【摘要】：由于哥特小說(shuō)的特殊形式與風(fēng)格，把握哥特小說(shuō)的一個(gè)重要問(wèn)題就是這種小說(shuō)與社會(huì)現(xiàn)實(shí)之間的關(guān)系。哥特小說(shuō)固然與18世紀(jì)早期出現(xiàn)的現(xiàn)實(shí)主義小說(shuō)不同，以想象與非現(xiàn)實(shí)為主要特征，但仍是研究18世紀(jì)后期社會(huì)、歷史的重要素材�；恼Q的情節(jié)，雖不如鏡子一般如實(shí)反映現(xiàn)實(shí)，也是社會(huì)現(xiàn)實(shí)的某種變相的反映，，甚至能表達(dá)傳統(tǒng)現(xiàn)實(shí)主義文學(xué)難以企及的社會(huì)矛盾與新變化。清人袁于令在評(píng)論《西游記》時(shí)所稱“天下極幻之事，乃極真之事故言真不知由幻，現(xiàn)在想來(lái)大概就是這個(gè)道理。由于恐怖、黑暗與墮落的因素在哥特小說(shuō)中占了相當(dāng)一大部分，如何解讀哥特小說(shuō)與英國(guó)18世紀(jì)社會(huì)現(xiàn)實(shí)之間的關(guān)系，具有重大的政治含義。本文研究范圍是英國(guó)18世紀(jì)末至19世紀(jì)早期出版的經(jīng)典哥特小說(shuō)，將重點(diǎn)集中于18世紀(jì)英國(guó)中產(chǎn)階級(jí)對(duì)自身、歷史與現(xiàn)實(shí)的矛盾態(tài)度，研究哥特小說(shuō)如何表現(xiàn)和處理這些矛盾與沖突。 本文分為五個(gè)部分：第一部分簡(jiǎn)要介紹了國(guó)內(nèi)外的哥特小說(shuō)研究的情況與本文的創(chuàng)新點(diǎn)；第二部分主要關(guān)注哥特小說(shuō)的中產(chǎn)階級(jí)特征以及18世紀(jì)英國(guó)社會(huì)轉(zhuǎn)型時(shí)期中產(chǎn)階級(jí)尷尬的社會(huì)、矛盾的現(xiàn)實(shí)觀念、歷史現(xiàn)實(shí)觀念；第三部分主要通過(guò)《奧特朗托堡》來(lái)討論18世紀(jì)英國(guó)社會(huì)轉(zhuǎn)型時(shí)期中產(chǎn)階級(jí)的尷尬的社會(huì)地位；第四部分主要通過(guò)《修士》來(lái)討18世紀(jì)英國(guó)社會(huì)轉(zhuǎn)型時(shí)期中產(chǎn)階級(jí)矛盾的現(xiàn)實(shí)觀念；第五部分主要通過(guò)《尤多弗之謎》來(lái)討論18世紀(jì)英國(guó)社會(huì)轉(zhuǎn)型時(shí)期中產(chǎn)階級(jí)矛盾的歷史觀念。
[Abstract]:Because of the special form and style of Gothic novels, an important problem in grasping Gothic novels is the relationship between these novels and social reality. Although Gothic novels are different from realistic novels that appeared in the early 18th century, they are mainly characterized by imagination and non-reality, but they are still important materials for studying the society and history of the late 18th century. Although the absurd plot is not as truthful as the mirror, it is also a reflection of social reality in a disguised form, and can even express the social contradictions and new changes which are difficult for the traditional realistic literature to reach. Yuan Yu-ling, a Qing man, said in his review of Journey to the West that "the world's most illusory things are extremely true." As terror, darkness and depravity account for a large part of Gothic novels, how to interpret the relationship between Gothic novels and the social reality of the 18th century in England has significant political implications. This paper focuses on the contradictory attitudes of the British middle class towards themselves, history and reality in the late 18th century to the early 19th century, which is a classic Gothic novel published from the end of the 18th century to the early 19th century. This paper studies how Gothic novels express and deal with these contradictions and conflicts. This paper is divided into five parts: the first part briefly introduces the research situation of Gothic novels at home and abroad and the innovation of this paper; The second part mainly focuses on the middle class characteristics of Gothic novels and the embarrassed middle class society, contradictory realistic ideas and historical realistic ideas in the 18th century British social transformation. The third part mainly discusses the awkward social status of the middle class in the transition period of the British society in the 18th century. The fourth part mainly discusses the realistic idea of the middle class contradiction in the period of British social transformation in the 18th century. The fifth part mainly discusses the historical concept of the middle class contradiction in the transition period of the 18 th century through Eudhofer's Mystery.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I561.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 閻照祥;;論英國(guó)貴族政治權(quán)勢(shì)在近代的延續(xù)[J];歷史研究;1991年04期

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