【摘要】：作為一種通俗文學(xué),或大眾文學(xué),哥特式小說歷來在文學(xué)史上以其特有的哥特傳統(tǒng)對大多文學(xué)創(chuàng)作有著或多或少的影響。西方許多一流作家或直接講述哥特故事,或間接運(yùn)用哥特手法在自己的創(chuàng)作中,曾使哥特小說從通俗小說這一文學(xué)領(lǐng)域的邊緣地位進(jìn)入文學(xué)發(fā)展的主流。馬修·格雷戈里·劉易斯(1775-1818)是英國哥特式小說的代表作家之一,他在19歲的時(shí)候就寫出了代表作《修道士》(1796),這部小說在當(dāng)時(shí)掀起了軒然大波,成為最為人們稱道的同時(shí)也飽受爭議的英國哥特小說之一。作為一部經(jīng)典的哥特式小說,《修道士》在人物形象的塑造、意象以及敘事結(jié)構(gòu)的安排等方面既帶有明顯的哥特式特征,又繼承了相應(yīng)的圣經(jīng)元素的特點(diǎn)。在一定程度上,我們可以發(fā)現(xiàn),《圣經(jīng)》對哥特小說《修道士》有著深遠(yuǎn)的影響。 《圣經(jīng)》作為一部偉大的文學(xué)著作,在世界文學(xué)史上占有著重要的地位,它對西方文化產(chǎn)生了深遠(yuǎn)的影響,可謂西方世界的一部百科全書。在西方每部文學(xué)作品中,我們都可以發(fā)現(xiàn)《圣經(jīng)》的影子。因此,被文學(xué)界所公認(rèn)的是,要想真正了解一部西方文學(xué)作品,運(yùn)用《圣經(jīng)》的相關(guān)知識(shí)去剖析它是必不可少的。本論文運(yùn)用加拿大著名評(píng)論家諾斯羅普·弗萊的原型批評(píng)理論,從小說的人物、意象和結(jié)構(gòu)方面解析《修道士》,使讀者從原型的角度體會(huì)小說的深層含義。 論文旨在探索小說中的圣經(jīng)原型,以幫助讀者更好地了解劉易斯的創(chuàng)作思想,這也正是本論文的創(chuàng)新所在。并且,根據(jù)論文中的分析,我們能夠發(fā)現(xiàn)在哥特小說《修道士》中,其人物、意象和結(jié)構(gòu)分別繼承了《圣經(jīng)》中相應(yīng)要素的特征。根據(jù)分析,我們還可感受到作為一個(gè)小說家,劉易斯關(guān)于人性乃至整個(gè)社會(huì)的嚴(yán)肅思考。
[Abstract]:As a kind of popular literature or popular literature, Gothic novels have always had a more or less influence on most literary creation with their unique Gothic tradition in the history of literature. Many first-rate Western writers either directly tell Gothic stories or indirectly use Gothic techniques in their own creation, which has led Gothic novels to enter the mainstream of literary development from the marginal position of popular novels in the field of literature. Matthew Gregory Lewis (1775-1818) is one of the representative writers of British Gothic novels. He wrote Monk (1796) at the age of 19. It has become one of the most acclaimed and controversial British Gothic novels. As a classic Gothic novel, the Monk not only has the obvious Gothic characteristics but also inherits the characteristics of the corresponding biblical elements in the aspects of the portrayal of characters, the arrangement of image and narrative structure, etc. To some extent, we can find that the Bible has a profound influence on the Gothic novel the Monk. As a great literary work, the Bible occupies an important position in the history of world literature. It has a profound influence on western culture and is an encyclopedia of the Western world. In every literary work in the West, we can find the shadow of the Bible. Therefore, it is recognized in the literary world that it is necessary to analyze a Western literary work by using the relevant knowledge of the Bible. This paper applies Northrop Frey's archetypal criticism theory of Canada famous critic Northrop Fry to analyze the Monk from the aspects of characters image and structure so that readers can understand the deep meaning of the novel from the perspective of archetype. The purpose of this paper is to explore the biblical archetypes in the novel so as to help readers better understand Lewis' creative ideas, which is the innovation of this thesis. In addition, according to the analysis of the thesis, we can find that in the Gothic novel the Monk, the characters, images and structures inherit the characteristics of the corresponding elements in the Bible. According to the analysis, we can also feel Lewis's serious thinking about human nature and society as a novelist.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I561.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 肖明翰;英美文學(xué)中的哥特傳統(tǒng)[J];外國文學(xué)評(píng)論;2001年02期

，

本文編號(hào)：2314998