發(fā)布時間：2018-05-10 10:47

  本文選題：希尼 + 身份　； 參考：《西南大學》2014年碩士論文

【摘要】：本文在導論部分說明了本研究的前提、價值和目標。該部分首先指出,身份問題做為文化研究的關注熱點,也同時成為了空間研究涉足的一個新的領域。由于空間的開放性和創(chuàng)造性特征,空間對身份的全新建構使得身份跳出了本質主義的牢籠,呈現(xiàn)出可變性和多樣性的特征。本部分同時指出,希尼研究雖對希尼的身份與所處地域之間的關系進行過分析,但對于身份的空間批評目前尚未出現(xiàn)。因而,該研究以希尼整體的詩歌創(chuàng)作為例,考察希尼在不同空間中對身份的尋求,并指出希尼不同身份特征的形成很大程度上取決于他的空間意識。本文作者認為,愛德華.索亞從后現(xiàn)代主義的“第三空間”視角對身份的解讀,和邁克.克朗的空間批評理論能幫助闡釋希尼在北愛爾蘭和英國兩種對立的文化空間中,在北愛暴力沖突高漲的政治空間中以及在詩人走上國際化舞臺后對身份的探尋之旅。根據索亞的理論,身份不是一成不變的,而是隨著特定的歷史、地理和文化不斷的添加新的內容,呈現(xiàn)新的狀態(tài)。而克朗指出,在文學作品中,由于不同文化力量和歷史事件的相互作用,地理景觀,地域和空間同樣能夠在文本之內建構起多重的文化內涵。兩種理論的有效結合,可以更好的探究希尼詩歌文本中身份在鄉(xiāng)村空間、歷史空間、現(xiàn)實空間、政治空間、語言空間和心理空間中的建構歷程。 本文的主體劃分為三部分： 第一章的三小節(jié)主要討論了身份在鄉(xiāng)村空間和語言空間中所取得的定位和超越。希尼家鄉(xiāng)德里郡的鄉(xiāng)村景觀和地理分布建構了他身份最初的二異狀態(tài),由于求學原因,在鄉(xiāng)村與城市之間的空間位移促成了他對身份的再思考：身份是一種繼承,同時又是不斷的超越。鄉(xiāng)村生活中的眾多空間意象,如：家園,田地,樹林,水泵,井,黑暗的中心等都成為希尼表征身份非固定性的空間形式。在詩歌內在空間的探索中,希尼將英語和愛爾蘭語所構成的中心與邊緣的二元空間的對立關系打破,構成兩種語言共存,甚至多種語言形式存在的全新空間格局。這從另一方面表征了他對身份所持的開放和包容態(tài)度。 第二章的三小節(jié)主要分析了在北愛爾蘭政治空間中身份的困境。沼澤地象征了北愛爾蘭的歷史和現(xiàn)實境遇,也成為了希尼身份困境的空間所在。在希尼被放逐和回歸的旅程中,貝爾法斯特被喻為藝術的不毛之地,格蘭莫爾是具有繁殖和生長能力的空間,是詩人詩歌生命的理想之地,都柏林是包容歷史和現(xiàn)實,多種文化和多種身份共存的社會空間,也成為詩人回歸的首選之地。斯特森島的幻想旅程是詩人的一次身份朝圣,內心懺悔,對話,爭議齊集于此,最終朝圣之旅的完成即標志著詩人擺脫約束,重新選擇身份的開始。 第三章的三小節(jié)闡釋詩人在現(xiàn)實與想象之間創(chuàng)造了身份的和諧空間。地獄和現(xiàn)世之間的游走,使詩人擺脫了死亡的恐懼,并堅定了詩人探尋永恒詩歌生命的道路。暴力場景和寧靜的鄉(xiāng)村生活畫面的并置和反轉,表現(xiàn)了詩人意欲在詩歌文本之內構建世界的平衡與和諧的努力。對自然的書寫和融于其中的強烈愿望,體現(xiàn)了詩人獨立于喧囂世界之外的意圖和選擇。由此,在各種空間元素的交錯與融合中,希尼詩人的身份得到了進一步的闡釋。 總之,身份的體現(xiàn)是一個復雜的,動態(tài)的過程。在希尼的詩歌文本中,通過運用空間分析,能夠探索和闡釋希尼在不同空間當中,身份的歸屬和定位。需要指出的是,在對身份的空間闡釋當中,希尼始終在為身份尋求一片開放之地,為身份的轉變和多樣構成創(chuàng)設空間,使得身份在空間的轉換當中,不斷獲得新的內容。
[Abstract]:This article explains the premise, value and goal of this study in the introduction part. First, it points out that identity problem is a hot spot of concern in cultural research, and it has also become a new field of space research. This section also points out that the study of the identity of Syney has not yet appeared, although he has analyzed the relationship between the identity and the region of his identity, and therefore, the study takes the holistic poetic creation of the Syney as an example to examine the search for identity in different spaces. The author argues that Edward Sawyer's interpretation of identity from the "third space" perspective of postmodernism and Mike Kron's theory of space criticism can help explain the two opposing cultural spaces in Northern Ireland and Britain. In the political space of the violent conflict in northern love and the quest for identity after the poet's step on the international stage, according to Sao's theory, the identity is not invariable, but with the constant addition of new content with the particular history, geography and culture, and Kron points out that in literary works, because of no The interaction of cultural forces and historical events, geographical landscapes, regions and spaces can also construct multiple cultural connotations within the text. The effective combination of the two theories can better explore the construction of identity in the text of the poetry of the hill country in rural space, historical space, real space, political space, language space and psychological space. The course of construction.
The main body of this article is divided into three parts:
The three section of the first chapter mainly discusses the position and Transcendence of identity in the rural space and the language space. The rural landscape and geographical distribution of dill County, the hometown of sill, constructed his original two different status. The spatial shift between the countryside and the city led to his rethinking of identity because of the reason for the study: the identity is the identity. A variety of space images in rural life, such as homes, fields, trees, pumps, wells, and dark centers, all become the unfixed spatial forms of identity. In the exploration of the inner space of the poetry, the two yuan space of the center and the edge of the English and Irish languages. The breaking of the relation of opposites constitutes the new spatial pattern of the coexistence of two languages, even in many languages, which, on the other hand, represents his open and inclusive attitude to identity.
The three section of the second chapter mainly analyzes the dilemma of identity in the political space of Northern Ireland. The marsh symbolizes the historical and realistic situation of Northern Ireland, and is the space for Pauusini's identity dilemma. In the journey of Pauusini's exile and return, Belfast is regarded as a barbarism of art. The space of the growth ability is the ideal place for the poet's life. Dublin is a social space that contains history and reality, many cultures and various identities coexist, and it has also become the first choice for the poet's return. The fantasy journey of the island is a pilgrimage of the poet's identity, confession, dialogue, and controversy in this, the final pilgrimage. Completion marks the beginning of a poet's freedom from constraints and his re selection of status.
The three sections of the third chapter explain that the poet created a harmonious space between reality and imagination. The wandering between hell and the present world makes the poet get rid of the fear of death and resolute the way the poet seeks the life of the eternal poetry. The juxtaposition and reversal of the scene of violence and the peaceful country life shows the poet's desire in poetry. The efforts to build a world's balance and harmony within the world. The strong desire for writing and blending of nature embodies the intention and choice of the poet to be independent of the hustle and bustle of the world. Thus, the identity of the poets is further explained in the interlacing and blending of various space elements.
In sum, the embodiment of identity is a complex and dynamic process. In his poetry text, through the use of spatial analysis, he can explore and explain the identity and location of the identity in different spaces. It is necessary to point out that in the spatial interpretation of identity, he always seeks an open place for identity in his identity. Transformation and diversity constitute the creation of space, so that identity in the transformation of space, and constantly get new content.

【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I562.072

【參考文獻】

相關期刊論文 前2條

1 董洪川;希尼與愛爾蘭詩歌傳統(tǒng)[J];當代外國文學;1999年04期

2 丁振祺;詩歌的對置和平衡——評希尼的詩集《酒精水準儀》[J];國外文學;2000年04期

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本文編號：1868994