【摘要】：大衛(wèi)·赫伯特·勞倫斯作為英國著名的和世界最有爭議的作家之一,不僅在中短篇小說、故事,詩歌,而且在散文、翻譯,劇作方面都很有造詣�！秲鹤优c情人》,作為勞倫斯的代表作之一也是其半自傳體的一部小說,在二十世紀(jì)的眾多作品中具有重要的影響力。與十九世紀(jì)早期的諸如維吉尼亞·伍爾夫,詹姆士·喬伊斯等作家不同,勞倫斯不再重視激進(jìn)的創(chuàng)作技巧,轉(zhuǎn)而進(jìn)行新穎的創(chuàng)作,關(guān)注年輕主人公保羅的心理發(fā)展。 這篇論文試從拉康的“鏡像階段”理論探求保羅追求自我的過程,試圖分析保羅受到折磨的根源,即在母親心目中自己完美想象的誤認(rèn)所導(dǎo)致的靈魂和肉體的分離。 第一章首先回顧了國內(nèi)外對于《兒子與情人》的不同研究角度,比如說馬克思主義角度,女性角度,主要以弗洛伊德理論為基礎(chǔ)的心理分析角度(俄狄浦斯情結(jié))等等。之后,介紹了拉康的鏡像階段理論。 第二章提出“他者”這一在拉康理論特別是拉康鏡像階段理論的重要概念。莫雷爾太太,作為對保羅最重要的“他者”,在保羅很小的時候就起著十分重要的作用。從那時,保羅的自我就已經(jīng)“形成”了。那就是做他母親喜歡的事情。就像在前鏡像階段的嬰兒,保羅無法區(qū)分自己與母親的區(qū)別。 第三章主要講述了米麗安和克萊拉作為“他者”對保羅的影響。在遇到她們之后,保羅不知不覺逐漸地形成了與母親不同的想法。但是,他依然堅持追求在之前形成的自我。這就使他陷入痛苦的境地。這里,保羅的情況像極了那些處于鏡像階段能夠區(qū)分自己和母體的孩子。 第四章展現(xiàn)了保羅追尋自我的失敗。隨著“父親”的介入和母親的去世,保羅不可能找到符合母親愿望的理想自我。因此,保羅變得更加痛苦。 最后一部分是文章的結(jié)論。旨在進(jìn)一步說明,人們在追求他人心目中完美自我形象的同時,更重要的是要遵循自身的需求,以便尋求到真正的自我。
[Abstract]:David Herbert Lawrence, one of Britain's famous and most controversial writers in the world, is accomplished not only in short and medium-sized novels, stories, poems, but also in prose, translation, and drama. As one of Lawrence's masterpieces and his semi-autobiographical novel, it has an important influence in many works in the 20th century. Unlike the early 19th century writers such as Virginia Woolf and James Joyce Lawrence no longer attached importance to radical creative techniques and instead engaged in novel works focusing on the psychological development of Paul the young protagonist. This paper tries to explore the process of Paul's pursuit of self from Lacan's "mirror stage" theory, and tries to analyze the root of Paul's suffering, that is, the separation of soul and body caused by his perfect imagination in his mother's mind. The first chapter reviews the different research angles of "son and lover" at home and abroad, such as the angle of Marxism, the angle of women, the angle of psychoanalysis based on Freud theory (Oedipus complex) and so on. Then, it introduces Lacan's theory of mirror stage. The second chapter puts forward the important concept of "the other" in Lacan's theory, especially in Lacan's mirror stage theory. Mrs. Morrel, as the most important other to Paul, played a very important role when Paul was very young. Since then, Paul's self has been "formed". That is to do what his mother likes. Like babies in the pre-mirror phase, Paul was unable to distinguish himself from his mother. The third chapter mainly tells the influence of Miriam and Clara on Paul as the other. After meeting them, Paul unwittingly developed a different idea from his mother. However, he persisted in the pursuit of the self he had formed before. This put him in a painful position. Here, Paul looks like a child who is mirrored and able to distinguish himself from his mother. Chapter four shows Paul's failure to pursue himself. With the intervention of the Father and the death of his mother, Paul could not find his ideal self. As a result, Paul became more painful. The last part is the conclusion of the article. The purpose of this paper is to show that while people are pursuing the perfect self-image of others, it is more important to follow their own needs in order to find their true self.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I561.074

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