論小說《奧特朗托城堡》中的現(xiàn)實關(guān)注與浪漫情懷
發(fā)布時間：2018-07-28 07:19
【摘要】：小說《奧特朗托城堡》并不長的篇幅,描繪了一處處充斥著鬼魂、怪異、畸形和迷信的陰暗所在,比如陰沉的城堡、黑暗的房間和迷宮般的地下通道等等。這些不可思議的描寫,以及作者沉溺于描繪人類的極端感情,也就是激情、恐懼、沖動和欲望,使整部小說籠罩在一片荒誕卻也令人心馳神往的氛圍中。評論家尤其是現(xiàn)實主義學(xué)者長久以來認(rèn)為《奧特朗托城堡》是對十八世紀(jì)重理性文學(xué)風(fēng)尚的一種反叛和決裂,給予小說以激烈的批判。然而,本文作者發(fā)現(xiàn)小說怪異的描寫并不僅僅意圖引起讀者的敬畏感或激發(fā)他們心靈上的恐懼,另一個更為引人注目的作用是小說將道德內(nèi)涵隱藏于這些看似荒誕不經(jīng)的描寫中。這種道德內(nèi)涵在某種程度上與18世紀(jì)倡導(dǎo)理性的風(fēng)尚交相輝映。在18世紀(jì)的宗教教義中魔鬼崇拜等同于罪惡。那些為了追求內(nèi)心無盡的邪惡欲望而與魔鬼進(jìn)行交易的人長久以來便是評論家口誅筆伐的對象。鑒于小說最后信仰、道德、正義以及宗教公正的恢復(fù),沃爾坡筆下的惡人盡管沉溺于魔鬼崇拜,這種崇拜卻似乎是為前面提到的恢復(fù)打下了堅實的基礎(chǔ)。本文作者認(rèn)為沃爾坡對于罪惡和丑陋的感知度并不亞于現(xiàn)實主義者,兩者區(qū)別在于沃爾坡傾向于從社會的黑暗面著手來揭露社會現(xiàn)實,觸及讀者內(nèi)心最深處來啟示讀者。盡管這些彌漫于表面的看似荒誕不經(jīng)的描寫似乎會有損小說的忠實度和可信度,小說《奧特朗托城堡》的教化啟示意義卻萬萬不可被忽視。然而令人惋惜的是這一點至今仍然沒有引起足夠的重視。因此,本論文首先探索了小說《奧特朗托城堡》中蘊(yùn)含的現(xiàn)實主義因素,這些因素正是與十八世紀(jì)現(xiàn)實主義文學(xué)走向一脈相承的地方。同時通過分析文學(xué)巨擘尤其是威廉·莎士比亞的文學(xué)創(chuàng)作實踐來進(jìn)一步地證明沃爾坡對現(xiàn)實和對作家所應(yīng)承擔(dān)的教化責(zé)任的關(guān)注。并且論文作者別出心裁地運(yùn)用了托馬斯賴默的詩性公正原則為小說作者沃爾坡的道德感和正義觀進(jìn)行了辯護(hù)。 十八世紀(jì)的最后20至30年,人們奉行的奧古斯都條理、節(jié)制、平衡和得體原則對于解決現(xiàn)代社會的迷惘、對抗和痛苦心力不足。在這樣一個充斥著不確定性的大背景下,哥特小說之所以受到廣大讀者的青睞,多半是由于它對于遠(yuǎn)去的中世紀(jì)的追思,并以荒誕狂熱來激起讀者的興趣和熱情。在某種程度上,哥特小說的神秘和爭議恰恰是這種不確定性的一種表現(xiàn),并且預(yù)示了同樣充滿神秘感和爭議的浪漫主義時代的到來。在第三章作者詳細(xì)闡述小說所展示的主人公迥異的人性,并且挖掘了小說《奧特朗托城堡》中蘊(yùn)含的浪漫主義意識形態(tài)的最核心的內(nèi)容:對想象力的推崇。 論文最后一部分著重探究沃爾坡的小說—《奧特朗托城堡》在關(guān)注現(xiàn)實社會和抒發(fā)浪漫情懷之間所取得的完美的平衡。
[Abstract]:The novel "Castle of Auranto" is not long, depicting a dark place full of ghosts, weirdness, deformity and superstition, such as dark castles, dark rooms and labyrinth of underground passages. These incredible descriptions, and the author's indulgence in the extreme feelings that describe human beings, namely passion, fear, impulse, and desire, enveloped the whole novel in an atmosphere of absurdity and fascination. Critics, especially realist scholars, have long regarded the Castle of Otlanto as a rebellion and a break with the style of the 18th-century rational literature, giving the novel a fierce critique. However, the author finds that the novel's bizarre depiction is not just intended to arouse readers' feelings of awe or fear in their hearts. A more striking function is that the novel conceals moral connotations in these seemingly absurd descriptions. To some extent, this moral connotation is compatible with the fashion of advocating rationality in the 18 th century. Devil worship was equated with sin in the religious doctrine of the 18 th century. Those who trade with the devil in pursuit of their endless evil desires have long been the object of criticism. Given the restoration of faith, morality, justice, and religious justice at the end of the novel, Volpo's villains seem to lay a solid foundation for the restoration mentioned above, despite their indulgence in the cult of the devil. The author thinks that Volpo's perception of evil and ugliness is no less than that of the realist. The difference between the two is that he tends to expose the social reality from the dark side of society and touch the deepest part of the reader's heart to enlighten the reader. Although these seemingly absurd descriptions pervading the surface seem to undermine the faithfulness and credibility of the novel, the enlightening significance of the novel Castle of Autrato can never be ignored. It is regrettable, however, that this has not received enough attention so far. Therefore, this thesis first explores the realistic factors contained in the novel Castle of Auranto, which are in line with the trend of realistic literature in the 18th century. At the same time, through the analysis of literary giants, especially William Shakespeare's literary creation practice, it is further proved that Volpo's attention to the reality and the writer's responsibility for enlightenment should be further proved. And the author of the paper used Thomas in an ingenious way. Reimer's principle of poetic justice defends the writer's moral sense and view of justice. In the last 20 to 30 years of the eighteenth century, the Augustus principles of order, moderation, balance, and propriety were not enough to solve the confusion, confrontation, and suffering of modern society. Against such a background of uncertainty Gothic novels are favored by readers mostly because of their yearning for the distant Middle Ages and arousing the readers' interest and enthusiasm with absurd fanaticism. To a certain extent, the mystery and controversy of Gothic novels is precisely a manifestation of this uncertainty, and also foreshadowed the arrival of a romantic era full of mystery and controversy. In the third chapter, the author elaborates on the different human nature of the protagonists in the novel, and excavates the core content of the romantic ideology contained in the novel Castle of Autranto: the reverence for imagination. The last part of the thesis focuses on the perfect balance between the attention to the real society and the romantic feelings in Volpo's novel, the Castle of Autranto.
【學(xué)位授予單位】：浙江財經(jīng)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.074
本文編號：2149326
[Abstract]:The novel "Castle of Auranto" is not long, depicting a dark place full of ghosts, weirdness, deformity and superstition, such as dark castles, dark rooms and labyrinth of underground passages. These incredible descriptions, and the author's indulgence in the extreme feelings that describe human beings, namely passion, fear, impulse, and desire, enveloped the whole novel in an atmosphere of absurdity and fascination. Critics, especially realist scholars, have long regarded the Castle of Otlanto as a rebellion and a break with the style of the 18th-century rational literature, giving the novel a fierce critique. However, the author finds that the novel's bizarre depiction is not just intended to arouse readers' feelings of awe or fear in their hearts. A more striking function is that the novel conceals moral connotations in these seemingly absurd descriptions. To some extent, this moral connotation is compatible with the fashion of advocating rationality in the 18 th century. Devil worship was equated with sin in the religious doctrine of the 18 th century. Those who trade with the devil in pursuit of their endless evil desires have long been the object of criticism. Given the restoration of faith, morality, justice, and religious justice at the end of the novel, Volpo's villains seem to lay a solid foundation for the restoration mentioned above, despite their indulgence in the cult of the devil. The author thinks that Volpo's perception of evil and ugliness is no less than that of the realist. The difference between the two is that he tends to expose the social reality from the dark side of society and touch the deepest part of the reader's heart to enlighten the reader. Although these seemingly absurd descriptions pervading the surface seem to undermine the faithfulness and credibility of the novel, the enlightening significance of the novel Castle of Autrato can never be ignored. It is regrettable, however, that this has not received enough attention so far. Therefore, this thesis first explores the realistic factors contained in the novel Castle of Auranto, which are in line with the trend of realistic literature in the 18th century. At the same time, through the analysis of literary giants, especially William Shakespeare's literary creation practice, it is further proved that Volpo's attention to the reality and the writer's responsibility for enlightenment should be further proved. And the author of the paper used Thomas in an ingenious way. Reimer's principle of poetic justice defends the writer's moral sense and view of justice. In the last 20 to 30 years of the eighteenth century, the Augustus principles of order, moderation, balance, and propriety were not enough to solve the confusion, confrontation, and suffering of modern society. Against such a background of uncertainty Gothic novels are favored by readers mostly because of their yearning for the distant Middle Ages and arousing the readers' interest and enthusiasm with absurd fanaticism. To a certain extent, the mystery and controversy of Gothic novels is precisely a manifestation of this uncertainty, and also foreshadowed the arrival of a romantic era full of mystery and controversy. In the third chapter, the author elaborates on the different human nature of the protagonists in the novel, and excavates the core content of the romantic ideology contained in the novel Castle of Autranto: the reverence for imagination. The last part of the thesis focuses on the perfect balance between the attention to the real society and the romantic feelings in Volpo's novel, the Castle of Autranto.
【學(xué)位授予單位】：浙江財經(jīng)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前5條
1 蘇耕欣;壓迫與保護(hù)、對立與依賴——評哥特小說中女性與父權(quán)制度的矛盾關(guān)系[J];北京大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2003年04期
2 李偉f ;崇高理論:哥特式小說創(chuàng)作的基礎(chǔ)與思想資源[J];河南大學(xué)學(xué)報(社會科學(xué)版);2003年03期
3 李偉f ;《詩學(xué)》:哥特式小說創(chuàng)作的理論淵源[J];四川大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2004年04期
4 韓加明;簡論哥特小說的產(chǎn)生和發(fā)展[J];國外文學(xué);2000年01期
5 肖明翰;英美文學(xué)中的哥特傳統(tǒng)[J];外國文學(xué)評論;2001年02期
，本文編號：2149326
本文鏈接：http://sikaile.net/wenyilunwen/wxchuangz/2149326.html
