九十年代以來大陸女同性戀文學中男性形象研究
發(fā)布時間：2018-09-18 08:57
【摘要】：女同性戀主義批評作為當代前沿理論批評在世界范圍內都受到很高的關注，在九十年代以后的中國大陸，女同性戀題材的文學作品進入繁盛期，相關的文學批評文章也在不斷增多。然而，到目前為止，宏觀地針對以大陸女同性戀文學中男性形象研究為主的批評論文比較少，多數研究集中于就個別作家或作品中的男性形象進行分析。因此，大陸女同性戀文學的研究深度和力度還有待提高。 本文主要以九十年代以來大陸女同性戀文學的七篇代表小說作為研究對象，通過對文章的解讀、人物形象分析，展現九十年代以來大陸女同性戀文學作品是如何通過塑造男性形象試圖建立起女同性戀存在的合理性、優(yōu)越性和現實意義。論文分為五個部分： 緒言部分首先簡單介紹女同性戀文學的起始；進而概述西方女性主義與女同性戀主義的聯系，主要分為磨合期、蜜月期、排斥期、分裂期四個時間段；隨后概述中國大陸女同性戀主義研究發(fā)展的概況，指出直到20世紀90年代以來中國大陸才出現真正意義上的女同性戀文學，同時女同性戀文學批評逐漸繁盛；最后，根據國內女同性戀批評的現狀指出該領域批評的貢獻及其不足，從而提出本論文的研究內容，即九十年代以來大陸女同性戀文學中的男性形象。 第一部分首先確定了本論文涉及的女同性戀文本的選取標準，，即含有表現女性之間的吸引與愛戀，對彼此有性愛層面的渴望或實際行動的女同性戀內容的文本；隨后對九十年代以來大陸女同性戀文學的七篇代表小說進行了內容方面的概述；最后對本文選取的七篇女同性戀文學中男性形象的分類作出依據說明，即根據文中男性對待女同性戀性取向的態(tài)度和男性形象性格，七篇文章中的男性形象一共可分為三大類別：積極的男性形象、消極的男性形象和突出的父親形象； 第二、三、四部分運用女同性戀主義理論及其他文學批評方法，詳細分析積極的男性形象、消極的男性形象和突出的父親形象這三大男性形象在各個文學作品中的具體表現和整體特征，從而總結出各類男性形象的塑造目的：積極的男性形象反映女同性戀者理想的生存環(huán)境；消極的男性形象表現男性中心主義與異性戀霸權的稀釋狀況；突出的父親形象表明“父權制”思想的缺陷與調和。 第五部分針對九十年代以來大陸女同性戀文學中男性形象塑造存在的問題進行分析與概述，運用20世紀末出現的新男性主義理論指出該時期女同性文學作品中的男性形象存在人物類型單一、情感剖析表面化、過分強調男性中心主義與父權制等問題。 結語部分總結九十年代以來女同性戀文學中的男性形象塑造，反思文章在資料收集、研究內容上存在的不足，為之后該類型研究提供一些參考。
[Abstract]:As a contemporary frontier theoretical criticism, the criticism of lesbianism has received high attention all over the world. In mainland China after the 1990s, the literary works of lesbianism have entered a period of prosperity. Related literary criticism articles are also increasing. However, up to now, there are few criticism papers on male images in mainland lesbian literature. Most of the studies focus on the male images of individual writers or works. Therefore, the research depth and intensity of mainland lesbian literature need to be improved. This article mainly takes the seven representative novels of mainland lesbian literature since the 1990s as the research object, through the interpretation to the article, the character image analysis, It shows how the mainland lesbian literature works try to establish the rationality superiority and practical significance of lesbian existence by shaping the male image since the 1990s. The paper is divided into five parts: the introduction part first introduces the beginning of lesbian literature, and then summarizes the relationship between western feminism and lesbianism, mainly divided into running-in period, honeymoon period, exclusion period. The four periods of division followed by an overview of the research and development of lesbianism in mainland China, pointing out that it was not until the 1990s that real lesbian literature appeared in mainland China. At the same time, the literary criticism of lesbians is becoming more and more popular. Finally, according to the current situation of domestic lesbian criticism, the contributions and shortcomings of the criticism in this field are pointed out, and the research content of this paper is put forward. That is, the male image in the mainland lesbian literature since the 1990's. The first part first determines the selection criteria of the lesbian texts involved in this thesis, that is, the text which contains the lesbian content which expresses the attraction and love among women, and has the desire or actual action to each other in the aspect of sex. Then it summarizes the content of seven representative novels in mainland lesbian literature since the 1990s, and finally explains the classification of male images in the selected seven articles of lesbian literature in this paper. That is, according to the male attitude towards lesbian sexual orientation and male image character, the male image in the seven articles can be divided into three categories: positive male image, negative male image and prominent father image; The second, third and fourth parts use the theory of lesbianism and other literary criticism methods to analyze the positive male image in detail. The negative male image and the prominent father image, the concrete performance and the overall characteristics of the three male images in various literary works, The purpose of shaping all kinds of male images is summarized as follows: positive male images reflect the ideal living environment of lesbians, negative male images show the dilution of male-centrism and heterosexual hegemony, and positive male images reflect the ideal living environment of lesbians. The prominent image of father shows the defect and harmony of the thought of "patriarchy". The fifth part analyzes and summarizes the problems existing in the portrayal of male images in mainland lesbian literature since the 1990s. In this paper, the author points out that the male characters in the literary works of the same sex in the 20th century are of single type, affective analysis is superficial, and the male-centrism and patriarchy are emphasized too much, and so on, using the neo-masculinism theory which appeared at the end of the 20th century. The conclusion part summarizes the portrayal of male images in lesbian literature since the 1990s, reflects on the material collection and the deficiencies of the research content, and provides some references for the later research on this type of literature.
【學位授予單位】：貴州師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I106.4
本文編號：2247409
[Abstract]:As a contemporary frontier theoretical criticism, the criticism of lesbianism has received high attention all over the world. In mainland China after the 1990s, the literary works of lesbianism have entered a period of prosperity. Related literary criticism articles are also increasing. However, up to now, there are few criticism papers on male images in mainland lesbian literature. Most of the studies focus on the male images of individual writers or works. Therefore, the research depth and intensity of mainland lesbian literature need to be improved. This article mainly takes the seven representative novels of mainland lesbian literature since the 1990s as the research object, through the interpretation to the article, the character image analysis, It shows how the mainland lesbian literature works try to establish the rationality superiority and practical significance of lesbian existence by shaping the male image since the 1990s. The paper is divided into five parts: the introduction part first introduces the beginning of lesbian literature, and then summarizes the relationship between western feminism and lesbianism, mainly divided into running-in period, honeymoon period, exclusion period. The four periods of division followed by an overview of the research and development of lesbianism in mainland China, pointing out that it was not until the 1990s that real lesbian literature appeared in mainland China. At the same time, the literary criticism of lesbians is becoming more and more popular. Finally, according to the current situation of domestic lesbian criticism, the contributions and shortcomings of the criticism in this field are pointed out, and the research content of this paper is put forward. That is, the male image in the mainland lesbian literature since the 1990's. The first part first determines the selection criteria of the lesbian texts involved in this thesis, that is, the text which contains the lesbian content which expresses the attraction and love among women, and has the desire or actual action to each other in the aspect of sex. Then it summarizes the content of seven representative novels in mainland lesbian literature since the 1990s, and finally explains the classification of male images in the selected seven articles of lesbian literature in this paper. That is, according to the male attitude towards lesbian sexual orientation and male image character, the male image in the seven articles can be divided into three categories: positive male image, negative male image and prominent father image; The second, third and fourth parts use the theory of lesbianism and other literary criticism methods to analyze the positive male image in detail. The negative male image and the prominent father image, the concrete performance and the overall characteristics of the three male images in various literary works, The purpose of shaping all kinds of male images is summarized as follows: positive male images reflect the ideal living environment of lesbians, negative male images show the dilution of male-centrism and heterosexual hegemony, and positive male images reflect the ideal living environment of lesbians. The prominent image of father shows the defect and harmony of the thought of "patriarchy". The fifth part analyzes and summarizes the problems existing in the portrayal of male images in mainland lesbian literature since the 1990s. In this paper, the author points out that the male characters in the literary works of the same sex in the 20th century are of single type, affective analysis is superficial, and the male-centrism and patriarchy are emphasized too much, and so on, using the neo-masculinism theory which appeared at the end of the 20th century. The conclusion part summarizes the portrayal of male images in lesbian literature since the 1990s, reflects on the material collection and the deficiencies of the research content, and provides some references for the later research on this type of literature.
【學位授予單位】：貴州師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I106.4
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