【摘要】：羅賓德拉納特·泰戈爾是印度近代文學(xué)史上罕見的文學(xué)藝術(shù)巨匠,他憑借豐富而多樣的文學(xué)作品創(chuàng)造了一個又一個奇跡,對印度近現(xiàn)代文學(xué)產(chǎn)生了深遠而巨大的影響。 從創(chuàng)作時間跨度和創(chuàng)作數(shù)量來看,藝術(shù)散文在泰戈爾的創(chuàng)作中占有獨特而重要的地位,它們展示了泰戈爾開闊的藝術(shù)視界、敏銳的人生感受和多維的思維方式。散文是自由寬容的文體,是人的心靈的符號和精神的外化。泰戈爾藝術(shù)散文的審美特征突出表現(xiàn)在與繪畫、音樂藝術(shù)的完美結(jié)合,浪漫主義詩情的自然流露,對神性的仰慕及對人性的關(guān)懷。 基于這些獨特的審美特征,泰戈爾的藝術(shù)散文彰顯了他獨特的審美觀,在其所有創(chuàng)作中獨樹一幟。他的作品深化了散文的審美內(nèi)涵,突出了作家的主體意識,這種表現(xiàn)形式真實的再現(xiàn)了作家自我經(jīng)驗世界的真誠的情感。從時代背景看,散文也是一種文化,作為文本,它是人類特有的精神財富,作為一種創(chuàng)造活動,它更是人類特有的精神活動方式。泰戈爾的藝術(shù)散文,相當(dāng)程度上表現(xiàn)了文化觀念和文化意識的突破與超越,因而極大地豐富了散文的文化容量。而且,泰戈爾在創(chuàng)作的基礎(chǔ)上,系統(tǒng)總結(jié)了散文理論,形成了自己一套獨特的詩學(xué)體系,對印度近代散文也產(chǎn)生了重大影響。 中國現(xiàn)代散文在五四運動的直接催生中產(chǎn)生,經(jīng)過了一系列演變后基本定型。它們和泰戈爾藝術(shù)散文的相通之處在于,作家創(chuàng)作時內(nèi)在生命世界的能動性和豐富性,在注重抒寫心靈的同時,更注重人生的感受和生命的體驗。泰戈爾的藝術(shù)散文雖和中國現(xiàn)代散文有著表層上的相似之處,但究其實質(zhì)卻有著根本的不同。選取同為集中西文化為一爐的大家林語堂的閑適散文比照之后,泰戈爾關(guān)于神的存在的詩意親證便更加明顯的凸現(xiàn)出來。這是深受中國傳統(tǒng)入世文化和印度崇尚出世哲學(xué)的根本差別的具體體現(xiàn)。兩國現(xiàn)代作家從各自的文化因素中汲取各自需要的藝術(shù)精神與表現(xiàn)手法,從而推動了各自散文藝術(shù)的發(fā)展。
[Abstract]:Robin Delanath Tagore is a rare literary and artistic masterpiece in the history of modern Indian literature. He has created one miracle after another by virtue of his rich and diverse literary works, which has exerted a profound and great influence on modern Indian literature. From the perspective of the time span and quantity of creation, artistic prose plays a unique and important role in Tagore's creation, which shows Tagore's broad artistic horizon, keen life feeling and multi-dimensional thinking mode. Prose is a free and tolerant style, is the symbol of the human soul and the spirit of the externalization. The aesthetic features of Tagore's artistic prose are manifested in the perfect combination of painting and musical art, the natural exposition of romantic poetry, the admiration for divinity and the concern for human nature. Based on these unique aesthetic features, Tagore's artistic prose shows his unique aesthetics and is unique in all his works. His works deepen the aesthetic connotation of prose and highlight the subjective consciousness of the writer. This form of expression truly reproduces the sincere emotion of the writer's world of self-experience. From the background of the times, prose is also a kind of culture, as a text, it is the unique spiritual wealth of mankind, as a kind of creative activity, it is a unique way of human spiritual activity. Tagore's artistic prose, to a certain extent, shows the breakthrough and transcendence of cultural concept and cultural consciousness, which greatly enriches the cultural capacity of prose. Moreover, on the basis of his creation, Tagore systematically summarized the theory of prose, formed his own unique poetic system, and had a great influence on modern Indian prose. Chinese modern prose produced in the direct birth of the May 4th Movement, after a series of evolution, the basic stereotypes. What they have in common with Tagore's artistic prose lies in the fact that when writers write, they pay more attention to the feelings and experiences of life as well as the dynamic and richness of the inner world of life, while they pay more attention to the expression of their hearts and minds. Although Tagore's artistic prose is similar to modern Chinese prose on the surface, its essence is fundamentally different. With the comparison of Lin Yutang's leisure prose, which is a collection of Chinese and Western cultures, Tagore's poetic proof of the existence of God becomes more obvious. This is the embodiment of the fundamental difference between Chinese traditional WTO culture and India's advocating the philosophy of birth. The modern writers of the two countries draw from their own cultural factors the artistic spirit and expressive techniques they need, thus promoting the development of their prose art.
【學(xué)位授予單位】：天津師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I351.076

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相關(guān)期刊論文 前1條

1 王兆勝;論20世紀(jì)中國散文研究[J];徐州師范大學(xué)學(xué)報;2001年04期

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