日本女性文學(xué)的發(fā)展歷程:從哀愁、抗?fàn)幍椒磁?/H1>
發(fā)布時(shí)間：2018-12-25 13:42
【摘要】：20世紀(jì)80、90年代至今,日本女性作家的文學(xué)創(chuàng)作活動(dòng)十分活躍,無(wú)論文本內(nèi)容還是行文方式,都有新的突破和提高,她們的作品不斷入選芥川、直木等純文學(xué)獎(jiǎng)項(xiàng)。諾貝爾文學(xué)獎(jiǎng)獲得者大江健三郎將這些女性作家視為開創(chuàng)日本"新小說"的主力軍。這一文學(xué)現(xiàn)象的出現(xiàn),使我們不能不注目于其生成的歷史軌跡及其所蘊(yùn)含的社會(huì)文化內(nèi)核。本文期望通過對(duì)日本女性文學(xué)史上的三個(gè)高潮期的分析,對(duì)日本女性文學(xué)的發(fā)展歷程進(jìn)行簡(jiǎn)單梳理,從女性文學(xué)的角度加深對(duì)整個(gè)日本文學(xué)的理解和把握,以豐富國(guó)內(nèi)在這一方面的研究。
[Abstract]:Since the 1980s and 1990s, Japanese female writers have been very active in literary creation, both in the content of the text and in the way of writing, there have been new breakthroughs and improvements, and their works have been continuously selected as pure literature awards such as Akugawa, Naoki and so on. Nobel Prize winner Kenshiro Oe regards these women writers as the main force in the creation of Japan's New Fiction. The emergence of this literary phenomenon makes us pay attention to its historical track and its social and cultural core. Through the analysis of the three high periods in the history of Japanese female literature, this paper aims to make a brief analysis of the development of Japanese female literature, and to deepen the understanding and grasp of the whole Japanese literature from the angle of female literature. In order to enrich domestic research in this area.
【作者單位】： 外交學(xué)院外語(yǔ)系;
【基金】：教育部人文社會(huì)科學(xué)重點(diǎn)研究基地重大項(xiàng)目(批準(zhǔn)號(hào):10JJD770022) 高�；究蒲袠I(yè)務(wù)費(fèi)專項(xiàng)基金項(xiàng)目“女子教育與日本女性文學(xué)的倫理空間建構(gòu)研究”(項(xiàng)目編號(hào):3162013ZYE12)的資助
【分類號(hào)】：I313.06
，
本文編號(hào)：2391205
本文鏈接：http://sikaile.net/wenyilunwen/wxchuangz/2391205.html
[Abstract]:Since the 1980s and 1990s, Japanese female writers have been very active in literary creation, both in the content of the text and in the way of writing, there have been new breakthroughs and improvements, and their works have been continuously selected as pure literature awards such as Akugawa, Naoki and so on. Nobel Prize winner Kenshiro Oe regards these women writers as the main force in the creation of Japan's New Fiction. The emergence of this literary phenomenon makes us pay attention to its historical track and its social and cultural core. Through the analysis of the three high periods in the history of Japanese female literature, this paper aims to make a brief analysis of the development of Japanese female literature, and to deepen the understanding and grasp of the whole Japanese literature from the angle of female literature. In order to enrich domestic research in this area.
【作者單位】： 外交學(xué)院外語(yǔ)系;
【基金】：教育部人文社會(huì)科學(xué)重點(diǎn)研究基地重大項(xiàng)目(批準(zhǔn)號(hào):10JJD770022) 高�；究蒲袠I(yè)務(wù)費(fèi)專項(xiàng)基金項(xiàng)目“女子教育與日本女性文學(xué)的倫理空間建構(gòu)研究”(項(xiàng)目編號(hào):3162013ZYE12)的資助
【分類號(hào)】：I313.06
，
本文編號(hào)：2391205
本文鏈接：http://sikaile.net/wenyilunwen/wxchuangz/2391205.html
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