《吉陵春秋》中的華人形象與中華文化研究
發(fā)布時間：2018-08-31 12:40
【摘要】：李永平是馬來西亞著名的華人作家,是中生代作家的代表。他生于馬來西亞,后又旅居臺灣,期間又留學美國,這種漂泊的經(jīng)歷與留學歷程使李永平的文化身份極為復雜,也使其作品具有多重文化內(nèi)涵。李永平的小說整體上呈現(xiàn)出濃厚的原鄉(xiāng)意識,文化氣息十分濃郁,在人物塑造與語言運用中彰顯出復雜的原鄉(xiāng)情感,因而在馬華文壇極具代表性。大陸關于李永平的研究很少,大部分研究集中于臺灣和馬來西亞,但研究視野不夠開闊,并且在文本細讀與深度研究上極為欠缺。因此,關于李永平的研究存在廣闊的研究空間,有待于國內(nèi)外學者進一步補充擴展。 本文選取李永平的《吉陵春秋》為研究對象,重點分析小說中的華人形象,探討李永平作品對于華人形象的顛覆以及中華傳統(tǒng)文化的失落,并揭示這些形象與原鄉(xiāng)中國的內(nèi)在關系。在此基礎上,進一步深入分析李永平塑造顛覆性形象的原因,展現(xiàn)其作品在顛覆中對于原鄉(xiāng)中國的追尋與懷戀。 論文主要包括以下六個部分： 緒論部分主要介紹李永平生平及其創(chuàng)作概況,考察國內(nèi)外研究現(xiàn)狀,并對選題緣由及意義進行說明,這些都是本文的寫作基礎。 第一章主要分析《吉陵春秋》中的華人男性形象,分別從男性群像和最具代表性的父親形象兩個方面來探討作家筆下男性形象的欲望化特征,并進一步分析男性形象的塑造與原鄉(xiāng)中國之間的聯(lián)系,以此來說明男性所代表的原鄉(xiāng)中國的權威、秩序、等級的顛覆以及作家對于原鄉(xiāng)的追尋。 第二章著眼于《吉陵春秋》中的華人女性形象,以女性成長歷程來說明她們難逃悲劇命運的循環(huán),同時以李永平最擅長刻畫的孤兒寡母形象來探討其對于傳統(tǒng)母親形象的顛覆。在此基礎上,揭示女性悲劇命運的根源以及女性形象所代表的仁愛忠貞的原鄉(xiāng)中國的喪失,以及在顛覆中的建構意圖。 第三章著重分析《吉陵春秋》與中國傳統(tǒng)文化的關系,作品通過展現(xiàn)傳統(tǒng)倫理道德關系的破壞、宗教信仰的俗化來闡釋傳統(tǒng)文化的失落,而中華傳統(tǒng)文化的失落又代表文化原鄉(xiāng)的消失,李永平在顛覆中華傳統(tǒng)文化的同時也是在追憶曾經(jīng)存在的文化傳統(tǒng),試圖通過徹底的消解來喚醒人們的文化建構意識。 第四章從作家的角度挖掘《吉陵春秋》華人形象的成因,小說反映出明顯的東方主義傾向及作家復雜的文化身份認同問題。李永平的東方主義不同于西方的東方主義,他不是在有意貶低原鄉(xiāng)中國,而是試圖通過顛覆性的塑造來重建逝去的原鄉(xiāng)；對于原鄉(xiāng)中國的追尋過程也是他尋求文化身份認同的過程,原鄉(xiāng)的顛覆實則是文化身份焦慮的體現(xiàn),李永平在無限的背離中又無限的向原鄉(xiāng)中國靠攏,原鄉(xiāng)追尋成為其一生的創(chuàng)作主題。 結語部分重申李永平創(chuàng)作中對于原鄉(xiāng)的顛覆與追尋,并進一步說明李永平的作品值得研究的方向與角度,尤其在原鄉(xiāng)主題上值得深入探討。
[Abstract]:Li Yongping is a famous Chinese writer in Malaysia and a representative of Mesozoic writers. Born in Malaysia, later living in Taiwan and studying in the United States during this period, Li Yongping's cultural identity is extremely complicated and his works have many cultural connotations. As a whole, Li Yongping's novels show a strong sense of original country, strong cultural atmosphere and complex native emotion in character shaping and language application, so it is very representative in the literary world of Ma Hua. There are few studies on Li Yongping in mainland China, most of which are focused on Taiwan and Malaysia, but the research field is not wide enough, and there is a great lack of detailed text reading and in-depth research. Therefore, there is a broad research space for Li Yongping, which needs to be further expanded by scholars at home and abroad. This article chooses Li Yongping's "Jiling Spring and Autumn" as the research object, analyzes the Chinese image in the novel, probes into the subversion of Li Yongping's works to the Chinese image and the loss of the Chinese traditional culture. And reveal the internal relationship between these images and native China. On this basis, the author further analyzes the causes of Li Yongping's subversive image, and shows his pursuit and nostalgia for China in the process of subversion. The thesis mainly includes the following six parts: the introduction part mainly introduces Li Yongping's life and creation survey, inspects the domestic and foreign research present situation, and explains the reason and significance of the selected topic, which are the basis of this paper. The first chapter mainly analyzes the Chinese male images in Jiling Spring and Autumn period, and discusses the desire characteristics of male images in the writers' works from two aspects: the male group images and the most representative father images. The relationship between the shaping of male image and the native China is further analyzed in order to explain the authority, order, subversion of hierarchy and the pursuit of the native country by writers. The second chapter focuses on the images of Chinese women in Jiling Spring and Autumn period, explains the cycle of their tragic fate by the process of women's growth, and discusses the subversion of the image of traditional mothers by the image of orphans and oligarchs that Li Yongping is good at portraying. On this basis, it reveals the origin of the tragic fate of women, the loss of benevolent, loyal and loyal native China represented by the image of women, and the constructive intention in subversion. The third chapter focuses on the analysis of the relationship between Jiling Spring and Autumn period and Chinese traditional culture. The works explain the loss of traditional culture by showing the destruction of traditional ethical and moral relationship and the vulgarization of religious belief. The loss of Chinese traditional culture also represents the disappearance of the original culture. Li Yongping is trying to awaken people's consciousness of cultural construction by thoroughly dispelling the cultural tradition while subverting Chinese traditional culture. The fourth chapter explores the causes of the Chinese image in Jiling Spring and Autumn period from the writer's point of view. The novel reflects the obvious orientalism tendency and the writer's complicated cultural identity problem. Li Yongping's Orientalism is different from the western Orientalism. He is not trying to belittle the native China, but trying to rebuild the lost native country by subversive molding. The pursuit of the native China is also the process of his seeking for cultural identity. The subversion of the original village is the embodiment of the anxiety of cultural identity. Li Yongping, in the course of infinite deviation, draws closer to the native China. The pursuit of the original country became the theme of his life. The conclusion part reiterates the subversion and pursuit of the original country in Li Yongping's creation, and further explains the direction and angle of his works worthy of study, especially on the theme of the original village.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I338.074
本文編號：2215013
[Abstract]:Li Yongping is a famous Chinese writer in Malaysia and a representative of Mesozoic writers. Born in Malaysia, later living in Taiwan and studying in the United States during this period, Li Yongping's cultural identity is extremely complicated and his works have many cultural connotations. As a whole, Li Yongping's novels show a strong sense of original country, strong cultural atmosphere and complex native emotion in character shaping and language application, so it is very representative in the literary world of Ma Hua. There are few studies on Li Yongping in mainland China, most of which are focused on Taiwan and Malaysia, but the research field is not wide enough, and there is a great lack of detailed text reading and in-depth research. Therefore, there is a broad research space for Li Yongping, which needs to be further expanded by scholars at home and abroad. This article chooses Li Yongping's "Jiling Spring and Autumn" as the research object, analyzes the Chinese image in the novel, probes into the subversion of Li Yongping's works to the Chinese image and the loss of the Chinese traditional culture. And reveal the internal relationship between these images and native China. On this basis, the author further analyzes the causes of Li Yongping's subversive image, and shows his pursuit and nostalgia for China in the process of subversion. The thesis mainly includes the following six parts: the introduction part mainly introduces Li Yongping's life and creation survey, inspects the domestic and foreign research present situation, and explains the reason and significance of the selected topic, which are the basis of this paper. The first chapter mainly analyzes the Chinese male images in Jiling Spring and Autumn period, and discusses the desire characteristics of male images in the writers' works from two aspects: the male group images and the most representative father images. The relationship between the shaping of male image and the native China is further analyzed in order to explain the authority, order, subversion of hierarchy and the pursuit of the native country by writers. The second chapter focuses on the images of Chinese women in Jiling Spring and Autumn period, explains the cycle of their tragic fate by the process of women's growth, and discusses the subversion of the image of traditional mothers by the image of orphans and oligarchs that Li Yongping is good at portraying. On this basis, it reveals the origin of the tragic fate of women, the loss of benevolent, loyal and loyal native China represented by the image of women, and the constructive intention in subversion. The third chapter focuses on the analysis of the relationship between Jiling Spring and Autumn period and Chinese traditional culture. The works explain the loss of traditional culture by showing the destruction of traditional ethical and moral relationship and the vulgarization of religious belief. The loss of Chinese traditional culture also represents the disappearance of the original culture. Li Yongping is trying to awaken people's consciousness of cultural construction by thoroughly dispelling the cultural tradition while subverting Chinese traditional culture. The fourth chapter explores the causes of the Chinese image in Jiling Spring and Autumn period from the writer's point of view. The novel reflects the obvious orientalism tendency and the writer's complicated cultural identity problem. Li Yongping's Orientalism is different from the western Orientalism. He is not trying to belittle the native China, but trying to rebuild the lost native country by subversive molding. The pursuit of the native China is also the process of his seeking for cultural identity. The subversion of the original village is the embodiment of the anxiety of cultural identity. Li Yongping, in the course of infinite deviation, draws closer to the native China. The pursuit of the original country became the theme of his life. The conclusion part reiterates the subversion and pursuit of the original country in Li Yongping's creation, and further explains the direction and angle of his works worthy of study, especially on the theme of the original village.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I338.074
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