【摘要】：作為一名小說家和短篇小說家,塞林格一身所著不多,但僅一部《麥田里的守望者》就使他躋身世界文壇,成為一名大家。這部小說算得上是20世紀(jì)最偉大的小說之一,甫一問世,即贏得廣大青少年讀者的喜愛,一時(shí)稱為文壇傳奇。 對(duì)于這本小說,評(píng)論大家們也做了各方面的研究,比如它的語言、主題、敘事等。他們分別從象征主義、存在主義、馬克思主義、女性主義、心理分析等各個(gè)角度對(duì)此小說展開評(píng)論,使得眾人對(duì)《麥田里的守望者》的解讀呈現(xiàn)多元化的趨勢(shì)。但是,真正從敘事角度來研究該作品的評(píng)論家不多,更不用說敘事交流了。同時(shí),作為新興學(xué)科,敘事學(xué)在上世紀(jì)90年代曾被有些敘事學(xué)家宣告死亡,但事實(shí)上,敘事學(xué)的生命力遠(yuǎn)未停歇,它為解讀經(jīng)典作品提供了更加科學(xué)理性的方法。在該論文中,作者在修辭敘事的角度下,試圖來為研究《麥田里的守望者》提供新的研究方法。 修辭敘事強(qiáng)調(diào)在文本分析的基礎(chǔ)上,關(guān)注作者、文本以及讀者之間的交流互動(dòng),以及作者通過何種敘事技巧來完成敘事的同時(shí)又能吸引讀者的認(rèn)同。韋恩·布斯在專著《小說修辭學(xué)》雖然沒有提出“修辭敘事”的概念,但他自始至終關(guān)注作者、敘述者、人物、讀者之間的關(guān)系,為后來修辭敘事的發(fā)展打下了基礎(chǔ)。詹姆斯·費(fèi)倫在《敘事作為修辭》一書中敘事定義為“某人為了特定目的,在特定情境下,為一位特定的聽眾講了一個(gè)特定的故事”,該定義其實(shí)把敘事等同于修辭,對(duì)研究敘事交流產(chǎn)生了很大的影響。修辭敘事關(guān)注敘事,同樣關(guān)注修辭,這成為筆者研究《麥田里的守望者》的理論基礎(chǔ)。 在修辭敘事的角度下,筆者試圖解讀《麥田里的守望者》的敘事交流,以及塞林格如何巧妙敘事與讀者溝通,從而產(chǎn)生什么樣的修辭效果。希望該研究能為這部偉大的作品增輝。
[Abstract]:As a novelist and a short story writer, Salinger had little to write, but just one Catcher in the Rye made him a man of the world. This novel is regarded as one of the greatest novels in the 20th century. For the novel, critics have also done a variety of research, such as its language, theme, narrative and so on. They comment on the novel from symbolism, existentialism, Marxism, feminism, psychoanalysis and so on, which makes the interpretation of Catcher in the Rye present a trend of diversification. However, few critics really study the work from a narrative point of view, let alone narrative communication. At the same time, as a new subject, narratology was declared dead by some narratologists in the 1990s, but in fact, the vitality of narratology is far from stopping, which provides a more scientific and rational way to interpret classical works. In this paper, the author tries to provide a new method for the study of Catcher in the Rye from the perspective of rhetorical narration. Rhetorical narration emphasizes that on the basis of text analysis, attention should be paid to the communication and interaction among the author, the text and the reader, as well as the narrative techniques by which the author can complete the narrative and at the same time attract the reader's approval. Although Wayne Booth did not put forward the concept of "rhetoric narrative" in his monograph rhetoric, he paid close attention to the relationship between author, narrator, character and reader, which laid a foundation for the development of rhetorical narration. In narration as rhetoric, James Fellen defines it as "someone tells a particular story for a particular purpose, in a particular situation, for a particular audience", which actually equates narrative with rhetoric. It has a great influence on the study of narrative communication. Rhetorical narrative pays attention to narrative as well as rhetoric, which is the theoretical basis of the author's study of Catcher in the Rye. From the perspective of rhetorical narration, the author tries to interpret the narrative communication of the Catcher in the Rye, and how Salinger skillfully narrates the communication with the reader to produce what rhetorical effect. It is hoped that this study will contribute to this great work.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 李慧;“敘事作為修辭”的理論研究[D];東北師范大學(xué);2006年

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