the second stage, after facing up to the death of "oneself", we must not be afraid of it, but always have a strong will to live; In the third stage, we pursue self "freedom" and "individuality" with a positive and optimistic attitude, and achieve the transcendence of death with perfect life experience.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074
本文編號(hào)：2433839
[Abstract]:Japanese writer Keiwu Onono is the hottest reasoning novelist in Asia at present. He leads the revival of Asian reasoning novels and contributes to the transformative development of reasoning novels at the same time. The essence of the reasoning novel is to solve the mystery by solving the riddle, and the ultimate perplexity of mankind is the mystery of death. Compared with the early days of capitalist development and the era of global war, the death threat in the current society has changed, not only the looting of life, but also the pride and self-esteem of contemporary people, which is even more a form of coercion and even humiliation. The innovation in Keiwu Ono's works reflects exactly the strategy that is consistent with it. The death writing of Keiwu's works is formed in the context of social life dilemma and cultural crisis. The traditional living habits and religious systems are being supplemented and replaced by various new political, legal and scientific discourse and their authority, which leads to the alienation of human beings, and the infiltration of death into writing shows the separation of the essence of the subject and the body of the present generation. Ono's reasoning novel expresses the ideal of accusing the "normative society" of being shrouded in the shadow of death, comforting the menacing mind of the lowly and recreating the authenticity of the subject. The appearance of death in Keiwu Ono's works is mainly embodied in two dimensions: physical death and mental death. Physical death includes two ways of killing and committing suicide: the absurd and unreasonable social reality of being killed by tragic small potatoes; and the transformation of self-consciousness of the protagonists who were once ignorant and chaotic with self-sacrifice and self-destruction. At the same time, death is no longer confined to the disappearance of life, but should be seen as a result of the transformation of the social system caused by the individual spiritual strength has been severely tested, the legitimacy of the deep belief to maintain survival has been shaken. Keiwu Ono's works truly show the loneliness of life under the critical state of loneliness anxiety and spiritual death without faith. Keiwu Ono's writing of death does not stop only at the place of death, and its progressive significance is reflected in three progressive stages. In the first stage, it is necessary to face the death of "myself" and realize the confirmation of "self", and in the second stage, after facing up to the death of "oneself", we must not be afraid of it, but always have a strong will to live; In the third stage, we pursue self "freedom" and "individuality" with a positive and optimistic attitude, and achieve the transcendence of death with perfect life experience.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 曹艷春;李世新;;同一起點(diǎn),不同路向:中日偵探小說(shuō)發(fā)展路徑比較[J];井岡山大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2011年04期
本文編號(hào)：2433839
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