本文選題：《虹》 + 物理空間��； 參考：《河北師范大學(xué)》2012年碩士論文

【摘要】：D.H.勞倫斯是20世紀(jì)文壇上最著名的作家之一，也是最具爭議的作家之一。他被譽(yù)為文壇巨匠。他的許多作品吸引了無數(shù)專家學(xué)者的目光，尤其是《虹》�！逗纭芬云湓娦园愕恼Z言和大量意象、象征、暗喻等而著稱，具有現(xiàn)代化傾向。1945年約瑟夫弗蘭克在他的論文《現(xiàn)代小說的空間形式》中提出了小說空間化，這為《虹》的分析提供了一個(gè)嶄新的視角。在《虹》中，D.H.勞倫斯充分使用并置和反應(yīng)參照，使得這篇小說獲得了空間特點(diǎn)。并置使得文本具有同時(shí)性和視覺性。它打破了時(shí)間流，使閱讀變得陌生化。因此，讀者必須進(jìn)行重讀，并且在小說本身中得出自己的連續(xù)結(jié)果。通過反應(yīng)參照，讀者將各種參照物聯(lián)系起來重建一個(gè)參照體系，并在整體中同時(shí)理解每個(gè)參照的意義。并置使小說獲得文本空間，反應(yīng)參照使讀者獲得感知空間。即并置和反應(yīng)參照使一切都處于同一平面，似乎一切都同時(shí)存在。它們消減了時(shí)間流，使小說具有同時(shí)性和空間性。 本論文共分三部分。第一章探究小說的物理空間，揭示物理空間對主題深化起到的積極作用。第二章分析小說的文本空間，表明并置取消了敘述時(shí)間使不同層次的情節(jié)同時(shí)展開，實(shí)現(xiàn)了小說的文本空間。第三章闡述小說對讀者形成的感知空間，說明反應(yīng)參照的相互聯(lián)系而形成的感知空間。在重讀中，讀者將部分意象和場景作為參照，將各個(gè)參照在空間中鏈接起來。通過拼接，，感知空間形成。 空間形式的探索為《虹》提供的一個(gè)全新的視角，展現(xiàn)了多種空間形式的相互作用。這不僅使小說《虹》具有生命力還成為深刻系統(tǒng)地解讀《虹》的一把鑰匙。
[Abstract]:D.H. Lawrence is one of the most famous writers and one of the most controversial writers in the 20th century. He is known as a great man in the literary world. Many of his works have attracted the attention of numerous experts and scholars, especially the Rainbow, which is famous for its poetic language and a large number of images, symbols, metaphors, etc. In 1945, Joseph Frank proposed the spatialization of the novel in his thesis "the Space form of Modern Fiction", which provided a new angle of view for the analysis of Rainbow. D. H. Lawrence made full use of juxtaposition and response reference, so that the novel acquired spatial characteristics. Juxtaposition makes the text simultaneous and visual. It breaks the flow of time and defamiliarizes reading. Therefore, the reader must reread and draw his own continuous results in the novel itself. Through response reference, the reader reconstructs a reference system by associating each reference and understanding the meaning of each reference at the same time in the whole. Juxtaposition enables the novel to gain text space and the response reference to make the reader aware of it. That is, juxtaposition and response reference put everything on the same plane, as if everything existed at the same time. They reduce the time flow and make the novel simultaneous and spatial. This thesis is divided into three parts. The first chapter explores the physical space of the novel and reveals the positive effect of the physical space on the deepening of the theme. The second chapter analyzes the text space of the novel, which shows that the juxtaposition cancels the narration time to make the plot of different levels expand simultaneously, and realizes the text space of the novel. The third chapter expounds the perceptual space formed by the novel to the reader, and explains the perceptual space formed by the interrelation of the reaction reference. In rereading, the reader uses some images and scenes as references and links them in space. Through splicing, perceptual space is formed. The exploration of spatial form provides a new perspective for Rainbow, showing the interaction of various spatial forms. This not only makes the novel "Hong" have vitality, but also becomes a key to a profound and systematic interpretation of "Rainbow".
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I561.074

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