從進(jìn)步意識(shí)的角度解讀《伸子》
發(fā)布時(shí)間：2018-07-27 20:58
【摘要】：宮本百合子是日本著名的無產(chǎn)階級(jí)文學(xué)作家、人道主義作家。被譽(yù)為戰(zhàn)后民主主義文學(xué)的旗手。因她在1916年《中央公論》上發(fā)表以貧困農(nóng)村生活為題材的小說《貧窮的人民》，受到廣泛關(guān)注，而被稱為“天才少女”。她的創(chuàng)作生涯跨明治、大正及昭和年代，創(chuàng)作了許多世人矚目的作品。長篇小說《伸子》是其代表作之一。 《伸子》執(zhí)筆于1924年，歷經(jīng)三年完成。連續(xù)發(fā)表在《改造》雜志上�！渡熳印肥且宰骷覍m本百合子自身的經(jīng)歷為題材，講述了名叫伸子的女主人公的坎坷故事，‘她出生在日本的中流階層家庭里，父親是一名有名的建筑師，母親是一位文學(xué)素養(yǎng)極高的女性，伸子從小受到父母的庇護(hù)，很想獨(dú)立，在17歲的時(shí)候離開父母，遠(yuǎn)渡美國，認(rèn)識(shí)了小說的男主人公—佃一郎，并和佃一郎在美國自由戀愛，自由結(jié)婚，結(jié)婚回國后，夫妻兩人在性格等方面由于人生觀，家庭觀的差異而產(chǎn)生的矛盾，在經(jīng)過種種痛苦之后，在結(jié)婚五年后，伸子作出了離婚的決定’。 本論文詳細(xì)分析伸子“進(jìn)步意識(shí)”的具體表現(xiàn)。主要通過伸子進(jìn)步意識(shí)的表現(xiàn)來證明伸子是一位追求獨(dú)立與自由的新時(shí)代女性。最后通過分析宮本百合子的家庭環(huán)境以及時(shí)代背景來探索伸子的原型宮本百合子所具有的新時(shí)代女性的進(jìn)步思想。 本論文是由序論，本論和結(jié)論三部分組成。主要內(nèi)容如下： 序論主要是介紹本論文的先行研究，研究目的以及研究的意義，在此基礎(chǔ)上，介紹作品《伸子》的主要內(nèi)容，作家宮本百合子的生平以及宮本百合子一直提倡的女性解放運(yùn)動(dòng)。 本論由二部分內(nèi)容組成。第一部分是圍繞《伸子》這部作品的內(nèi)容來考察伸子的進(jìn)步意識(shí)。主要從伸子與丈夫佃一郎，伸子與母親遐江，伸子與新時(shí)代女性素子這三對(duì)關(guān)系來探索伸子對(duì)自立與自由的追求。伸子從小在父母親的庇佑下長大，可是伸子卻追求與母親截然不同的生活方式，為了掙脫母親的束縛，她選擇了遠(yuǎn)赴美國追求自由，而與佃一愞的邂逅，激發(fā)了伸子內(nèi)心對(duì)自由的強(qiáng)烈追求，她選擇與佃自由戀愛，并且提出在婚后繼續(xù)工作和不生育小孩的兩個(gè)要求。她期待著的是婚姻能使雙方的愛豐富化，將婚姻家庭當(dāng)作自己成長的地方。但是在婚后的現(xiàn)實(shí)生活中，佃一愞性格的偽善性以及生理心理上等問題以及兩人人生觀及價(jià)值觀的差距，讓伸子的內(nèi)心異常的寂寞空虛，現(xiàn)實(shí)的婚姻非但沒有促進(jìn)伸子自身的成長，反而阻礙了伸子追求獨(dú)立與自由。再加上佃一愞所表現(xiàn)出來的男權(quán)為中心的觀念，使感受到了女性在社會(huì)地位的不平等，，激發(fā)了伸子迫切追求女性平等的權(quán)利。而新女性素子的出現(xiàn)，讓伸子看到了經(jīng)濟(jì)獨(dú)立，追求積極向上生活方式的素子。因此伸子決定追求素子的生活方式，毅然決定與佃一愞離婚，走上了自我重生的道路。第二部分是從家庭環(huán)境，時(shí)代背景和作者自身三個(gè)方面來探尋宮本百合子具有進(jìn)步意識(shí)的原因。宮本百合子的自立與自由的進(jìn)步意識(shí)，是與當(dāng)時(shí)的時(shí)代背景，宮本百合子所處在的家庭環(huán)境與其宮本百合子自身有著不可分割的關(guān)系。宮本百合子的女學(xué)生時(shí)代，正是《青踏》雜志的全盛時(shí)期。正是受到“青踏派”的影響，造就了宮本百合子的時(shí)代特性。宮本百合子不受當(dāng)時(shí)封建禮俗的約束，勇敢的追求自立與自由，體現(xiàn)了宮本百合子的情熱與知性。五年的婚姻走到終點(diǎn)后，宮本百合子與湯淺芳子一起遠(yuǎn)赴蘇聯(lián)，也正是因?yàn)檫@次旅行，對(duì)她以后的人生產(chǎn)生了重大的影響�！秲蓚�(gè)院子》和《道標(biāo)》這兩部作品就是真實(shí)體現(xiàn)了宮本百合子當(dāng)時(shí)的思想轉(zhuǎn)變�！渡熳印�、《兩個(gè)院子》與《道標(biāo)》，被稱為宮本百合子的“人生三部曲”。 最后是結(jié)論部分。綜上所論述內(nèi)容得出結(jié)論，并指出本論文所存在的不足和提出今后有待研究的課題。
[Abstract]:Miyamoto Yuriko, a famous Japanese proletarian literary writer, and a humanitarian writer, was praised as the flag bearer of postwar democratic literature. She was widely paid attention to as a novel "the poor people", which was published in the 1916 < central public opinion as the subject of poverty in the poor countryside ', and was called the "genius girl". In the era of Zheng He and Zhao he created many works that attracted worldwide attention.
< extension > was written in 1924. It was completed in 1924. It was finished in three years. It was published continuously in the magazine. "Extension son" is a story of the heroine named extenson. "She was born in the middle class family in Japan, the father is a famous architect, and the mother is a literary accomplishment." The high female, as a child, was protected by his parents and wanted to be independent. At the age of 17, he left his parents, traveled far in the United States, knew the hero of the novel, a franc, and was free in love in the United States, free to marry, and returned home, and the contradiction between the two couples in character, such as their outlook on life and the difference of family view, came into being. After a lot of pain, after five years of marriage, he decided to make a divorce.
In this paper, the specific expression of "progressive consciousness" is analyzed in detail. Through the expression of the progressive consciousness, it is proved that the extension is a new era of women seeking independence and freedom. Finally, through the analysis of Miyamoto Yuriko's family environment and the background of the times, we explore the new age women of the archetype of the archetypal Miyamoto Yuriko. Progressive thought.
This paper is composed of three parts: preface, theory and conclusion. The main contents are as follows:
The preface mainly introduces the first study, the purpose of the study and the significance of the study. On this basis, it introduces the main contents of the works < extension >, the life of the writer Miyamoto Yuriko and the feminine liberation movement that Miyamoto Yuriko has been advocating.
This theory is composed of two parts. The first part is to explore the progressive consciousness of the extension around the content of the "extension". It mainly explores the pursuit of self-reliance and freedom from the three pairs of relations between the extension and the husband, the son, the mother, the river, the extension and the new age of women. But the extension pursued a different way of life from the mother. In order to get rid of the mother's bondage, she chose to go to the United States to pursue freedom, and the encounter with the tenancy aroused the strong pursuit of freedom. She chose to be free in love with the tenant and put forward two requirements for continuing to work after marriage and not to have children. It is that marriage can enrich the love of both parties and regard the marriage and family as their own place of growth. But in the real life of the marriage, the hypocrisy of the character, the physical and psychological problems and the gap between the two people's outlook on life and values make the heart of the extensor unusually lonely and empty, and the real marriage has not promoted the extension. On the contrary, his own growth hinders the pursuit of independence and freedom, and the concept of male rights as the center of the tenancy, which makes the women feel the inequality in the social status and excite the right to pursue women's equality urgently. The second part is to explore the reasons for the progressive consciousness of Miyamoto's Lilies from the family environment, the background of the times and the author's own three aspects. Miyamoto Yuriko's self-reliance and freedom of progressive consciousness, With the background of the time, Miyamoto Yuriko's family environment has an inseparable relationship with Miyamoto Yuriko itself. The age of Miyamoto Yuriko's female students is the full period of the "green tread" magazine. It is the influence of the "green tread", which has created the characteristics of the times of the palace. Miyamoto Yuriko is not subject to the time. The constraint of building the custom and the courageous pursuit of self-reliance and freedom embodies the warmth and knowledge of Miyamoto Yuriko. After five years of marriage to the end, Miyamoto Yuriko went to the Soviet Union with Tang Fu son together, and it was because of this trip that there was a great impact on her life. The two works of the "two yard >" and "Tao bid >" were true. It reflects Miyamoto Yuriko's change of mind at that time. "Shen Zi", "two courtyards" and "road sign" are known as palace Momo Aiko's "Life Trilogy".
The last part is the conclusion. Based on the above discussion, we draw the conclusion and point out the shortcomings of this paper and put forward the topics to be studied in the future.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074
[Abstract]:Miyamoto Yuriko, a famous Japanese proletarian literary writer, and a humanitarian writer, was praised as the flag bearer of postwar democratic literature. She was widely paid attention to as a novel "the poor people", which was published in the 1916 < central public opinion as the subject of poverty in the poor countryside ', and was called the "genius girl". In the era of Zheng He and Zhao he created many works that attracted worldwide attention.
< extension > was written in 1924. It was completed in 1924. It was finished in three years. It was published continuously in the magazine. "Extension son" is a story of the heroine named extenson. "She was born in the middle class family in Japan, the father is a famous architect, and the mother is a literary accomplishment." The high female, as a child, was protected by his parents and wanted to be independent. At the age of 17, he left his parents, traveled far in the United States, knew the hero of the novel, a franc, and was free in love in the United States, free to marry, and returned home, and the contradiction between the two couples in character, such as their outlook on life and the difference of family view, came into being. After a lot of pain, after five years of marriage, he decided to make a divorce.
In this paper, the specific expression of "progressive consciousness" is analyzed in detail. Through the expression of the progressive consciousness, it is proved that the extension is a new era of women seeking independence and freedom. Finally, through the analysis of Miyamoto Yuriko's family environment and the background of the times, we explore the new age women of the archetype of the archetypal Miyamoto Yuriko. Progressive thought.
This paper is composed of three parts: preface, theory and conclusion. The main contents are as follows:
The preface mainly introduces the first study, the purpose of the study and the significance of the study. On this basis, it introduces the main contents of the works < extension >, the life of the writer Miyamoto Yuriko and the feminine liberation movement that Miyamoto Yuriko has been advocating.
This theory is composed of two parts. The first part is to explore the progressive consciousness of the extension around the content of the "extension". It mainly explores the pursuit of self-reliance and freedom from the three pairs of relations between the extension and the husband, the son, the mother, the river, the extension and the new age of women. But the extension pursued a different way of life from the mother. In order to get rid of the mother's bondage, she chose to go to the United States to pursue freedom, and the encounter with the tenancy aroused the strong pursuit of freedom. She chose to be free in love with the tenant and put forward two requirements for continuing to work after marriage and not to have children. It is that marriage can enrich the love of both parties and regard the marriage and family as their own place of growth. But in the real life of the marriage, the hypocrisy of the character, the physical and psychological problems and the gap between the two people's outlook on life and values make the heart of the extensor unusually lonely and empty, and the real marriage has not promoted the extension. On the contrary, his own growth hinders the pursuit of independence and freedom, and the concept of male rights as the center of the tenancy, which makes the women feel the inequality in the social status and excite the right to pursue women's equality urgently. The second part is to explore the reasons for the progressive consciousness of Miyamoto's Lilies from the family environment, the background of the times and the author's own three aspects. Miyamoto Yuriko's self-reliance and freedom of progressive consciousness, With the background of the time, Miyamoto Yuriko's family environment has an inseparable relationship with Miyamoto Yuriko itself. The age of Miyamoto Yuriko's female students is the full period of the "green tread" magazine. It is the influence of the "green tread", which has created the characteristics of the times of the palace. Miyamoto Yuriko is not subject to the time. The constraint of building the custom and the courageous pursuit of self-reliance and freedom embodies the warmth and knowledge of Miyamoto Yuriko. After five years of marriage to the end, Miyamoto Yuriko went to the Soviet Union with Tang Fu son together, and it was because of this trip that there was a great impact on her life. The two works of the "two yard >" and "Tao bid >" were true. It reflects Miyamoto Yuriko's change of mind at that time. "Shen Zi", "two courtyards" and "road sign" are known as palace Momo Aiko's "Life Trilogy".
The last part is the conclusion. Based on the above discussion, we draw the conclusion and point out the shortcomings of this paper and put forward the topics to be studied in the future.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 鄭寶香;論日本女作家宮本百合子的長篇小說《伸子》[J];大連大學(xué)學(xué)報(bào);2005年01期
2 孫e
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