哥特小說：社會轉(zhuǎn)型時期中產(chǎn)階級的矛盾文學
發(fā)布時間：2018-11-27 14:31
【摘要】：由于哥特小說的特殊形式與風格，把握哥特小說的一個重要問題就是這種小說與社會現(xiàn)實之間的關(guān)系。哥特小說固然與18世紀早期出現(xiàn)的現(xiàn)實主義小說不同，以想象與非現(xiàn)實為主要特征，但仍是研究18世紀后期社會、歷史的重要素材�；恼Q的情節(jié)，雖不如鏡子一般如實反映現(xiàn)實，也是社會現(xiàn)實的某種變相的反映，，甚至能表達傳統(tǒng)現(xiàn)實主義文學難以企及的社會矛盾與新變化。清人袁于令在評論《西游記》時所稱“天下極幻之事，乃極真之事故言真不知由幻，現(xiàn)在想來大概就是這個道理。由于恐怖、黑暗與墮落的因素在哥特小說中占了相當一大部分，如何解讀哥特小說與英國18世紀社會現(xiàn)實之間的關(guān)系，具有重大的政治含義。本文研究范圍是英國18世紀末至19世紀早期出版的經(jīng)典哥特小說，將重點集中于18世紀英國中產(chǎn)階級對自身、歷史與現(xiàn)實的矛盾態(tài)度，研究哥特小說如何表現(xiàn)和處理這些矛盾與沖突。 本文分為五個部分：第一部分簡要介紹了國內(nèi)外的哥特小說研究的情況與本文的創(chuàng)新點；第二部分主要關(guān)注哥特小說的中產(chǎn)階級特征以及18世紀英國社會轉(zhuǎn)型時期中產(chǎn)階級尷尬的社會、矛盾的現(xiàn)實觀念、歷史現(xiàn)實觀念；第三部分主要通過《奧特朗托堡》來討論18世紀英國社會轉(zhuǎn)型時期中產(chǎn)階級的尷尬的社會地位；第四部分主要通過《修士》來討18世紀英國社會轉(zhuǎn)型時期中產(chǎn)階級矛盾的現(xiàn)實觀念；第五部分主要通過《尤多弗之謎》來討論18世紀英國社會轉(zhuǎn)型時期中產(chǎn)階級矛盾的歷史觀念。
[Abstract]:Because of the special form and style of Gothic novels, an important problem in grasping Gothic novels is the relationship between these novels and social reality. Although Gothic novels are different from realistic novels that appeared in the early 18th century, they are mainly characterized by imagination and non-reality, but they are still important materials for studying the society and history of the late 18th century. Although the absurd plot is not as truthful as the mirror, it is also a reflection of social reality in a disguised form, and can even express the social contradictions and new changes which are difficult for the traditional realistic literature to reach. Yuan Yu-ling, a Qing man, said in his review of Journey to the West that "the world's most illusory things are extremely true." As terror, darkness and depravity account for a large part of Gothic novels, how to interpret the relationship between Gothic novels and the social reality of the 18th century in England has significant political implications. This paper focuses on the contradictory attitudes of the British middle class towards themselves, history and reality in the late 18th century to the early 19th century, which is a classic Gothic novel published from the end of the 18th century to the early 19th century. This paper studies how Gothic novels express and deal with these contradictions and conflicts. This paper is divided into five parts: the first part briefly introduces the research situation of Gothic novels at home and abroad and the innovation of this paper; The second part mainly focuses on the middle class characteristics of Gothic novels and the embarrassed middle class society, contradictory realistic ideas and historical realistic ideas in the 18th century British social transformation. The third part mainly discusses the awkward social status of the middle class in the transition period of the British society in the 18th century. The fourth part mainly discusses the realistic idea of the middle class contradiction in the period of British social transformation in the 18th century. The fifth part mainly discusses the historical concept of the middle class contradiction in the transition period of the 18 th century through Eudhofer's Mystery.
【學位授予單位】：上海師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I561.074
本文編號：2361125
[Abstract]:Because of the special form and style of Gothic novels, an important problem in grasping Gothic novels is the relationship between these novels and social reality. Although Gothic novels are different from realistic novels that appeared in the early 18th century, they are mainly characterized by imagination and non-reality, but they are still important materials for studying the society and history of the late 18th century. Although the absurd plot is not as truthful as the mirror, it is also a reflection of social reality in a disguised form, and can even express the social contradictions and new changes which are difficult for the traditional realistic literature to reach. Yuan Yu-ling, a Qing man, said in his review of Journey to the West that "the world's most illusory things are extremely true." As terror, darkness and depravity account for a large part of Gothic novels, how to interpret the relationship between Gothic novels and the social reality of the 18th century in England has significant political implications. This paper focuses on the contradictory attitudes of the British middle class towards themselves, history and reality in the late 18th century to the early 19th century, which is a classic Gothic novel published from the end of the 18th century to the early 19th century. This paper studies how Gothic novels express and deal with these contradictions and conflicts. This paper is divided into five parts: the first part briefly introduces the research situation of Gothic novels at home and abroad and the innovation of this paper; The second part mainly focuses on the middle class characteristics of Gothic novels and the embarrassed middle class society, contradictory realistic ideas and historical realistic ideas in the 18th century British social transformation. The third part mainly discusses the awkward social status of the middle class in the transition period of the British society in the 18th century. The fourth part mainly discusses the realistic idea of the middle class contradiction in the period of British social transformation in the 18th century. The fifth part mainly discusses the historical concept of the middle class contradiction in the transition period of the 18 th century through Eudhofer's Mystery.
【學位授予單位】：上海師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I561.074
【參考文獻】
相關(guān)期刊論文 前1條
1 閻照祥;;論英國貴族政治權(quán)勢在近代的延續(xù)[J];歷史研究;1991年04期
本文編號：2361125
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