杜拉斯筆下的東方世界
發(fā)布時間：2018-12-25 15:17
【摘要】：瑪格麗特·杜拉斯是當代法國最富創(chuàng)作性的杰出人物。在長達半個世紀的藝術(shù)創(chuàng)作中,杜拉斯為世人留下了寶貴的精神財富。杜拉斯擁有混雜的文化身份,在東方的童年經(jīng)歷成為了杜拉斯日后創(chuàng)作的重要素材來源和靈感源泉。東方是杜拉斯創(chuàng)作的重要主題,在其創(chuàng)作的33部小說、11部戲劇中,東方占有重要地位。二十世紀后半葉,受非理性思潮的影響,杜拉斯把寫作的觸角伸向被遮蔽的邊緣和非理性領(lǐng)域。在西方中心話語中,東方被賦予邊緣性、非理性、異質(zhì)性的特質(zhì)。東方的這些特質(zhì)與杜拉斯表現(xiàn)的主題相契合。杜拉斯運用深刻的藝術(shù)感受力,巧妙地把寫作主題與東方聯(lián)系起來,創(chuàng)造了一個獨特的東方世界。本文將有以下幾個部分構(gòu)成： 緒論部分首先對杜拉斯混雜的東西方背景和東方系列小說作了相關(guān)介紹,簡要回顧了杜拉斯作品在國內(nèi)和國外的研究現(xiàn)狀,最后指出本文的選題意義旨在從東西方文化角度重新審視杜拉斯筆下的東方世界。 第一章研究了杜拉斯筆下東方世界的流放性與邊緣性。其筆下的東方世界可概括為一個流放與邊緣的世界。杜拉斯以混雜的文化身份來呈現(xiàn)東方的苦難與封閉,邊緣性與異質(zhì)性。在加爾各答這座東方之城書寫著無根的漂泊。 第二章研究了杜拉斯筆下東方世界的非理性與異質(zhì)性。其筆下的東方世界呈現(xiàn)為一個非理性的異質(zhì)世界。殖民地的女瘋子象征著普遍性的瘋狂。音樂、醉態(tài)、麻風病是非理性的表現(xiàn)形式,為霍米巴巴的“間質(zhì)空間”理論提供了一個有力的佐證。 第三章研究了杜拉斯筆下東方世界的欲望與權(quán)力主題。東方是西方的欲望客體,是情欲的象征符號。欲望主題和身體寫作是杜拉斯創(chuàng)作的重要命題,在后殖民話語中,兩性的情欲關(guān)系變成東西方的權(quán)力象征。 本文的結(jié)語部分則在總結(jié)全文的基礎(chǔ)上進一步得出結(jié)論：杜拉斯混雜的文化身份為其立體、多面的東方敘述提供了可能性。在強調(diào)東西方文化差異、倡導文化的多元性的今天,杜拉斯充滿張力和厚度的作品值得再度審視與思索。
[Abstract]:Margaret Duras is the most creative figure in contemporary France. In half a century of artistic creation, Duras left valuable spiritual wealth for the world. Duras has a mixed cultural identity and his childhood experience in the East has become an important source of material and inspiration for Duras later creation. Orient is an important theme in Duras' creation. It plays an important role in 33 novels and 11 plays. In the second half of the twentieth century, influenced by irrational thoughts, Duras extended the tentacles of his writing to the shadowed edge and irrational field. In western central discourse, the East is endowed with marginal, irrational and heterogeneity. These qualities of the East coincide with the theme of Duras' performance. Duras created a unique oriental world by using profound artistic sensibility and skillfully connecting the writing theme with the East. This paper will consist of the following parts: the introduction first introduces Duras' mixed Eastern and Western background and Oriental novels, and briefly reviews the current research situation of Duras' works both at home and abroad. Finally, the author points out that the purpose of this thesis is to re-examine the oriental world written by Duras from the point of view of eastern and western cultures. The first chapter studies the exile and edge of the oriental world written by Duras. The oriental world in his works can be summed up as a world of exile and fringe. Duras presents oriental suffering and isolation, edge and heterogeneity with mixed cultural identity. In Calcutta, the eastern city, rootless drifters are written. Chapter two studies the irrationality and heterogeneity of the oriental world written by Duras. The oriental world in his works presents an irrational and heterogeneous world. The female madmen of the colony symbolized the universal madness. Music, intoxication and leprosy are irrational forms of expression, which provide a strong evidence for HomiBaba's theory of "interstitial space". Chapter three studies the theme of desire and power in the oriental world written by Duras. The East is the object of desire in the West and the symbol of lust. The theme of desire and body writing are important propositions in Duras' creation. In postcolonial discourse, the relationship between sexual desire and sexual desire becomes the symbol of power between East and West. The conclusion of this paper is based on the conclusion that Duras' mixed cultural identity provides the possibility for his three-dimensional and multi-sided oriental narration. With the emphasis on the cultural differences between the East and the West and the diversity of culture, Duras' works full of tension and thickness are worth examining and pondering over again.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I565.06
本文編號：2391298
[Abstract]:Margaret Duras is the most creative figure in contemporary France. In half a century of artistic creation, Duras left valuable spiritual wealth for the world. Duras has a mixed cultural identity and his childhood experience in the East has become an important source of material and inspiration for Duras later creation. Orient is an important theme in Duras' creation. It plays an important role in 33 novels and 11 plays. In the second half of the twentieth century, influenced by irrational thoughts, Duras extended the tentacles of his writing to the shadowed edge and irrational field. In western central discourse, the East is endowed with marginal, irrational and heterogeneity. These qualities of the East coincide with the theme of Duras' performance. Duras created a unique oriental world by using profound artistic sensibility and skillfully connecting the writing theme with the East. This paper will consist of the following parts: the introduction first introduces Duras' mixed Eastern and Western background and Oriental novels, and briefly reviews the current research situation of Duras' works both at home and abroad. Finally, the author points out that the purpose of this thesis is to re-examine the oriental world written by Duras from the point of view of eastern and western cultures. The first chapter studies the exile and edge of the oriental world written by Duras. The oriental world in his works can be summed up as a world of exile and fringe. Duras presents oriental suffering and isolation, edge and heterogeneity with mixed cultural identity. In Calcutta, the eastern city, rootless drifters are written. Chapter two studies the irrationality and heterogeneity of the oriental world written by Duras. The oriental world in his works presents an irrational and heterogeneous world. The female madmen of the colony symbolized the universal madness. Music, intoxication and leprosy are irrational forms of expression, which provide a strong evidence for HomiBaba's theory of "interstitial space". Chapter three studies the theme of desire and power in the oriental world written by Duras. The East is the object of desire in the West and the symbol of lust. The theme of desire and body writing are important propositions in Duras' creation. In postcolonial discourse, the relationship between sexual desire and sexual desire becomes the symbol of power between East and West. The conclusion of this paper is based on the conclusion that Duras' mixed cultural identity provides the possibility for his three-dimensional and multi-sided oriental narration. With the emphasis on the cultural differences between the East and the West and the diversity of culture, Duras' works full of tension and thickness are worth examining and pondering over again.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I565.06
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