本文選題：王爾德 + 女性主義思想　； 參考：《遼寧大學》2012年碩士論文

【摘要】：作為十九世紀英國文壇上的著名作家，王爾德以其優(yōu)美且反映現(xiàn)實的童話、戲劇及小說聞名于世。王爾德是當之無愧的唯美主義運動領軍人物，文壇上對王爾德的研究也多聚焦于他的唯美主義思想。但是，在王爾德的一系列作品中，也塑造了許許多多的女性形象。雖然其作品中的環(huán)境及人物形象設置都以唯美主義著稱，在研究王爾德時，也應注意，這位作家的女性主義意識十分明顯。在他的作品中，女性形象從不是傳統(tǒng)作品中的符號，更不是以往男性作家筆下的滿足男性理想的形象，而是若干具有強烈的自我意識，而且積極尋求自我價值的女性形象。王爾德認為，女性只憑一味順從和屈服，無法真正獲得男性的尊重和欣賞，因此他傾向于將女性塑造為具有思想，有堅定意志的形象，并在作品中充分肯定了女性對于家庭穩(wěn)定、幸福所起到的重要作用。 學術界對于王爾德的研究，主要集中于他對于唯美主義思想的貢獻，其作品中體現(xiàn)出來的唯美主義意象和他傳達給讀者的唯美主義感受。還有一些研究人員探討了王爾德的唯美主義及其他思想對于現(xiàn)代主義及現(xiàn)代社會的影響。 在當今社會，盡管女性的地位正在穩(wěn)步提升，但相對于男性，女性地位仍有巨大的提升空間，在職場上，女性獲得的機遇也較男性少，因此，關注女性的地位和境遇十分必要。而王爾德在距今百余年前對于改善女性生存情況的呼吁，對于如今女性地位的提高，，仍然具有一定的啟發(fā)作用。 為解析王爾德的女性主義思想，本論文分五部分來研究其思想在作品中的體現(xiàn)。 第一部分為引言，介紹王爾德女性主義思想的產(chǎn)生過程，簡要說明本文的理論基礎，文獻綜述，并論述本文的理論及現(xiàn)實意義。 第一章重點闡述女性主義思潮的產(chǎn)生及發(fā)展過程，并分析女性主義理論的大體分支及其理論和思想，為接下來的研究奠定理論基礎。 第二章著重分析王爾德筆下的莎樂美這一角色；莎樂美是古圣經(jīng)中的人物，王爾德將這一形象從古圣經(jīng)中提取出來，并在一定程度上進行了升華，將莎樂美塑造為不懼繼父權勢的公主形象，并且能夠勇敢追求自己的愛情，不因喬卡南的拒絕而退縮，想法大膽激進。本文借分析莎樂美這一女性形象，探討王爾德的激進主義女性主義思想。 第三章探討了《溫德米爾夫人的扇子》和《一個無足輕重的女人》兩篇戲劇作品中的若干女性形象，尤其是厄林太太和阿不思諾太太兩位“墮落”女性；王爾德通過這兩位性格迥異但經(jīng)歷相似的女人，表達出一個觀點，即在男權主義社會，犯過錯的女性比男性更不容易得到諒解，盡管相當一部分“墮落”女性悔過自新，自強自立，但仍無法擺脫社會的偏見。通過分析兩位女性的經(jīng)歷和性格，探討了王爾德的自由主義女性主義思想。 第四章分析了王爾德小說及童話中的女性形象，一方面借西比爾這一人物說明王爾德的女性主義思想能夠體現(xiàn)馬克思主義對于女性家務勞動應得到報償?shù)乃枷�，另一方面也說明，王爾德并非盲目崇敬女性，他筆下也有不美好的女性形象。 最后一部分為結(jié)論，綜合論述王爾德通過在作品中塑造堅強、獨立自主的女性形象，來表達并宣揚其女性主義思想。 在王爾德筆下，無論是戲劇作品中的莎樂美、厄林夫人還是小說中的西比爾，都具有以往作品中女性角色所不具備的鮮明的女性意識。甚至是外表柔弱的小弗吉尼亞，也懂得不隨便依附家人的看法，表現(xiàn)出對鬼魂的同情和堅定的意志。本文通過對王爾德筆下女性角色的探討研究，深入思考了王爾德的女性主義意識，證明了王爾德作為男性作家，非但沒有將女性作為次等性別對待，反而對其高度贊揚，體現(xiàn)了王爾德的女性主義思想。
[Abstract]:As a famous writer in the British literary world in nineteenth Century, Wilde is famous for his beautiful and realistic fairy tales, drama and novels. Wilde is a worthy leader of the aestheticism movement, and the study of Wilde in the literary world is mostly focused on his idealism thought. However, in a series of Wilde's works, it is also plastic A lot of female images have been created. Although the environment and figure setting in his works are famous for aestheticism, the study of Wilde should also be paid attention to. The feminist consciousness of the writer is very obvious. In his works, the female image is not the symbol in the traditional works, but not the man's satisfaction in the past. The image of a sexual ideal is a female image with a strong sense of self and a positive search for self value. Wilde believes that women can not really get respect and appreciation by men only by submissive and submissive, so he tends to shape women as thinking, strong will and fully affirmed in their works. Women play an important role in family stability and happiness.
The study of Wilde mainly focused on his contribution to aestheticism, the aesthetic imagery embodied in his works and the aestheticism that he conveyed to the readers. And some of the researchers discussed the influence of Wilde's aestheticism and other ideas on modernism and modern society.
In today's society, although the status of women is steadily improving, but relative to men, the status of women still has a huge promotion space, in the job field, women have less opportunities than men. Therefore, it is necessary to pay attention to the status and situation of women. And Wilde's appeal to improving the survival of women more than a hundred years ago, such as The improvement of women's status still has some enlightening effect.
In order to analyze Wilde's feminist thought, this thesis is divided into five parts to study the embodiment of his thought in his works.
The first part is the introduction, which introduces the production process of Wilde's feminist thought, briefly explains the theoretical basis, literature review, and discusses the theoretical and practical significance of this article.
The first chapter focuses on the emergence and development of feminist thoughts, and analyzes the general branches of feminist theories and their theories and ideas, laying a theoretical foundation for the next research.
The second chapter focuses on the role of Wilde's Salome; Salome is a character in the ancient holy scriptures. Wilde has extracted this image from the ancient Bible and sublimated it to a certain extent, making Salome a princess without fear of the power of the stepfather, and being able to pursue his love bravely, not by Joe Canan. Refusing to retreat and thinking boldly and radically, this article explores Wilde's radicalism feminism by analyzing Salome's feminine image.
The third chapter discusses the female images of "Mrs. Demille's fan >" and "a little woman > two", especially Mrs. and Mrs. Albus Nor, two "fallen" women; Wilde expresses a point of view through the two disparate but similar women, that is, in the patriarchal society, Women who have made mistakes are more difficult to understand than men. Although a considerable number of "fallen" women repent and become self reliant, they are still unable to get rid of social prejudices. Through the analysis of the experiences and characters of two women, Wilde's Liberalist feminism is discussed.
The fourth chapter analyzes Wilde's novel and the female image in the fairy tale. On the one hand, it shows that Wilde's feminist thought can reflect the thought that Marx should pay for the housework of women, and on the other hand, that Wilde is not a blind respect for women, and that he also has a bad female form in his writing. Elephant.
The last part is the conclusion, which comprehensively discusses Wilde's expression and advocating of feminism by creating a strong and independent female image in his works.
In Wilde's writings, both Salome, Mrs. Herlin, or the West bill in the novel, have a distinct feminine consciousness that the female characters do not have in the previous works. Even the weak Virginia in appearance knows not to be attached to the family to show sympathy and firm will to the ghost. Through the study of Wilde's female characters, this paper deeply thinks about Wilde's feminist consciousness, and proves that Wilde is a male writer, and not only does not treat women as secondary sex, but highly praises them and embodies Wilde's feminist thinking.
【學位授予單位】：遼寧大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I561.06

【參考文獻】

相關期刊論文 前2條

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2 劉朝暉;《莎樂美》與王爾德[J];深圳職業(yè)技術學院學報;2005年01期

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