【摘要】：本文以《羚羊與秧雞》為主探討阿特伍德作品中人性和動物性的生態(tài)共生思想。論文首先論述了人性與理性的困惑,闡述了作者對理性至上的反諷,指出對理性的瘋狂崇拜所造成的價(jià)值觀和倫理觀的偏離和失衡。其次,探討了對理性的崇拜導(dǎo)致的人性缺失以及作品中喚醒人類對動物記憶的呼聲,指出文化的使命并非是對動物性的徹底摒除,而是實(shí)現(xiàn)人性和動物性的生態(tài)共生。最后論述了作品中動物性的多元態(tài)思想,指出人性本質(zhì)上包含了被人類話語排斥在外的動物性多元身份,這和德里達(dá)的animot形成了呼應(yīng),即人類應(yīng)當(dāng)回歸人作為動物的多元態(tài)而不是一元存在。因此,《羚羊與秧雞》是一部關(guān)于人性與動物性統(tǒng)一共生的生態(tài)文本,阿特伍德借此做出了對人性和動物性本質(zhì)的深刻思索,表達(dá)了她對后人類未來的關(guān)懷。
[Abstract]:This paper mainly discusses the ecological symbiosis of human nature and animal nature in Atwood's works. This paper first discusses the confusion between human nature and reason, expounds the author's irony to the supremacy of reason, and points out the deviation and imbalance of the values and ethics caused by the crazy worship of reason. Secondly, it discusses the lack of human nature caused by the worship of reason and the call to awaken human beings' memory of animals in their works, and points out that the mission of culture is not to completely exclude animality, but to realize the ecological symbiosis between human nature and animal nature. In the end, the author discusses the multi-state thought of animality in his works, and points out that the essence of human nature includes the pluralistic identity of animal nature excluded by human discourse, which echoes Derrida's animot. That is, human beings should return to the pluralistic state of the human being as an animal rather than a unitary existence. Therefore, antelope and Yangji is an ecological text about the unity of human nature and animal nature. Atwood makes a deep thinking about the nature of human nature and animal nature, and expresses her concern for the future of post-human beings.
【作者單位】： 北京大學(xué)外國語學(xué)院英語系;
【基金】：國家社科基金項(xiàng)目“加拿大文學(xué)的民族性構(gòu)建研究”(項(xiàng)目編號11BWW031)的相關(guān)成果
【分類號】：I711.074

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本文編號：2147588