樸婉緒系列小說(shuō)《媽媽的木樁》中的家族嬗變研究
發(fā)布時(shí)間：2018-07-20 19:27
【摘要】：樸婉緒是韓國(guó)當(dāng)代著名的現(xiàn)實(shí)主義女作家。她的小說(shuō)著重探討了朝鮮戰(zhàn)爭(zhēng)與民族分裂、產(chǎn)業(yè)化引發(fā)的物欲膨脹、女性解放、老年生活等一系列社會(huì)問(wèn)題。她的諸多作品圍繞“家族”這一主題,生動(dòng)地表現(xiàn)了戰(zhàn)爭(zhēng)和產(chǎn)業(yè)化進(jìn)程中的個(gè)體人物是如何生存并被邊緣化的,并以此細(xì)致入微地描寫了人物內(nèi)心的各種復(fù)雜矛盾。 本論文通過(guò)樸婉緒系列小說(shuō)《媽媽的木樁》中的家族嬗變研究,深入刨析后現(xiàn)代主義時(shí)期韓國(guó)社會(huì)的家族的存在及破敗樣態(tài),并探討家族復(fù)原方法及意義,進(jìn)一步解析樸婉緒小說(shuō)文學(xué)價(jià)值和意義。 為了論證上述觀點(diǎn),本論文擬采用社會(huì)歷史批評(píng)方法、結(jié)構(gòu)主義批評(píng)方法、主題學(xué)的批判方法相結(jié)合的方式,對(duì)系列小說(shuō)《媽媽的木樁》中的家族嬗變進(jìn)行研究。家族是人類社會(huì)最基本的組成單位,對(duì)這一對(duì)象的研究不僅在文學(xué)反映論層面上有其研究意義,而且有助于提高對(duì)文學(xué)本身存在形式的認(rèn)識(shí)。 本論文可以歸納以下幾點(diǎn)。 首先,《媽媽的木樁1》描寫了從前近代到近代的過(guò)程中封建大家族逐步解體形成都市家族。由于家庭中父親的早逝形成了以母親為中心的家族。雖然母親是家庭中唯一的經(jīng)濟(jì)勞動(dòng)者,但家里的實(shí)際家長(zhǎng)是兒子,兒子是母親的信仰、希望,象征著家庭秩序。一家人背井離鄉(xiāng)扎根在首爾這個(gè)大都市的過(guò)程中母親極力讓女兒變成“新女性”,可女兒渴望自由,不想受限制和管束。住在首爾郊區(qū)的母親極力想讓女兒融入城里的主流學(xué)校,但女兒感覺(jué)到自己不屬于城里也不能真正融入邊緣生活。這種社會(huì)身份的不確定性、內(nèi)心的混亂導(dǎo)致母女關(guān)系表現(xiàn)為矛盾、對(duì)立。但結(jié)尾以成年后的女兒理解和包容母親的態(tài)度結(jié)束,家庭樣態(tài)表現(xiàn)為融合和圓滿。 《媽媽的木樁2》描寫了戰(zhàn)爭(zhēng)導(dǎo)致兒子為家長(zhǎng)的一個(gè)家庭的破壞。母親和女兒無(wú)法面對(duì)失去親人的傷痛,用遺忘和回避的態(tài)度隱蔽親人的死亡。30年后一場(chǎng)意外,母親大腿骨骨折住進(jìn)了醫(yī)院。手術(shù)后麻醉藥物的作用下80多歲的母親在無(wú)意識(shí)中重新記起了在眼前兒子被中槍倒下去的一幕。母親和女兒面對(duì)失去親人的傷痛,彼此理解和包容對(duì)方。母親向女兒留下遺囑,像把兒子的骨灰撒到能看到朝鮮故土的江華島臨津江一樣,自己去世后也隨兒子回歸夢(mèng)寐以求的故鄉(xiāng)。以此分析戰(zhàn)爭(zhēng)不僅破壞一個(gè)家族乃至整個(gè)民族。 《媽媽的木樁3》中家族關(guān)系表現(xiàn)為母女關(guān)系和祖孫關(guān)系。母親去世后她的遺囑沒(méi)能實(shí)現(xiàn)。看似母女關(guān)系表現(xiàn)為對(duì)立和矛盾。孫子是追求名利的現(xiàn)代人,他想有模有樣地舉行葬禮,而且骨灰應(yīng)該葬在公園墓地,以便掃墓。結(jié)尾以想像中的母女之間的對(duì)話結(jié)束,母女關(guān)系表現(xiàn)為理解和和解。 本論文有緒論,本論和結(jié)論三個(gè)部分組成。緒論部分主要闡述了研究目的和范圍、研究成果介紹、研究方法和研究意義。第二章包括家族和社會(huì)、作品的相關(guān)性,家庭概念及與社會(huì)的關(guān)系,個(gè)人敘事和作品世界的關(guān)聯(lián)性。第三章主要闡述家族體驗(yàn)和小說(shuō)現(xiàn)實(shí),《媽媽的木樁》中“家族”的含義,《媽媽的木樁》的小說(shuō)現(xiàn)實(shí)(包括家族的破壞及家族的復(fù)原)。第四章是結(jié)論部分。結(jié)論部分概括為如下：樸婉緒系列小說(shuō)《媽媽的木樁》中的家族表現(xiàn)為封建大家族-單親都市家族-分裂家族。這個(gè)過(guò)程中主人翁之間的關(guān)系表現(xiàn)為矛盾、對(duì)立-和解、包容。
[Abstract]:Pao Wan is a famous contemporary female writer in Korea. Her novel focuses on a series of social problems, such as the Korean War and the division of the nation, the expansion of the materialism, the liberation of women and the life of the old. Her many works vividly show the individual in the process of war and industrialization around the theme of "family". How to survive and be marginalized, and to depict various complicated contradictions within the characters meticulously.
This paper, through the study of the family transmutation in the wooden pile of Mama's series of novels, deeply analyzes the existence and disappearance of the family of Korean society in the post modernist period, and discusses the methods and significance of the family restoration, and further analyzes the literary value and significance of the novel.
In order to demonstrate the above views, this thesis intends to study the family evolution in a series of novels, "Mama's wooden pile" by means of social historical criticism, structural criticism and critical methods of thematic. The family is the most basic unit of human society, and the study of this object is not only in the literary reflection theory level. It has its own research significance and helps to improve the understanding of the existing form of literature itself.
The following points can be summed up in this paper.
First, "mother 's wooden stake 1> describes the gradual disintegration of the feudal family from the former modern to modern times to form the urban family. The mother is the only economic worker in the family because the father died early in the family. Although the mother is the only economic worker in the family, the real family in the family is the son and the son is the mother's belief and hope. In the process of family order, family order. In the process of leaving home in the city of Seoul, the mother tried to make her daughter a "new woman", but the daughter longed for freedom, not to be restricted and managed. The mother living in the suburb of Seoul tried to bring her daughter into the mainstream school in the city, but her daughter felt that she did not belong to the city and could not really be in the city. The indeterminacy of the social identity and the innermost confusion caused the mother daughter relationship to be contradictory and antagonistic, but the end was ended with the adult daughter's understanding and tolerance of the mother's attitude, and the family pattern was manifested as fusion and perfection.
"Mother's wooden pile 2> describes the destruction of a family that led to a son's parents in the war. Mother and daughter can't face the pain of losing their loved ones, concealing the death of their relatives by oblivion and avoidance, an accident after.30 years, the mother's thigh bone fracture was admitted to the hospital. After the operation, the more than 80 year old mother was unconscious under the action of narcotic drugs. The mother and her daughter understand and contain each other in the face of the pain of losing their loved ones. The mother leaves a will to her daughter like a son's ashes to Jiang Hua Island, which can see the native land of Korea, and return to his dream home after his death. Analysis of war not only destroys a family or even the whole nation.
The family relationship in the mother's pile 3> shows the relationship between mother daughter and grandchild. After her mother's death, her will failed to come true. It seems that the relationship between mother and daughter appears to be antagonistic and contradictory. Sun Tzu is a modern man seeking fame and fortune. He wants to have funerals in a similar manner, and the ashes should be buried in the Park Cemetery to sweep the grave. End with an imaginary mother daughter. The end of the dialogue, mother daughter relationship shows understanding and reconciliation.
This thesis consists of three parts: the introduction and the conclusion. The introduction mainly expounds the purpose and scope of the study, the introduction of the research results, the research methods and the significance of the research. The second chapter includes the family and society, the relevance of the works, the family concept and the relationship with the society, the relationship between the individual narration and the world of the works. The third chapter mainly expounds the family. The family experience and the reality of the novel, the meaning of the Mama's wooden stake, the "family" in the mother's wooden pile (including the family's destruction and the family recovery). The fourth chapter is the conclusion part. The conclusion is summarized as follows: the family of the simple Wan Xu series < Mama's wooden pile > is the feudal family - the single parent City family - the separatist. In this process, the relationship between the masters is characterized by contradictions, opposites, reconciliation and inclusiveness.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I312.607.4
本文編號(hào)：2134527
[Abstract]:Pao Wan is a famous contemporary female writer in Korea. Her novel focuses on a series of social problems, such as the Korean War and the division of the nation, the expansion of the materialism, the liberation of women and the life of the old. Her many works vividly show the individual in the process of war and industrialization around the theme of "family". How to survive and be marginalized, and to depict various complicated contradictions within the characters meticulously.
This paper, through the study of the family transmutation in the wooden pile of Mama's series of novels, deeply analyzes the existence and disappearance of the family of Korean society in the post modernist period, and discusses the methods and significance of the family restoration, and further analyzes the literary value and significance of the novel.
In order to demonstrate the above views, this thesis intends to study the family evolution in a series of novels, "Mama's wooden pile" by means of social historical criticism, structural criticism and critical methods of thematic. The family is the most basic unit of human society, and the study of this object is not only in the literary reflection theory level. It has its own research significance and helps to improve the understanding of the existing form of literature itself.
The following points can be summed up in this paper.
First, "mother 's wooden stake 1> describes the gradual disintegration of the feudal family from the former modern to modern times to form the urban family. The mother is the only economic worker in the family because the father died early in the family. Although the mother is the only economic worker in the family, the real family in the family is the son and the son is the mother's belief and hope. In the process of family order, family order. In the process of leaving home in the city of Seoul, the mother tried to make her daughter a "new woman", but the daughter longed for freedom, not to be restricted and managed. The mother living in the suburb of Seoul tried to bring her daughter into the mainstream school in the city, but her daughter felt that she did not belong to the city and could not really be in the city. The indeterminacy of the social identity and the innermost confusion caused the mother daughter relationship to be contradictory and antagonistic, but the end was ended with the adult daughter's understanding and tolerance of the mother's attitude, and the family pattern was manifested as fusion and perfection.
"Mother's wooden pile 2> describes the destruction of a family that led to a son's parents in the war. Mother and daughter can't face the pain of losing their loved ones, concealing the death of their relatives by oblivion and avoidance, an accident after.30 years, the mother's thigh bone fracture was admitted to the hospital. After the operation, the more than 80 year old mother was unconscious under the action of narcotic drugs. The mother and her daughter understand and contain each other in the face of the pain of losing their loved ones. The mother leaves a will to her daughter like a son's ashes to Jiang Hua Island, which can see the native land of Korea, and return to his dream home after his death. Analysis of war not only destroys a family or even the whole nation.
The family relationship in the mother's pile 3> shows the relationship between mother daughter and grandchild. After her mother's death, her will failed to come true. It seems that the relationship between mother and daughter appears to be antagonistic and contradictory. Sun Tzu is a modern man seeking fame and fortune. He wants to have funerals in a similar manner, and the ashes should be buried in the Park Cemetery to sweep the grave. End with an imaginary mother daughter. The end of the dialogue, mother daughter relationship shows understanding and reconciliation.
This thesis consists of three parts: the introduction and the conclusion. The introduction mainly expounds the purpose and scope of the study, the introduction of the research results, the research methods and the significance of the research. The second chapter includes the family and society, the relevance of the works, the family concept and the relationship with the society, the relationship between the individual narration and the world of the works. The third chapter mainly expounds the family. The family experience and the reality of the novel, the meaning of the Mama's wooden stake, the "family" in the mother's wooden pile (including the family's destruction and the family recovery). The fourth chapter is the conclusion part. The conclusion is summarized as follows: the family of the simple Wan Xu series < Mama's wooden pile > is the feudal family - the single parent City family - the separatist. In this process, the relationship between the masters is characterized by contradictions, opposites, reconciliation and inclusiveness.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I312.607.4
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