發(fā)布時間：2018-05-08 14:06

  本文選題：愛倫·坡 + 《創(chuàng)作的哲學(xué)》��； 參考：《外國文學(xué)評論》2013年03期

【摘要】：《創(chuàng)作的哲學(xué)》因其明顯的批評話語常被批評界視為愛倫·坡的一則"經(jīng)典文論",而很少被看成一則"故事";即便偶或被個別批評家當(dāng)做"故事",亦往往淪為某種元批評范式下的理論寓言,或是作者愚弄讀者的一個商業(yè)計策。本文試圖一方面闡述《創(chuàng)作的哲學(xué)》之"創(chuàng)作性",另一方面分析《創(chuàng)作的哲學(xué)》與坡的經(jīng)典推理小說(尤其是《莫格街兇殺案》)之間存在的內(nèi)部契合與文本呼應(yīng),并在此基礎(chǔ)上將其詮釋為一則以"《烏鴉》的‘發(fā)生'"為謎案、以詩學(xué)探討為線索、以邏輯分析為手段的"推理故事"。同時,肯定《創(chuàng)作的哲學(xué)》之故事性不應(yīng)以犧牲其理論性為代價,因此,本文還將對《創(chuàng)作的哲學(xué)》所涉及的愛倫·坡詩學(xué)的若干核心命題加以探求,并特別指出坡圍繞"真"、"善"、"美"所展開的討論絕非簡單的方法論上的"一刀切",而是力圖實現(xiàn)一種詩學(xué)的辯證平衡。
[Abstract]:"philosophy of creation", because of its obvious critical discourse, is often regarded as a "classic literary theory" by Allan Poe, but rarely as a "story"; even if occasionally or by individual critics as "a story," it is often reduced to a certain. Theoretical fables under the paradigm of metacritical criticism, Or a commercial ploy by the author to fool the reader. On the one hand, this paper attempts to expound the "creativeness" of "philosophy of creation", on the other hand, it analyzes the internal consonance between "philosophy of creation" and Poe's classical reasoning novel (especially the murder of Mog Street). On this basis, the author interprets it as a "reasoning story" with "the Crow" as a riddle, a poetics as a clue and a logical analysis as a means. At the same time, it affirms that the story of "philosophy of creation" should not be sacrificed at the expense of its theory. Therefore, this article will also explore some core propositions of Poetics of Allan Poetics involved in "philosophy of creation". It also points out that Poe's discussion around "truth", "goodness" and "beauty" is not a simple methodological "one-size-fits-all", but a dialectical balance of poetics.
【作者單位】： 南京理工大學(xué)外國語學(xué)院英語系;
【分類號】：I712.072

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