【摘要】：藤澤周平是日本著名的武俠小說家,一生坎坷,大器晚成。他的作品多是中短篇小說,并且數(shù)量龐大。在上世紀80、90年代,藤澤周平的小說被多次改編成電視劇。而進入新世紀,藤澤周平的小說又被多次搬上大熒幕。從山田洋次的《黃昏清兵衛(wèi)》(2002)開始,現(xiàn)已有八部在日本上映的時代劇改編自藤澤周平的小說。其中,不乏精品佳作。 本篇論文一共分為四章。第一章作為鋪墊,對日本電影中的時代劇與時代劇的發(fā)展,以及日本武俠小說與時代劇的關(guān)系等問題進行簡單的介紹,為接下來的小說、電影以及文化分析作背景鋪墊。第二章主要是對藤澤周平作品的藝術(shù)特色以及其所具有的“電影性”進行梳理。小說作為改編的基礎(chǔ),明確其藝術(shù)特色以及在影像化過程中具有的優(yōu)勢和劣勢對于導演的再創(chuàng)作是十分必要的。第三章是本篇論文的重點,以山田洋次導演的“時代三部曲”為例,對藤澤周平小說改編成電影進行具體的案例分析。選擇山田洋次的作品作為例了,一是因為在眾多改編藤澤周平小說的導演中,山田洋次數(shù)量最多,并形成了“三部曲”；二是因為在所有改編藤澤周平小說的電影中,以山田洋次的作品取得的成就最高。因此,以山田洋次的“時代三部曲”為例,既具有系統(tǒng)性又具有代表性。這一部分主要從四個角度對影片進行深入探討,分別是：故事改編、人物形象塑造、視聽語言、主題思想。第四章將重點放在文化分析上。任何一種社會現(xiàn)象或是社會熱潮都包涵著深刻的文化內(nèi)涵,體現(xiàn)著社會中人們整體的生活狀態(tài)和心理狀態(tài)。藤澤周平的小說受到導演的關(guān)注,并受到觀眾的喜愛,并不是偶然的,除了影片本身的魅力外,傳統(tǒng)文化和社會心理也起著重要的作用。 本篇論文以小說為起點,將電影作為分析視角,最終將二者與社會文化聯(lián)系起來。以藤澤周平的小說以及由他的小說改編成的影片作為基礎(chǔ),來深入挖掘日本時代劇的傳統(tǒng)、變化,以及作為日本傳統(tǒng)文化的重要載體的作用。
[Abstract]:Fujisawa Zhou Ping is a famous Japanese martial arts novelist, life bumpy, late blooming. Most of his works are short and medium-length novels, and a large number of them. In the 1980 s and 1990 s, Fujisawa Zhou Ping's novels were adapted into TV plays many times. In the new century, Fujisawa Zhou Ping's novels were brought on the big screen many times. Since Yamada's Twilight Qing Gui (2002), eight times plays in Japan have been adapted from Fujisawa Zhou Ping's novels. Among them, there is no lack of fine works. This paper is divided into four chapters. The first chapter is a brief introduction to the development of time drama and time drama in Japanese movies, and the relationship between Japanese martial arts novels and times drama, which lays the foundation for the following novels, movies and cultural analysis. The second chapter is to sort out the artistic characteristics of Fujisawa Zhou Ping's works and their "film nature". As the basis of adaptation, it is necessary for directors to make clear their artistic characteristics and their advantages and disadvantages in the process of image making. The third chapter is the focus of this paper, taking the time trilogy of Yangzi Yamada as an example, a case study on the adaptation of Fujisawa Zhou Ping's novel into a film is made. I chose Yangzi Yamada's works as an example. One reason is that among the many directors of Fujisawa Zhou Ping's novels, Yamada has the largest number of directors and has formed a "trilogy"; the other is because in all the films of the adaptation of Fujisawa Zhou Ping's novels, Yamada's works have achieved the highest level of achievement. Therefore, taking Yamada's trilogy of times as an example, it is both systematic and representative. This part mainly discusses the film from four angles, namely: story adaptation, character shaping, audiovisual language, theme thought. The fourth chapter focuses on cultural analysis. Any kind of social phenomenon or social upsurge contains profound cultural connotation and reflects the overall living and psychological state of people in the society. It is no accident that Fujisawa Zhou Ping's novel is concerned by the director and loved by the audience. In addition to the charm of the film itself, traditional culture and social psychology also play an important role. This thesis regards the novel as the starting point, takes the movie as the analysis angle, and finally connects the two with the social culture. Based on Fujisawa Zhou Ping's novels and the films adapted from his novels, this paper explores the tradition, changes and important carrier of Japanese traditional culture.
【學位授予單位】：中國藝術(shù)研究院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I313.074;J905

【參考文獻】

相關(guān)期刊論文 前1條

1 曹允迪;走上電影銀幕的日本武士[J];藝術(shù)評論;2004年06期

，

本文編號：2215198