本文選題：生態(tài)批評 + 生態(tài)思想�。� 參考：《哈爾濱師范大學(xué)》2012年碩士論文

【摘要】：在海明威的整體創(chuàng)作中，對自然的書寫不僅是其創(chuàng)作的重要內(nèi)容，也反映出作家對人與自然關(guān)系的深刻思考。本文采取文本細(xì)讀的方式，運(yùn)用生態(tài)批評理論，梳理海明威創(chuàng)作中的生態(tài)思想流變，探索其生態(tài)思想的復(fù)雜內(nèi)涵，并通過對海明威生態(tài)自然觀的深入闡釋，探究海明威生態(tài)理想之于現(xiàn)實(shí)的意義。 本文在緒論中對國內(nèi)外有關(guān)海明威的研究現(xiàn)狀行梳理，并闡明選題的理論與意義。正文分三章： 第一章生態(tài)批評批評視野中的海明威研究。概述相關(guān)生態(tài)批評理論，詳細(xì)地闡釋了魯樞元人類知識體系（把生態(tài)理論的構(gòu)建分為自然生態(tài)、社會生態(tài)和精神生態(tài)三個(gè)層面），并論述了海明威創(chuàng)作中自然和社會的關(guān)系。 第二章分析海明威作品中的生態(tài)思想。通過海明威的游記及相關(guān)作品的疏理，可以看到他的生態(tài)倫理觀念隨著他創(chuàng)作的不斷深化也發(fā)生著微妙的變化。從第一次非洲狩獵為實(shí)現(xiàn)自我的擴(kuò)張對動物實(shí)施的殘忍虐殺到第二次非洲之行與動物在精神與情感上的共通，從種族歧視到種族融合，從家園喪失到家園重建，海明威通過創(chuàng)作不斷思索人與自然的關(guān)系，逐漸形成了自己的生態(tài)倫理思想。 第三章海明威的生態(tài)理想及其現(xiàn)實(shí)意義。本章在第二章指認(rèn)海明威創(chuàng)作中的生態(tài)思想的基礎(chǔ)上，力求把問題引向深入，希望通過《老人與海》集中地全面地解索海明威的生態(tài)理想：回歸人與自然的諧和、實(shí)現(xiàn)詩意地棲居，進(jìn)而探究海明威生態(tài)理想之于現(xiàn)實(shí)的意義。結(jié)論總結(jié)了整個(gè)論文主要成果和在生態(tài)批評視野中研究海明威創(chuàng)作的意義。
[Abstract]:In Hemingway's overall creation, the writing of nature is not only an important part of his creation, but also reflects the writer's profound thinking on the relationship between man and nature. In this paper, the author adopts the method of reading the text carefully, applies the theory of ecological criticism, combs the evolution of ecological thought in Hemingway's creation, explores the complex connotation of his ecological thought, and explains Hemingway's ecological view of nature deeply. To explore the significance of Hemingway's ecological ideal to reality. In the introduction, this paper reviews the current research situation of Hemingway at home and abroad, and clarifies the theory and significance of the topic. The text is divided into three chapters: the first chapter is the study of Hemingway from the perspective of ecological criticism. This paper summarizes the theory of ecological criticism, explains in detail the human knowledge system of Lu Shuyuan (divides the construction of ecological theory into three levels: natural ecology, social ecology and spiritual ecology), and discusses the relationship between nature and society in Hemingway's creation. The second chapter analyzes the ecological thoughts in Hemingway's works. Through Ernest Hemingway's travels and his related works, we can see that his ecological ethics has undergone subtle changes along with the deepening of his creation. From the brutal killing of animals by the first African hunt to achieve self-expansion, to the second trip to Africa, to the spiritual and emotional commonality of the animals, from racial discrimination to racial integration, from the loss of homes to the reconstruction of their homes. Hemingway formed his own ecological ethics thought by constantly thinking about the relationship between man and nature. Chapter three: Ernest Hemingway's ecological ideal and its realistic significance. On the basis of identifying Hemingway's ecological thoughts in the second chapter, this chapter tries to lead the problem to a deeper level, hoping that Hemingway's ecological ideal will be fully and comprehensively understood through the Old Man and the Sea: a return to harmony between man and nature. To realize poetic dwelling, and then to explore the significance of Hemingway's ecological ideal to reality. The conclusion summarizes the main achievements of the whole paper and the significance of studying Hemingway's creation in the view of ecological criticism.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.074

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