奧康納對(duì)南方傳統(tǒng)價(jià)值觀的顛覆
發(fā)布時(shí)間：2018-08-03 11:49
【摘要】：弗蘭納里·奧康納(1925-1964)在二戰(zhàn)之后的美國文學(xué)史上占據(jù)著重要的地位,她被公認(rèn)為是美國最偉大的短篇小說家之一。她不幸染上紅斑狼瘡,在患病之后她強(qiáng)忍著疼痛仍然堅(jiān)持寫作,年僅39歲便離開了人世。在她短暫的人生里給后人留下了寶貴的精神財(cái)富包括兩部中篇小說,31篇短篇小說和大量的書信和評(píng)論文章。作為一個(gè)南方作家,奧康納充分利用了她的地域優(yōu)勢(shì)。雖然她的小說以南方為背景刻畫了南方的風(fēng)土人情,但是奧康納對(duì)南方的傳統(tǒng)價(jià)值觀卻持否定和悲觀的態(tài)度。奧康納筆下的南方是一個(gè)殘暴混亂的荒原充斥的惡魔和古怪變態(tài)的人。事實(shí)上,她的小說反映了奧康納與南方傳統(tǒng)價(jià)值觀的分離。 本論文試圖展現(xiàn)奧康納是如何將南方的傳統(tǒng)價(jià)值觀一一顛覆的,并探討了其背后的原因。論文第一章介紹了奧康納的生活經(jīng)歷以及文學(xué)成就,總結(jié)了近年來奧康納國內(nèi)外研究狀況,提出了論文的創(chuàng)新點(diǎn)和研究價(jià)值,最后簡單說明了該論文的結(jié)構(gòu)。 第二章集中探討分析了奧康納作品中對(duì)南方社會(huì)觀的顛覆,本章節(jié)包含兩部分,第一部分是關(guān)于南方種族觀的顛覆,第二部分是關(guān)于南方傳統(tǒng)家庭觀的顛覆。奧康納挑戰(zhàn)了南方傳統(tǒng)的白人至上黑人低賤的種族觀。在她的小說中,雖然黑人很少充當(dāng)主角,但是奧康納筆下的黑人常常比白人更有能力更有智慧更加富裕。而奧康納所描繪的白人總是愚昧無知荒唐可笑懦弱無能。這與傳統(tǒng)的黑人和白人形象形成鮮明的反差。奧康納在其作品中還顛覆了南方傳統(tǒng)家庭觀。奧康納小說的家庭都是支離破碎的,家庭成員之間沒有關(guān)愛和尊重只有冷漠和仇恨。 第三章探討了奧康納對(duì)傳統(tǒng)身份的顛覆包括對(duì)等級(jí)分身的顛覆和對(duì)性別身份的顛覆。奧康納的短篇小說描繪了那些面對(duì)著窮白人和黑人的崛起中產(chǎn)階級(jí)農(nóng)場(chǎng)主已逐漸失去了她們?cè)械纳鐣?huì)地位。他們或是幻想的原有的等級(jí)制度仍然有效繼續(xù)扮演者優(yōu)越者的角色或是掙扎著嘗試維持原有的社會(huì)等級(jí)制度。但是他們所有努力都是枉然,并且常以生命的代價(jià)認(rèn)清悲慘的現(xiàn)實(shí)。奧康納同樣反對(duì)傳統(tǒng)社會(huì)對(duì)男性、女性社會(huì)角色的分配。在她的小說中,女性不再是柔弱的家庭天使而轉(zhuǎn)變?yōu)榫髂芨傻霓r(nóng)場(chǎng)主,男性被刻畫的懦弱無能毫無責(zé)任感。 第四章分析了奧康納對(duì)宗教觀的顛覆。雖然奧康納被認(rèn)為是虔誠的天主教作家,她的散文和談?wù)摱紡?qiáng)調(diào)她堅(jiān)定的宗教信仰,但是就如布魯姆警惕我們那樣我們應(yīng)該相信故事而不是說故事的人。如果我們仔細(xì)閱讀她的小說就會(huì)發(fā)現(xiàn)奧康納并不是一個(gè)虔誠的天主教徒。她小說中反復(fù)出現(xiàn)的死亡、惡魔和暴力反而反映她對(duì)宗教觀的顛覆。 第五章探討了奧康納顛覆傳統(tǒng)價(jià)值觀的原因,本章分別從個(gè)人因素、意識(shí)形態(tài)、南方現(xiàn)實(shí)三方面總結(jié)了奧康納顛覆傳統(tǒng)價(jià)值觀的原因。首先奧康納與眾不同的人生經(jīng)歷尤其是紅斑狼瘡的折磨在很大部分影響形成了她悲觀消極的世界觀和人生觀。其次奧康納的作品是在后現(xiàn)代主義背景下創(chuàng)作的。后現(xiàn)代主義提出的核心理念去中心化和反對(duì)二元對(duì)立也表現(xiàn)在奧康納的作品中。再次奧康納對(duì)南方暴力和怪誕的描寫并沒有脫離南方的社會(huì)現(xiàn)實(shí)。生于南方長與南方,奧康納很清楚南方社會(huì)的暴力和變態(tài)的一面,因此她的描寫也是基于社會(huì)現(xiàn)實(shí)的。 最后一章總結(jié)了奧康納的個(gè)人因素,后現(xiàn)代主義意識(shí)形態(tài)的影響以及南方社會(huì)的暴力和怪誕的現(xiàn)實(shí)共同作用導(dǎo)致了奧康納的南方傳統(tǒng)價(jià)值觀的顛覆。
[Abstract]:Flannery O Conner (1925-1964) occupies an important position in the history of American literature after World War II. She is recognized as one of the greatest short story novelists in the United States. She was unfortunately infected with lupus. After she was sick, she persisted in writing. She left the world at the age of 39. She left the later generations in her short life. The precious spiritual wealth includes two novels, 31 short stories and a large number of letters and commentary. As a Southern writer, O Conner made full use of her regional advantages. Although her novels portray the South as the background in the south, O Conner's traditional values of the south are negative and sad. The attitude of O Conner's south is a demon and weird pervert of a brutal and chaotic wasteland. In fact, her novel reflects the separation of O Conner from the traditional values of the south.
This paper tries to show how O Conner subverts the traditional values of the south, and discusses the reasons behind it. Chapter 1 of the thesis introduces O Conner's life experience and literary achievements, summarizes the research status of O Conner at home and abroad in recent years, and puts forward the innovation and research value of the thesis. Finally, it simply explains the theory. The structure of the text.
The second chapter focuses on the analysis of the subversion of the southern social view in O Conner's works. This chapter contains two parts. The first part is about the subversion of the southern ethnicity, the second part is about the subversion of the traditional family view in the south. O Conner challenged the traditional white supremacy of the South in the south. In her novel, though black, it was black. People rarely act as protagonists, but O Conner's blacks are often more capable and wealthier than white men. And the white people depicted by O Conner are always ignorant and ridiculous and incompetent. This is a sharp contrast to the traditional black and white image. O Conner has also overturned the traditional family view of the south in his works. AOKANG The families of Nash's novels are all fragmented, and there is no love and respect among family members, only indifference and hatred.
The third chapter discusses O Conner's subversion of traditional identity, including subversion of hierarchy and subversion of gender identity. O Conner's short story depicts the rising middle class farmers facing poor white and black people who have gradually lost their original social status. It is effective to continue to play the role of the superior or struggle to maintain the original social hierarchy. But all their efforts are in vain and often recognize the tragic reality at the cost of life. O Conner is also opposed to the distribution of the traditional society for men and women's social roles. In her novels, women are no longer a weak home. The court was transformed into a capable farmer, and men were described as cowardly, incompetent and irresponsible.
The fourth chapter analyzes the subversion of O Conner's view of religion. Although O Conner is regarded as a devout Catholic writer, her prose and discussion all emphasize her strong religious belief, but as Bloom is on the alert for us, we should believe in stories rather than stories. If we read her novels carefully, we will find AOKANG Na is not a devout Catholic. The recurring death, demons and violence in her novels reflect her subversion of religious beliefs.
The fifth chapter discusses the reasons why O Conner subverts the traditional values. This chapter summarizes the reasons for O Conner's subversion of traditional values from three aspects of personal factors, ideology and southern reality. First, O Conner's unusual life experience, especially the torment of lupus erythematosus, has formed her pessimistic and negative world outlook. O Conner's works were created in the context of postmodernism. The core ideas of postmodernism were centered and opposed to the two yuan opposition in O Conner's works. Again, O Conner's description of violence and grotesque in the South was not divorced from the social reality of the south. Born in the South and south, O Conner It is clear about the violence and perversion of the southern society, so her description is based on social reality.
The last chapter summarizes O Conner's personal factors, the influence of postmodernism ideology, the violence in the South and the grotesque reality of the southern society, which leads to the subversion of O Conner's traditional values in the south.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074
本文編號(hào)：2161652
[Abstract]:Flannery O Conner (1925-1964) occupies an important position in the history of American literature after World War II. She is recognized as one of the greatest short story novelists in the United States. She was unfortunately infected with lupus. After she was sick, she persisted in writing. She left the world at the age of 39. She left the later generations in her short life. The precious spiritual wealth includes two novels, 31 short stories and a large number of letters and commentary. As a Southern writer, O Conner made full use of her regional advantages. Although her novels portray the South as the background in the south, O Conner's traditional values of the south are negative and sad. The attitude of O Conner's south is a demon and weird pervert of a brutal and chaotic wasteland. In fact, her novel reflects the separation of O Conner from the traditional values of the south.
This paper tries to show how O Conner subverts the traditional values of the south, and discusses the reasons behind it. Chapter 1 of the thesis introduces O Conner's life experience and literary achievements, summarizes the research status of O Conner at home and abroad in recent years, and puts forward the innovation and research value of the thesis. Finally, it simply explains the theory. The structure of the text.
The second chapter focuses on the analysis of the subversion of the southern social view in O Conner's works. This chapter contains two parts. The first part is about the subversion of the southern ethnicity, the second part is about the subversion of the traditional family view in the south. O Conner challenged the traditional white supremacy of the South in the south. In her novel, though black, it was black. People rarely act as protagonists, but O Conner's blacks are often more capable and wealthier than white men. And the white people depicted by O Conner are always ignorant and ridiculous and incompetent. This is a sharp contrast to the traditional black and white image. O Conner has also overturned the traditional family view of the south in his works. AOKANG The families of Nash's novels are all fragmented, and there is no love and respect among family members, only indifference and hatred.
The third chapter discusses O Conner's subversion of traditional identity, including subversion of hierarchy and subversion of gender identity. O Conner's short story depicts the rising middle class farmers facing poor white and black people who have gradually lost their original social status. It is effective to continue to play the role of the superior or struggle to maintain the original social hierarchy. But all their efforts are in vain and often recognize the tragic reality at the cost of life. O Conner is also opposed to the distribution of the traditional society for men and women's social roles. In her novels, women are no longer a weak home. The court was transformed into a capable farmer, and men were described as cowardly, incompetent and irresponsible.
The fourth chapter analyzes the subversion of O Conner's view of religion. Although O Conner is regarded as a devout Catholic writer, her prose and discussion all emphasize her strong religious belief, but as Bloom is on the alert for us, we should believe in stories rather than stories. If we read her novels carefully, we will find AOKANG Na is not a devout Catholic. The recurring death, demons and violence in her novels reflect her subversion of religious beliefs.
The fifth chapter discusses the reasons why O Conner subverts the traditional values. This chapter summarizes the reasons for O Conner's subversion of traditional values from three aspects of personal factors, ideology and southern reality. First, O Conner's unusual life experience, especially the torment of lupus erythematosus, has formed her pessimistic and negative world outlook. O Conner's works were created in the context of postmodernism. The core ideas of postmodernism were centered and opposed to the two yuan opposition in O Conner's works. Again, O Conner's description of violence and grotesque in the South was not divorced from the social reality of the south. Born in the South and south, O Conner It is clear about the violence and perversion of the southern society, so her description is based on social reality.
The last chapter summarizes O Conner's personal factors, the influence of postmodernism ideology, the violence in the South and the grotesque reality of the southern society, which leads to the subversion of O Conner's traditional values in the south.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 曹佳培;論奧康納小說中暴力元素蘊(yùn)含的基督教存在主義[D];暨南大學(xué);2013年
，本文編號(hào)：2161652
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