比較文學(xué)變異學(xué)視野下的《塵埃落定》與《喧嘩與騷動(dòng)》
發(fā)布時(shí)間：2018-08-20 11:22
【摘要】：阿來(lái)的《塵埃落定》與福克納的《喧嘩與騷動(dòng)》有諸多相似之處——相同的敘事手法、均以故鄉(xiāng)為藍(lán)本的題材、濃郁的地方色彩、模糊的時(shí)空以及意識(shí)流的手法運(yùn)用等等，以至于有人認(rèn)為阿來(lái)的《塵埃落定》實(shí)為福克納的《喧嘩與騷動(dòng)》的模仿。本文試圖從比較文學(xué)變異學(xué)的角度出發(fā)，結(jié)合跨文明比較文學(xué)相關(guān)理論，立足于細(xì)讀文本的基礎(chǔ)上，在承認(rèn)阿來(lái)的《塵埃落定》受�？思{的《喧嘩與騷動(dòng)》的影響的事實(shí)上，重點(diǎn)研究《塵埃落定》的異質(zhì)性與變異性，旨在揭示阿來(lái)文學(xué)創(chuàng)作更主要的是來(lái)自于其自身的獨(dú)特生命體驗(yàn)與民族文化，并引起人們對(duì)跨文明的闡發(fā)與對(duì)話(huà)的重視以便開(kāi)啟中西文明間的平等互動(dòng)。本文的寫(xiě)作分為五個(gè)部分： 導(dǎo)論部分分為四個(gè)小節(jié)。第一節(jié)“國(guó)內(nèi)研究現(xiàn)狀”，主要分析本研究專(zhuān)題在國(guó)內(nèi)的研究情況；第二節(jié)“論文的緣起與意義”，主要論述的是本文寫(xiě)作的緣由與意義；第三節(jié)“相關(guān)理論闡釋”，主要對(duì)曹順慶的比較文學(xué)變異學(xué)理論進(jìn)行闡述；第四節(jié)“論文寫(xiě)作思路及結(jié)構(gòu)”，分析本文的具體布局結(jié)構(gòu)。 第一章“《塵埃落定》與《喧嘩與騷動(dòng)》的共通性”分為三大節(jié)，主要是從傳統(tǒng)的影響研究與平行研究的角度，梳理并概括《塵埃落定》與《喧嘩與騷動(dòng)》的相似性，分別從“沒(méi)落的王國(guó)”、“癡傻視角”“《塵》與《喧》中的哲理思索與人性關(guān)懷”三個(gè)方面進(jìn)行對(duì)比，旨在從實(shí)證性的角度分析《喧嘩與騷動(dòng)》對(duì)《塵埃落定》的影響。 第二章“《塵埃落定》的異質(zhì)性——阿來(lái)的藏族視界”，主要是從“血親復(fù)仇的演繹”及“民族文化習(xí)俗的描摹”這兩個(gè)方面分析雪域高原的獨(dú)特文明和藏族苯教文化孕育出阿來(lái)獨(dú)特的文化視角及其藏族情懷，探究文明原生性、獨(dú)立性對(duì)阿來(lái)異質(zhì)性與獨(dú)特性的必然性。 第三章“《塵埃落定》的變異性”，主要是從比較文學(xué)變異學(xué)的角度，運(yùn)用“文化過(guò)濾”的作用機(jī)制理論，探討阿來(lái)獨(dú)特的藏族身份與民族文化基因?qū)Α秹m埃落定》的變異性與異質(zhì)性的促成作用。本章分為兩大節(jié)：第一節(jié)“《喧》的‘多視角’與《塵》的魔幻敘事，從敘事模式方面比較并分析阿來(lái)的迥異的藝術(shù)特色；第二節(jié)“《喧》與《塵》的存在與時(shí)間”，從存在與時(shí)間的主題方面探究阿來(lái)獨(dú)特的空寂思想與民族自省。 結(jié)語(yǔ)部分主要是總結(jié)和概括《塵埃落定》與《喧嘩與騷動(dòng)》的同源性、異質(zhì)性、變異性及互補(bǔ)性。通過(guò)實(shí)證性的分析并肯定《喧嘩與騷動(dòng)》對(duì)《塵埃落定》的影響的同時(shí)，，闡明《塵埃落定》在作者阿來(lái)的獨(dú)特的生命體驗(yàn)與民族文化下的異質(zhì)性與變異性。
[Abstract]:There are many similarities between Alai's Dust and Fury and Faulkner's the Sound and the Fury-the same narrative techniques, all based on the theme of hometown, rich local color, vague time and space, and the use of stream-of-consciousness techniques, and so on. Some people think that Alai's the dust is a imitation of Faulkner's Sound and Fury. In this paper, from the perspective of comparative literature variation, combined with the relevant theories of cross-civilization comparative literature, and based on the detailed reading of the text, this paper acknowledges that Alai's Dust settled is influenced by Faulkner's the Sound and the Fury. This paper focuses on the heterogeneity and variability of the Dust settlement in order to reveal the unique life experience and national culture of the literary creation of Alai. In order to open the equal interaction between Chinese and Western civilizations, people attach importance to the interpretation and dialogue of cross-civilization. The writing of this paper is divided into five parts: the introduction part is divided into four sections. The first section, "the present situation of domestic research", mainly analyzes the research situation of this research topic in China; the second section, "the origin and significance of the thesis", mainly discusses the reason and significance of the writing of this article; the third section, "the explanation of relevant theories", This paper mainly expounds Cao Shunqing's theory of variation in comparative literature, and section four, "thinking and structure of thesis writing", analyzes the concrete layout structure of this paper. The first chapter, "the commonality of the Dust settled" and "the Sound and the Fury", is divided into three sections, mainly from the perspective of the traditional influence study and parallel research, to sort out and generalize the similarity between the Dust settled and the Sound and the Fury. In this paper, the author compares the three aspects of "falling Kingdom", "Dust", "Dust" and "noise" in philosophical thinking and humanity concern, in order to analyze the influence of Sound and Fury on Dust settlement from the perspective of positivism. Chapter two, "the heterogeneity of the Dust settlement-the Tibetan Horizon of Alai", It mainly analyzes the unique civilization of the snowy plateau and Tibetan benzene culture from the two aspects of "deduction of blood and blood revenge" and "description of national culture and custom", which gives birth to the unique cultural perspective of Alai and its Tibetan feelings, and probes into the origin of civilization. The inevitability of independence to the heterogeneity and uniqueness of Alay. The third chapter, "the variability of the Dust settlement", is mainly from the perspective of comparative literature variation, using the "cultural filtering" mechanism theory. To explore the contribution of the unique Tibetan identity and ethnic culture genes to the variability and heterogeneity of the Dust Deposit. This chapter is divided into two major sections: the first section, "the fantasy narration of" the noise "and" the Dust ", compares and analyzes the different artistic characteristics of Alai from the perspective of narrative mode, and the second" the existence and time of "the noise" and "the Dust". From the subject of existence and time to explore Alai's unique thought of emptiness and national introspection. The conclusion is a summary of the homology, heterogeneity, variability and complementarity between the Dust settlement and the Sound and Fury. Through the empirical analysis and affirmation of the influence of the Sound and the Fury on the Dust settlement, this paper expounds the heterogeneity and variability of the Dust settlement under the author's unique life experience and national culture.
【學(xué)位授予單位】：四川外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I106.4-03
本文編號(hào)：2193397
[Abstract]:There are many similarities between Alai's Dust and Fury and Faulkner's the Sound and the Fury-the same narrative techniques, all based on the theme of hometown, rich local color, vague time and space, and the use of stream-of-consciousness techniques, and so on. Some people think that Alai's the dust is a imitation of Faulkner's Sound and Fury. In this paper, from the perspective of comparative literature variation, combined with the relevant theories of cross-civilization comparative literature, and based on the detailed reading of the text, this paper acknowledges that Alai's Dust settled is influenced by Faulkner's the Sound and the Fury. This paper focuses on the heterogeneity and variability of the Dust settlement in order to reveal the unique life experience and national culture of the literary creation of Alai. In order to open the equal interaction between Chinese and Western civilizations, people attach importance to the interpretation and dialogue of cross-civilization. The writing of this paper is divided into five parts: the introduction part is divided into four sections. The first section, "the present situation of domestic research", mainly analyzes the research situation of this research topic in China; the second section, "the origin and significance of the thesis", mainly discusses the reason and significance of the writing of this article; the third section, "the explanation of relevant theories", This paper mainly expounds Cao Shunqing's theory of variation in comparative literature, and section four, "thinking and structure of thesis writing", analyzes the concrete layout structure of this paper. The first chapter, "the commonality of the Dust settled" and "the Sound and the Fury", is divided into three sections, mainly from the perspective of the traditional influence study and parallel research, to sort out and generalize the similarity between the Dust settled and the Sound and the Fury. In this paper, the author compares the three aspects of "falling Kingdom", "Dust", "Dust" and "noise" in philosophical thinking and humanity concern, in order to analyze the influence of Sound and Fury on Dust settlement from the perspective of positivism. Chapter two, "the heterogeneity of the Dust settlement-the Tibetan Horizon of Alai", It mainly analyzes the unique civilization of the snowy plateau and Tibetan benzene culture from the two aspects of "deduction of blood and blood revenge" and "description of national culture and custom", which gives birth to the unique cultural perspective of Alai and its Tibetan feelings, and probes into the origin of civilization. The inevitability of independence to the heterogeneity and uniqueness of Alay. The third chapter, "the variability of the Dust settlement", is mainly from the perspective of comparative literature variation, using the "cultural filtering" mechanism theory. To explore the contribution of the unique Tibetan identity and ethnic culture genes to the variability and heterogeneity of the Dust Deposit. This chapter is divided into two major sections: the first section, "the fantasy narration of" the noise "and" the Dust ", compares and analyzes the different artistic characteristics of Alai from the perspective of narrative mode, and the second" the existence and time of "the noise" and "the Dust". From the subject of existence and time to explore Alai's unique thought of emptiness and national introspection. The conclusion is a summary of the homology, heterogeneity, variability and complementarity between the Dust settlement and the Sound and Fury. Through the empirical analysis and affirmation of the influence of the Sound and the Fury on the Dust settlement, this paper expounds the heterogeneity and variability of the Dust settlement under the author's unique life experience and national culture.
【學(xué)位授予單位】：四川外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I106.4-03
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